Results
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£35.00Symphony No.5, Finale from (Brass Band - Score and Parts) - Littlemore, Phillip
Tchaikovsky composed his fifth symphony in the summer of 1888. He suggested that the opening-and recurrent-theme of the symphony represented "a complete resignation before Fate." The finale begins with a slow introduction of the 'fate' theme which segues into an Allegro Vivace of drive and energy, during which a majestic version of the fate theme periodically emerges. Finally, after a notorious "false" ending, the music courses ahead to a dramatic climax. Duration: 7:30
Estimated dispatch 7-14 working days
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£35.00Toccata (from Symphony No.8) (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Littlemore, Phillip
Ralph Vaughan Williams' Symphony in D minor (his eighth) was composed in 1956, when he was in his 84th year. It is noticeably different from its predecessors in its diminutive scale and comparatively short length. However, the symphony is scored for an unusually large percussion ensemble including vibraphone, xylophone, tubular bells, glockenspiel, tuned gongs and celeste. In the Toccata, the fourth and final movement, Vaughan Williams uses the enlarged percussion forces extensively - the eight symphony is therefore in some ways a highly imaginative work, perhaps even an experimental one.. This brass band transcription tries to remain as true to the original percussion writing as possible, but with the omission of the tuned gongs and celeste--for obvious practical performance reasons. Duration: 5:00
Estimated dispatch 7-14 working days
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£42.95TWO HYMNS TO THE MOTHER OF GOD (Brass Band) - Tavener, John - Littlemore, Phillip
Two Hymns (A Hymn to the Mother of God (3:00); Hymn for the Dormition of the Mother of God (3:45)) were written in memory of the composer's mother. The first, originally composed for double choir, is a setting of a text from the Liturgy of St. Basil. It speaks of the almost cosmic power attributed to the Mother of God by the Orodox Church. The second comes from the Vigil Service for the Dormition (or falling asleep) of the Mother of God. She invites the apostles to gather together from the ends of the earth to bury her body in Gethsemane, and asks her son to receive her spirit.
Estimated dispatch 7-14 working days
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£25.00Accolade - Phillip Littlemore
Accolade - meaning an award, an honour or a laudatory notice. This fanfare for brass band literally builds from the bottom up as a battery of percussion leads to the lower band's statement of the theme before passing through the middle of the band that builds with a series of interjections. The theme is then restated in the upper band before the battery of percussion returns to end.The fanfare was written for Regent Brass as the title track for their 1990 recording to celebrate both their 5th anniversary and to being crowned 3rd Section Champion Band of Great Britain in 1988 - an accolade indeed!Duration: c.1'00"Diffiiculty: Suitable for all grades
Estimated dispatch 5-7 working days
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£25.00Air from the Suite in D - J. S. Bach arr. Phillip Littlemore
Johann Sebastian Bach's Suite No. 3 in D, from a set of four such suites, was recreated from a set of autographed parts from around the 1730s, as no score has survived. The music is believed to date from some years prior to that and is possibly derived from an even earlier work than that.The Air, perhaps the most famous movement from all the Suites, has been arranged as a tenor horn feature, although there is no part for cornets, bass trombone, euphoniums or percussion in this transcription.Duration: c. 3 minutesDifficulty: Suitable for all
Estimated dispatch 5-7 working days
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£30.00Can-Can from Orpheus In The Underworld - Jacques Offenbach arr. Phillip Littlemore
Offenbach's Orpheus in the Underworld is an opera bouffon, and first performed in 1858. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risque 'Infernal Galop'. The 'Infernal Galop' from Act II, is famous outside of classical music circles as the music for the Can-can. This brass band version is a straight-forward transcription directly from the orchestral original.Duration: 2'30"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£30.00Chanson de Matin - Edward Elgar arr. Phillip Littlemore
Chanson de Matin is typical of Elgar's wistful style which, despite the title, has come to represent a nostalgic view of his native Worcestershire and the Malvern Hills in particular. Elgar presented his publisher with this work, originally written for violin and piano, shortly after the success of his Enigma Variations . In a note to accompany the score Elgar referred to piece as something he had found and dusted off, which thought it would serve as a suitable companion piece to the Chanson de Nuit , written a few years earlier.The orchestral version, from which this arrangement is made, was premiered in September 1901 at the Queens Hall, London alongside that same companion piece, Chanson de Nuit .Duration: 3'50"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£45.00Cuban Overture - George Gershwin arr. Phillip Littlemore
Originally entitled Rumba, the Cuban Overture was a was written some time following a two-week holiday which Gershwin took in Havana in February 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental colour and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Although it received it's premiere under the title Rumba, it was renamed Cuban Overture three months later at a benefit concert conducted by Gershwin at the Metropolitan Opera to avoid giving audience the idea that it was simply a novelty item. The new title provided, as the composer stated, "a more just idea of the character and intent of the music".Duration: 6'20"Difficulty: 1st Section and above
Estimated dispatch 5-7 working days
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£30.00Fairy Garden, The - Maurice Ravel arr. Phillip Littlemore
Ravel wrote his five short piano pieces entitled Ma Mere l'Oye (Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.Duration: 3'00"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£25.00Fanfare from La PA(c)ri - Paul Dukas arr. Phillip Littlemore
La Peri is a 1912 ballet in one act by French composer Paul Dukas, about a man's search for immortality and an encounter with a mythological Peri (a winged, fairy-like creature). The original music to La Peri was written in 1911 as a Poeme Danse En Un Tableau (Dance Poem in One Scene), and was his last published work.The ballet itself is preceded by this brilliant Fanfare which is often performed separately. This arrangement is for full brass band, and would make a good opener for any concert or event. It can also be performed with or without percussion.Duration: 1'40"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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