Results
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£29.95Kingdom of Dragons (Brass Band - Score only) - Harper, Philip
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.Monmouthshire, which has a large number of ancient castlesBlaenau Gwent, an historic area of iron and coal miningTorfaen, where Pontypool Park is a notable landmarkNewport, the largest city in the regionThe music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.Duration: 12:00
Estimated dispatch 7-14 working days
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£69.99
Kingdom of Dragons (Brass Band - Score and Parts) - Harper, Philip
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.Monmouthshire, which has a large number of ancient castlesBlaenau Gwent, an historic area of iron and coal miningTorfaen, where Pontypool Park is a notable landmarkNewport, the largest city in the regionThe music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.Duration: 12:00
Estimated dispatch 7-14 working days
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£65.00Four Sketches - Simon Dobson
Simon Dobson wrote his 'Four Sketches' at the request of Peter Bossano, Head of Brass at the Royal College of Music, in recognition of the 25th anniversary of Benjamin Britten's death. The first movement, 'Fanfare',quotes directly from the opening violin melody from Britten's song cycle Les Illuminations. This melodic line is superimposed upon sonorous Lydian mode chords to project a majestic sound. The second movement, 'Prayer', is adefinite contrast, being and much more reflective and pensive in it's mood, and featuring a dream like euphonium cadenza. The third movement, 'Funeral March', builds from a soft chordal opening to a chaotic andconfusedfortississimo climax with flourishes in the cornets and pounding tri-tones across the basses, before plunging into silence for a flugel cadenza to finish. The final Finale movement is much more positive from the off, withits jaunty melodies over a Brittenesque ostinato. The block chordal passages offer a crashing climax, making for an exciting conclusion to an excellent new work for the medium. Simon Dobson's 'Four Sketches' was the winningentry in the European Brass Band Composer Competition held in Brussels in March 2002.
Estimated dispatch 5-14 working days
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£74.99Kingdom of Dragons - Philip Harper
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team. This piece was commissioned by the Gwent Music Service with additionalfunding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band. Although the music is continuous, it is divided into four distinct sections, each one representing one of theunitary authorities which make up the County of Gwent. I. Monmouthshire, which has a large number of ancient castlesII. Blaenau Gwent, an historic area of iron and coal miningIII. Torfaen, where Pontypool Park is a notablelandmarkIV. Newport, the largest city in the region. The music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles inMonmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machineryclanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo beforethe music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphoniumlead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs inthe first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, idealsshared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion. NOTES ONPERFORMANCEPercussion requirements: (3 players) Timpani, 2 Tenor Drums, 2 Tom toms, Snare Drum (sticks and brushes required), Bass Drum, Clash Cymbals, Suspended Cymbal, Hi-hat, Sizzle Cymbal, Tambourine, Metal block with metalbeater (eg hammer), Rattle (eg football rattle), Glockenspiel, Xylophone
Estimated dispatch 5-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1339 - 1342, July 2022
1339: Fanfare on 'O come, all ye faithful' (Steve Kellner)The music follow the story of the shepherds as told in Luke 2: 8-20. It first portrays the majestic announcement of Jesus' birth by the heavenly host, then the hushed mystery of the manger scene, followed by the shepherds boisterously glorifying and praising God.1340: In his light (Niels Silfverberg)This is a Bozza Nova setting of the song O soul, are you weary and troubled? by Helen Howarth Lemmel..1341: Merrily on high (Craig Stevens)This bright and energetic setting of the well-know and widely used carol will be well-received by many groups who need an attractive and relatively easy piece to prepare for the festive season.1342: March - Promises (William Gordon)This march features two well-known hymns, Standing on the promises of Christ my King (S.A.S.B. 522) and Holy, holy, holy, Lord God Almighty! (S.A.S.B. 31) set to John Bacchus Dykes' melody Nicaea.
Estimated dispatch 7-14 working days
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£82.95Vivat! (Score and Parts)
VIVAT! was commissioned by Kapitol for the 2012 National Championship of Great Britain first section final as a celebration of the Queen's Diamond Jubilee. The work is split into three contrasting sections that run continuously, with music derived from elements of Parry's coronation anthem I Was Glad. In Memoriam evokes the noble but gentle personality of the Queen's father, George VI. Opening with an atmospheric baritone solo (and later featuring solo horn, flugel, euphonium & solo cornet), the music explores themes of grief, sentimentality and hope. Coronation, a fanfare and subsequent theme, is grandiose in style capturing the spirit and excitement of British pomp and ceremony.The closing Jubilate is a celebration of life and family values, Vivat being the Latin for life or long live. The music passes through moments of tension, virtuosity, humour and jubilance before a finale constructed from connected musical fragments drawn from throughout the work, forming (for the first time) Parry's majestic I was Glad theme.
Estimated dispatch 7-14 working days