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  • £64.50

    A Legend For Brass Band - Andreas Sporri

    Estimated dispatch 7-14 working days

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  • £88.00

    THE LEGEND OF SAINT ODILE - Mario Burki

    Estimated dispatch 7-14 working days

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  • £76.99

    Legend in Brass (Brass Band - Score and Parts) - Curnow, James

    Duration: 12.30

    Estimated dispatch 7-14 working days
  • £58.60

    LEGEND FOR BRASS BAND, A (Brass Band) - Sporri, Andreas

    Grade: Medium.

    Estimated dispatch 7-14 working days

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  • £75.90

    LEGEND OF HANS ROTH Solothurn 1382 (Brass Band) - Lorriman, Howard

    Tone Poem. Grade: Easy/Medium. Recorded on Obrasso CD954 Forever Shining (Black Dyke Band conducted by Nicholas J Childs)

    Estimated dispatch 7-14 working days

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  • £25.00

    Legend Of The Sword - Jirka Kadlec

    Estimated dispatch 7-14 working days

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  • £64.99

    Lord of the Lake - Thierry Deleruyelle

    Lord of the Lake is a work in three separate movements which tells the legend of the "Sea of Flines". Stephane Coquet, the conductor of the Flines-lez-Raches concert band, wanted to celebrate the 140th anniversary of his band by commissioning this work. The piece can be performed either on its own, or with a narrator who intervenes between each movement, telling this legend where children and their parents thwart the cruelty of a lord holed up in his castle.

    Estimated dispatch 5-14 working days

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  • £134.99

    Mirage - Jan de Haan

    The composition Mirage takes inspiration from the legendary ghost ship "The Flying Dutchman", a story deeply rooted in maritime folklore. Cursed to wander the oceans forever, the ship often looms like a mirage on the horizon - a mysterious apparition in which reality and illusion blend intangibly.In Mirage the music tries to bring this mystical appearance to life. The piece begins with an atmosphere of mystery and wonder, creating the illusion of a mirage. The listener is taken to the vast sea, where the boundaries between the real and the unreal blur and the ghostly silhouette of the ship gradually becomes visible. Suddenly the tone changes. Powerful rhythms and stormy harmonies follow, expressing the ship's battle against the raging forces of nature. After this intense section, in which the musicians are pushed to their limits, the tranquility of the sea returns. The recurring mirages inspired the composer to create a lyrical middle section, in which various soloists tell their stories within this legend. In the final part, the sails are hoisted again, and the three-master continues its endless journey.

    Estimated dispatch 5-14 working days

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  • £139.99

    The Raid - Oliver Waespi

    This piece tells the story of a conflict between the communities in the valleys around Srenberg, a village in Entlebuch in the Swiss canton of Lucerne.An old legend from the 14th century tells of an attack on Srenberg by marauding Obwaldners who stole the local cattle. It's full of spectacular effects and impressive rhythmical and dynamic sequences. Ideal as a contest piece.

    Estimated dispatch 5-14 working days

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  • £10.00

    The Once and Future King

    DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!

    Estimated dispatch 7-14 working days