Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 1000 matches for your search. Order by

Results

  • £29.95

    Song for the Skies

    Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £25.00

    The Garland Waltz (Tchaikovsky arr. Dan Price)

    The Garland Waltz comes from 'The Sleeping Beauty', the second of three ballets by Pyotr Tchaikovsky. Sleeping Beauty's theme is simplistic and focuses on the conflicting forces of good and evil through the characters the Lilac Fairy (good) and Carabosse (evil). The ballet's premiere in 1890 received more favourable accolades than 'Swan Lake' but Tchaikovsky never witnessed the work's true success outside of Russia as he died in 1893. By 1903, 'The Sleeping Beauty' was the second most popular ballet in the repertoire of the Imperial Ballet, having been performed 200 times in only 10 years. The waltz and other music from the ballet has been used extensively in film and television, most notably in Disney's animated version of 'Sleeping Beauty' and the recently released 'Maleficent'. Here, Dan Price faithfully transcribes Tchaikovsky's original score for Brass Band. Duration : 00:04:45 Grade : 3.5 / 4

    Estimated dispatch 5-7 working days
  • £34.95

    Song of the Night Sky - Christopher Bond

    Orpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea. And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster. The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in. His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies. Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.

    Estimated dispatch 5-10 working days
  • £29.95

    March: The Royal Green Jackets - Jonathan Bates

    DURATION: 3'00". DIFFICULTY: 3rd+. 'The Royal Green Jackets' is a march composed for BD1 Brass as part of a set of music inspired by the British astronaut Tim Peake. . Following his graduation from the Royal Military Academy in Sandhurst in 1992, Peake became a member of the Royal Green Jackets - a former infantry regiment of the British Army, later to become The Rifles - serving as a Platoon Commander before commencing his flight training. 2 years later in 1994, Peake received his Army Flying Wings and spent 15 years serving in military operations in the likes of Yugoslavia and Afganistan. . In 2009, Peake was selected as a European Space Agency astronaut and completed his basic training in November 2010.

    In Stock: Estimated dispatch 1-3 working days
  • £183.20

    The Junction Point - John Brakstad

    The railway between Oslo and Bergen, "Bergensbanen", was built in the years 1895 1909. This piece is dedicated to the railway labourers, the navvies, who did the hard work across the mountains. Most of the work, even in the tunnels, were done by hand. The official opening of the railway was in 1909, but there was also a celebration and a dynamite salute when the two teams of labourers and locomotives from East and West met in the mountains in October 1907. At this point, the rails were joined together with a joint in the national colours: "The Junction Point"!

    Estimated dispatch 5-14 working days
  • £119.99

    The Patriots - Jan de Haan

    The Dutch patriottentijd (literally 'Time of the Patriots') was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song 'Merck toch hoe sterck'. Its powerful minor melody, which has its origins in the Eighty Years' War, is recognizablethroughout the work, presented in variations of constantly shifting character.

    Estimated dispatch 5-14 working days
  • £119.99

    The Lonesome Knight - Saskia Apon

    The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus. Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability. At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

    Estimated dispatch 5-14 working days

     PDF View Music

  • £115.60

    Battle of the Galaxy - Roar Minde Fagerli

    Battle of the Galaxy is a suite in four movements. The composer describes the battle between the good and evil in a fantasy galaxy.The first movement is a journey into the galaxy. In the second movement dark and evil forces invade the galaxy. The third movement is the inhabitants hope for peace in the galaxy. In the last movement the heroes step forward and bring peace to the galaxy.The composer is inspired by films and TV series in the science fiction genre.

    Estimated dispatch 5-14 working days
  • £168.50

    Music of the Spheres - Philip Sparke

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004.The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the sixknown planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia.The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bangwhen time and space were created, and this is followed by a depiction of the Big Bangitself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated dispatch 5-14 working days

     PDF View Music

  • £35.00

    The Holly and the Ivy (Brass Band - Score and Parts) - McKenzie, Jock

    This traditional folk carol was collected by Cecil Sharp and was published in his collection 'English Folk-Carols' in 1911. Sharp states that he heard the tune sung by Mrs Mary Clayton at Chipping Campden in the Cotswolds, Gloucestershire. Variants of the carol's lyrics appeared in various publications around the English Midlands, most notably in Birmingham in the early 19th century. This arrangement focuses' on the line from the carol's refrain "and the running of the deer" - influencing both choice pace and the 'hurdles' to be jumped over. Duration: 2.00

    Estimated dispatch 7-14 working days

     PDF View Music