Results
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£106.99Portrait of a City (Brass Band - Score and Parts) - Sparke, Philip
Score and Parts. Suite in 3 movements: 1. Skyline. 2. Autumn. 3. Downtown.In this exciting suite Philip Sparke sets out to capture the essence of his hometown, London, with each of the three movements depicting one of the many characteristics of this fascinating city. Skyline shows the frantic lifestyles of Londoners with millions of diverse people with different hopes and needs. Autumn shows the changes that take place in London during the different seasons and Downtown portrays the exciting nightlife of the West End.Recorded on AR012-3 A Portrait in Brass.2011 National Championships Finals 2nd Section Test PieceAmerican Grade 4Duration 14:20
Estimated dispatch 7-14 working days
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£69.95The Journal of Phileas Fogg (Brass Band - Score and Parts) - Graham, Peter
2016 National Championships Regional Testpiece - 3rd Section.The novels by Jules Verne have been a rich source of inspiration for composers over the years. Graham has taken elements of the epic work Around the World in Eighty Days as the outline for a series of adventures recorded in an imaginary diary by the hero of the story, Phileas Fogg.Commencing with London bells in the background, the ensuing journey takes our hero by boat train to Paris (passing the Moulin Rouge en route), Russia (where he is chased by Cossacks), Vienna at night, Spain (where he is a spectator at a bull fight) before a final circumnavigation by sea (where we hear hints of foreign lands) brings him back to London with rich memories of his trip.The Journal of Phileas Fogg was commissioned by Dr Nicholas Childs for the National Children's Brass Band of Great Britain and was first performed by them in July 2012, conducted by Dr Robert Childs.
Estimated dispatch 7-14 working days
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£29.95
The Journal of Phileas Fogg (Brass Band - Score only) - Graham, Peter
2016 National Championships Regional Testpiece - 3rd Section.The novels by Jules Verne have been a rich source of inspiration for composers over the years. Graham has taken elements of the epic work Around the World in Eighty Days as the outline for a series of adventures recorded in an imaginary diary by the hero of the story, Phileas Fogg.Commencing with London bells in the background, the ensuing journey takes our hero by boat train to Paris (passing the Moulin Rouge en route), Russia (where he is chased by Cossacks), Vienna at night, Spain (where he is a spectator at a bull fight) before a final circumnavigation by sea (where we hear hints of foreign lands) brings him back to London with rich memories of his trip.The Journal of Phileas Fogg was commissioned by Dr Nicholas Childs for the National Children's Brass Band of Great Britain and was first performed by them in July 2012, conducted by Dr Robert Childs.
Estimated dispatch 7-14 working days
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£44.95Intrada (Brass Band - Score and Parts - Gregson, Edward
This work was commissioned by the London Borough of Redbridge with funds provided by the Arts Council of Great Britain, and was first performed at the London Festival of 1972 by the Redbridge Youth Band, conducted by John Ridgeon.Intrada is in three sections, the first and last being similar. The middle section unfolds an expansive chromatic melody, heard initially on the horns, but later in canon between cornets and trombones. The work is lively throughout and has strong rhythmic elements as its chief characteristic, including changing time patterns and syncopations.Duration: 6.00
Estimated dispatch 7-14 working days
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£40.00
Millennium Bridge - Nigel Hess
Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and on to St. Paul's Cathedral with its bells ringing out over the great city. This piece is the first movement of Nigel Hess's New London Pictures, which represents elements of London in the 21st Century.Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 4 minutes.
In stock: Estimated dispatch 1-3 days
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£34.95Fanfare: The Crowning - Jonathan Bates
DURATION: 3 minutes. DIFFICULTY: Championship. "Trumpets sound in the Abbey, bells ring out, & a 62-gun salute booms from the Tower of London.". 'The Crowning' is a ceremonial fanfare and chorale based upon the hymn tune 'Westminster', the London Abbey in which coronations and subsequent 'crownings' take place at the change of every Monarch. You will hear 62 bass drum strikes in the intrada representing the 62 gun-salute which accompanies the ceremony as the 'trumpets sound and bells ring out in the Abbey'. .
In stock: Estimated dispatch 1-3 days
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£10.00Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£89.95St James's - A New Beginning - Philip Harper
St James's - A New Beginning commemorates 300 years since the death of English architect Sir Christopher Wren who redesigned and rebuilt London after the Great Fire in 1666. It was used as the test-piece for the National Brass Band Championships of Great Britain (1st Section) in 2023.The piece is in four parts:I. THE GREAT FIREII. AFTERMATHIII. VISIONIV. RENAISSANCEThe bells ring the alarm and, as the capital city is engulfed by flames, panic and desperation spread. As the fire burns out, we are left to contemplate the aftermath of the inferno. Enter Sir Christopher Wren. His vision and courage were some of the most influential forces in the rebuilding of London which rose to reclaim its place as one of the great cities of the world.
Estimated dispatch 5-14 working days
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Galloping Home (The theme from TV's Black Beauty) - Dennis King - Len Jenkins
"The Adventures of Black Beauty" was a British children's television drama series produced by London Weekend Television and shown by ITV in the United Kingdom between 1972 and 1974. The theme tune, "Galloping Home", written by Denis King and performed by the London String Chorale, was released as a single and peaked at number 31 in the UK charts in the week of 2 February 1974. It was later used at the climax of the first series of Absolutely Fabulous, with Edina Monsoon dreaming of running through a field as Black Beauty does in the series' title sequence. The piece has been arranged for both Full Brass Band and Brass Ensemble, in this case a Quintet with optional percussion. Both arrangements are well within the capabilities of most bands.
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£99.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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