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  • £44.00

    Fairfield Fanfare (expanded version) - Roxanna Panufnik

    Fairfield Fanfare (expanded version) by Roxanna Panufnik is a 4-minute work for youth and mixed choirs, brass band and orchestra. Originally commissioned to celebrate the 50th anniversary of the Fairfield Halls, Croydon in 2012, the opening chords are based on all the alphabetic note names from FA-ir-F(#)-i-E-l-D, heralding a flourishing section of hustle and bustle that is the city of Croydon today.This expanded version includes brass band and choirs, with a setting of the text from Psalm 127. The expanded version was commissioned by the London Mozart Players, who premiered the piece on 30 June 2016 at Fairfield Halls, Croydon.This edition is the full score in C (EP 72880). It is available for sale as part of the Peters Contemporary Library. The performance material can be hired as well as a transposed full score, if preferred.

    Estimated dispatch 5-14 working days
  • £188.50

    Fansa da Matasa - Reid Gilje

    "Fansa da Matasa" was written for Norwegian Brass Band Felleskorpset Askoy, today named Ravnanger Brass.The piece is divided into six main parts where the last one includes the hymn "Colne";Part 1 starts slowly, but rhythmically where the intensity grows towards a virtuosic Part 2.Part 2 feature a demaning solo for xylophone (bars 55 to 63). A simplified version of this solo is included in the part.Part 3 starts with some declamatory cadences and continue with several solos before it closed with a larger tutti-part.Part 4 has to be played well firmly and rhythmically. The melody is more of a cantabile style.Part 5 is a beautiful and quiet one with a touch of melancholy. (Small notes in Baritone to played if necessary).Part 6 has to be played with a rhythmic drive and intensity. The hymn "Colne" starts at bar 248 and should be played with a sostenuto-style.

    Estimated dispatch 5-14 working days
  • £54.99

    Heb je even voor mij

    Since his first successes in the 1990s the amiable popular singer Frans Bauer has grown into a megastar in the Netherlands. In Germany, too, he has a great number of fans. Although he is derided by many because of his schmalzy style, Frans Bauer sells CDs galore, attracts full houses everywhere and can be viewed in his own reality soap on television. In 2004 he was even awarded a Gouden Harp (Gold Harp), which is the most important prize within Dutch music. It is presented to artists and composers who have promoted Dutch light music in their own unique way during their career. The cheery singalong Heb je even voor mij (Got a Minute for Me) is a great top hit: a winner in everypub and at parties. This arrangement by Klaas van der Woude willput the musicians as well as the audience in a happy mood.

    Estimated dispatch 5-14 working days

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  • £164.99

    Diamond Concerto - Philip Sparke

    Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMorschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and concert band (AMP 354-010).

    Estimated dispatch 5-14 working days

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  • £35.00

    Magic Flute Overture, The (Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip

    Mozart's The Magic Flute is a two-act opera composed in 1791, the year of his death. It was the culmination of a period of increasing involvement by Mozart with Emmanuel Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. The Magic Flute is noted for its prominent Masonic elements; both Schikaneder and Mozart were believed to be Masons and also lodge brothers. Much of Mozart's Masonic music is written in the key of E flat. This key, with 3 flats is indicative of Masonic symbolism. There are other examples of the number three in the opera as well. The opening chords of the introduction sound three times, which also happens during the Temple scenes. Also represented in threes are the three temples of Wisdom, Reason and Nature. Tamino tries to open the three doors of the temple. There are three ladies, the attendants to the Queen of the Night, and three boys who serve as guides to Tamino and Papageno. Duration: 6:30

    Estimated dispatch 7-14 working days

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  • £39.95

    On the Face! (Value Set)

    The Value Set contains the score and one of each part:1st B flat Trumpet/Cornet2nd B flat Trumpet/CornetTrombone/Euphonium/Baritone BCTrombone/Euphonium/Baritone TCHorn in E flatHorn in FHigh Trombone/Euphonium/Baritone TC*High Trombone/Euphonium/Baritone BC*E flat Bass/Tuba TCE flat Bass/Tuba TCPercussion and occasional Aux. Percussion(* for use only when there is a Tuba in the ensemble)Additional scores and parts are available individually.On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.

    Estimated dispatch 7-14 working days
  • £94.00

    Montage (Brass Band - Score and Parts)

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries.The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated.A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles.The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon.The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target.

    Estimated dispatch 7-14 working days
  • £39.50

    A Friend I Have (Brass Band) Fendall Hill

    The composer writes: 'This work is a personal interpretation of the well known hymn What a Friend We Have in Jesus. This piece is autobiographical in that it reflects the friendship I have with Jesus, and some of the moods, nature and outcomes of many of those conversations. For example, the Blues section is representative of times where I present my 'blues' to him, and he turns them around. It's very personal and hard to describe the full nature of my relationship, but this music provides a good window. He is certainly my Lord, my Saviour, and my most precious friend.' PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com To view a performance video of the work please visit: https://www.youtube.com/watch?v=cN-zYhdwaxM Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium 1-2 Bb Bass Eb Bass Bb Drum Kit Temple Blocks Timbales

    In stock: Estimated dispatch 1-3 days
  • £36.00

    Lime Tree Islet - Jan Utbult

    Lime Tree Islet is a jazz-tune composed by Jan Utbult for Noteservice' Flex 4 series. The song has a simple form and logical melody. The middle section features a drum solo as well as a tutti-passage where the intention is to make it sound like a big band playing this kind of music.The title is a pun with one of the Islands, Lindholmen in the northern part of the Gothenburg archipelago. The archipelago is visited by many people and their yachts every summer.

    Estimated dispatch 12-14 working days
  • £60.00

    Montage (Score only) - Peter Graham

    Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries. The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated. A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles. The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon. The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target. Duration: 16:00

    Estimated dispatch 5-7 working days