Results
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£20.00King Lear Fanfare - Claude Debussy
King Lear is a tragedy by William Shakespeare. Lear descends into madness bringing tragic consequences for all. Based on a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. Its first known performance was in 1607, George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear". Originally orchestrated for 2 flutes, 4 horns, 3 trumpets, timpani, side drum, 2 harps, and strings, Debussy wrote five minutes of incidental music for a production of King Lear, produced at the Theatre Mogador Paris in 1904.
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£30.00Sussex Carol - Traditional
This carol is also known by its first line "On Christmas Night all Christians Sing". It was discovered by Cecil Sharp in Gloucestershire and notably by Ralph Vaughan Williams in Sussex. Vaughan Williams heard it sung by Harriet Verrall of Monk's Gate, near Horsham, Sussex (hence "Sussex Carol"). It is the melody that Harriet Verrall sang that Vaughan Williams transcribed and published in 1919. It is this same version that is still very popular today.
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£59.99Bofors To The Fore Joseph Knight
This piece was a commission to commemorate the memory of Gunner A. E. Collins who during the second world war was engaged in an action where during an advance through Belgium heavy resistance was met and he and an officer had to cover a retreat using Bofors guns. In the final report the title of this piece was actually used by the commanding officer.The piece its self is in three movements and follows the flow of the battle. The first movement called "Advance" is cautious and has the hint of battle. It starts quietly and then builds up slowly and finishes unresolved. Movement two "Engagement" starts suddenly in 7/8 and uses cyclical rhythms and clustered chords to show the horror and chaos of battle and also the firing the Bofors guns. The third movement "Safe Return" brings all of the themes from the first two movements and finishes with "The End Of The Day". The commission stated that bugle calls and "The End Of The Day" should be included.The piece is suitable for a concert work or indeed the contest stage.J Knight 2022.
Estimated dispatch 5-9 working days
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£30.00A Million Love Songs - Gary Barlow
Made famous by the boy band 'Take That', this fantastic new angle on the song from Lucy Pankhurst, creatively features the flugel and tenor horn section with full support from the accompanying band.Take That's Gary Barlow wrote 'A Million Love Songs' when he was 15. He also recorded a rough demo of the track, and was one of the songs he gave to music manager Nigel Martin-Smith on a cassette tape as part of his audition to join a boy-band.In his autobiography A Better Me, Gary revealed that Martin-Smith was so impressed by the tape, that he didn't realise it was Gary singing. As legend has it, the conversation went like this:Martin-Smith: "This tape, who has written the songs?"Barlow: "Me"Martin-Smith: "Who wrote the words, then?"Barlow: "Me. And the music and the backing track."Martin-Smith: "Wow, you'd better come back and see me tomorrow."The ballad became one of the group's most popular songs, and is often voted among the greatest love songs of all time. It peaked at No. 7 in the UK charts, and remains a firm favourite, not just for its sentiment, but for the beautiful melody Barlow created.Lucy's arrangement for brass band brings a whole new dynamic to the music and offers the flugelhorn and tenor horns a golden opportunity to shine.
In Stock: Estimated dispatch 3-5 working days
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£75.00De Profundis - john wallace, Tony George
An original composition for massed brass bands and brass quintet devised by John Wallace, Tony George and Svend McEwan-Brown. A cross-genre production work, including scene setting, lighting and the spoken word reciting associated poems, De Profundis was given its world premiere at the East Neuk Festival on 1 July 2017 at The Bowhouse, performed by The Wallace Collection, Tullis Russell Mills Band and friends.If you would like to perform this work, The Wallace Collection are able to provide production consultancy and supply the brass quintet elements of the production - if you would like to discuss potential performances, please contact them direct on [email protected] NotesDe Profundis is a large scale brass band performance piece created by John Wallace and Tony George, based upon an original idea by Svend McEwan-Brown. It was developed in sessions with members of the Tullis Russell Mills Band, commissioned and premiered at East Neuk Festival 2017 at The Bowhouse, St Monans, on 1st July 2017.It was supported by Creative Scotland, Fife Council, Toby and Kate Anstruther, Shields and Carol Henderson, Donald and Louise MacDonald.This project remembers and celebrates the lives and music of miners. It is designed to give brass bands a performance piece that uses elements of improvisation and participation, to offer the players a stimulating and inspiring experience beyondthe normal run of brass band repertoire.All the music is drawn from two settings of the psalm 'Out of the Deep" (De Profundis).Look and Listen (courtesy of Tullis Russell Mills Band and The Wallace Collection at 2017 East Neuk Festival):More InformationMore details about the De Profundis project is available on a dedicated web-page on The Wallace Collection website.
In Stock: Estimated dispatch 3-5 working days
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£30.00Eleanor Rigby - Lennon & McCartney
In 1966 The Beatles released a single, which included the song Eleanor Rigby. Now an all time, international favourite from the group, this evocative song, with its magical string accompaniment (provided by their producer and arranger, Sir George Martin) has been embraced by numerous artistes and genres.In this artful arrangement for brass band, Tim Paton has successfully transcribed that original sound and created a wonderful concert item.Roger Thorne commented:"I have recently purchased Tim's arrangement of this classic Beatles number and would definitely recommend it. A must for every band library. A fantastic arrangement,Thanks Tim."
In Stock: Estimated dispatch 3-5 working days
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£45.00The Pilgrim - Josiah Walters
Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.
In Stock: Estimated dispatch 3-5 working days
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£20.00The Windmills of La Mancha - Steve Robson
Composed by Steve Robson and scored specifically for our Flexi-Collection World Tour Series, this lively piece brings a truly Spanish flavour to the stage. Using the colourful story of Don Quixote as its inspiration, the composer has used the distinctive Spanish rhythms and harmonies to create a memorable performance that will no doubt get the audience finishing off with a loud "Ole"!The Windmills of La Mancha is part of the Flexi-Collection World Tour Series.Look and Listen (courtesy of Ushaw's Youth Brass Concert - World Tour 2019):Our Flexi-Collection Series:Flexible scoring tailored to your needs - a perfect solution for expanding the repertoire of Junior/Youth brass bands and ensembles. The Flexi-Collection currently offers two series and these will be regularly expanded to offer groups an even wider variation of music. Based on four-part harmony, these collections provide brass groups with the advantage of complete flexibility when may not be balanced.Added Extras:Each part of The World Tour Series also includes rudimentary theory reference sheet and Learn Together Moments (warm-up passages which relate to each of the styles of pieces included in the whole series). The score also includes background/programme notes and Check It Out ideas to encourage the players to find out more about the music style and/or inspiration behind the piece.If players or instruments are missing, the show can still go on! The thoughtful scoring and arranging by Steve Robson now means that groups of all abilities have access to a truly flexible set of music for their needs.Available for Brass Band (with world parts included), pieces included in our World Tour Series offer flexibility in every sense of the word.(Available individually or as part of the completeFlexi-Collection World Tour Series Album).
In Stock: Estimated dispatch 3-5 working days
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Peterborough Mass - Jeremy Cladd - Len Jenkins
Peterborough Mass comprises 5 Movements, Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. It was composed by Jeremy Cladd who became Head Chorister during his teenage yearsat Peterborough Cathedral. Total immersion in the music within such an inspiring building caused Jeremy to look deeper into the liturgical aspects of the Mass in order to understand the origins of the literary text being sung, so that he could paint a musical landscape based upon his interpretation of the text. From a musical perspective, Jeremy's Kyrie takes its inspiration from Philippians 2 vv1-11 (NIV) "Imitating Christ's Humility", and is structured AB where A refers to humility and submission "lord have mercy" and B relates to "united with Christ", with the latter evoking feelings of salvation and joy. In sympathy with the literary text, the Kyrie has a short introduction, and then a ternary form ABA structure where A is influenced by polyphonic choral writing and B by homophonic choral writing. This is the first of the five Movements to be arranged for Brass Band with Choir and comprises a full brass band score, parts for all instruments and a choral practice score.
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Duet For Two Cats - G. Rossini - Len Jenkins
"Duet For Two Cats" is often performed as an encore to vocal recitals and operatic galas. It may be sung by two sopranos, male-female pairs, or even as a tomcat duet and can be accompanied by a piano or a full orchestra. The lyrics are simple; the single word 'Miaow', repeated with various styles of inflexion and attitude throughout the piece. Our arrangement is for a cornet and trombone. The piece is generally ascribed to Rossini, though there is some doubt as to its actual origins and whether it is an authentic work by that composer. It is believed that an English composer, Robert Lucas Pearsall under the pseudonym G. Berthold may have assembled the various elements from Rossini and perhaps other composers into the piece as we now know it. In order to achieve the correct balance between band and soloists, there is a need to mute most of the band instruments. Recognising that not all bands will have the larger mutes which are expensive and sometimes unwieldy, we suggest a form of muting made famous by a jazz trumpeter and which works well on most instruments. It consists of a circle of heat resistant padded table covering or felt, slightly larger than the bell diameter, with an elasticated edge like a 'mop-hat'. With 3 holes in it to let the sound out, the mute is then simply stretched over the bell to achieve the desired effect and folded up when not required.
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