Results
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£54.99Majestic Prelude (Brass Band - Score and Parts) - De Haan, Jacob
A composition of much contrast based on a well-known psalm melody. As its title announces, it starts with a majestic introduction in which parts of the psalm melody can be heard. Next we hear the complete psalm melody in the trombones, interrupted by passages full of dance in the distant. This is continued in a lively Allegro Molto, in which the psalm melody emerges in the trumpets and cornets, again interrupted by rhythmically pulsing quaver movements. The work ends with a flashing passage in a presto tempo. Majestic Prelude typically is a composition for the start of a concert.Duration: 2:45
Estimated dispatch 7-14 working days
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£30.00Down By The Salley Gardens
A new brass band release for 2023 which also welcomes Fiona Neary as a new member of our ever-growing family of writers!This traditional Irish folk tune has been beautifully arranged for brass band, offering a tranquil moment to your programme with a memorable jaunty jig section to keep your listeners on their toes!Every concert needs that 'Aaahhhh' element, and Down By The Salley Gardens certainly brings all the qualities required to meet that need.This original traditional Irish melody has been referred to by a variety of titles: 'Mourne Shore', 'Moorlough Shore' and 'The Maids of Mourne Shore', and is believed to have dated back to the 17th-18th century.In 1889, William Butler Yeats had his poem 'Down By The Salley Gardens' published in The Wanderings of Oisin and Other Poems. The verse was then later set to the Irish melody by Herbert Hughes in 1909. Since this combining, the music has become synonymous with the poem and naturally adopted the poem's title.Due to the beauty of the melody and the emotive words of the associated poem, both elements of this work has been embraced by a variety of artistes, including recordings by The Corrs and Sinead O'Connor; John Ireland (1879-1962) set the words to an original melody in his song cycle Songs Sacred and Profane, written in 1929-31; there is a vocal setting by the poet and composer Ivor Gurney, which was published in 1938; and Benjamin Britten published a setting of the poem in 1943.
In Stock: Estimated dispatch 3-5 working days
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£105.90Himlen i min famn - Carola Häggkvist
"Heaven in My Arms" is a beautiful melody by Carola Haggkvist with lyrics by Erik Hillestad.This version is without vocal soloist so the melody is spread into many parts throughout the arrangement.To the conductor:Strive for good flow and phrasing. Feel free to be a bit creative with the phrasing. It invites for two-bar phrases in the melody, but perhaps 2/2/4 could also work nicely.Balance is very important. Often there is both melody and obligato/countermelody in addition to harmonic elements. Let each of them have their own layer in the balance.Staccato effects in cornets and marimba are intended as pizzicato effects and must be phrased. Not too static.The tutti section at 72 can be energetic with intense lines. Maybe a little piu mosso as well. Think big and orchestral with good resonance and timbre.- Reid Gilje -
Estimated dispatch 5-14 working days
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£54.99Majestic Prelude - Jacob de Haan
A composition of much contrast based on a well-known psalm melody. As its title announces, it starts with a majestic introduction in which parts of the psalm melody can be heard. Next we hear the complete psalm melody in the trombones, interrupted by passages full of dance in the discant. This is continued in a lively Allegro Molto, in which the psalm melody emerges in the trumpets and cornets, again interrupted by rhythmically pulsing quaver movements. The work ends with a flashing passage in a presto tempo. Majestic Prelude typically is a composition for the start of a concert.
Estimated dispatch 5-14 working days
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£66.00
Ave Maria - Vocal or Instrumental Solo - Bach-Gounod - Bjorn Mellemberg
This great piece is a result of two outstanding composers creative ability. The French composer Charles Gounod (1818-1893) used the Prelude No. 1 from "Das Wohltemperierte Klavier" by Johann Sebasian Bach (1685-1750) and added a beautiful melody to the original piece. The composition has the occurred in several versions both with and without lyrics and for many kinds of instrumentations.To the Conductor:It's important to take well care of the long phrases of the melody and it's warm and soft character.Make shure that the band balance the three elements of melody, harmony and the rhythmic (played by the clarinets) well. All these three is of equial importance and depend of each other.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 534 - 537, October 2024
534: Boldly Going (Wycliffe Kortin)This arrangement is derived from a Kenyan Swahili gospel melody Simama Imara, which means 'to stand firm'. The song is an encouragement to Christians to stay strong in the Lord, even in times of difficulty. The piece has a lively rock feel which requires precision in articulation and a sense of drive throughout.535: Fill me anew (Mark Feltwell)The melody Fill me anew (T.B. 611) has always been a favourite of the composer and this composition was used at the Worchester Corps in their Pentecost services. It is a simple melody with a simple purpose and associated prayer that is the focus of the piece, 536: There's something about that name (William Gaither arr. Kingsley Layton)The chorus (S.A.S.B. 80) from which this piece takes its title was composed by Bill and Gloria Gaither. They wrote it in 1970, having watched their grandparents near the end of their lives and pass away. At the same time, they were, as a couple, embracing parenthood. It resonated with them how the young loved to say the name of Jesus as well as those that were nearing the end of their lives. The chorus reflects the peace and comfort which comes to us when we call on that name during both the good and challenging times in life. The Gaithers are a performing and songwriting couple who have become well-known within the Southern Gospel music genre.537: Selection - Singing Praises! (Noel Jones)A motif, based on the phrase 'Praise him!, Praise him!, Ever in joyful song', appears throughout the selection. Songs also featured include I love to sing of the Saviour (S.A.S.B. 845) and Singing glory, glory, Glory be to God on high (S.A.S.B. 840)
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2234 - 2237, August 2023
2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.
Estimated dispatch 7-14 working days
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£64.99Oregon (Brass Band - Score and Parts)
This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants (also in major). The rhythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhythmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.Duration: 9:10
Estimated dispatch 7-14 working days
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£35.62The Piano Preludes (Brass Band) George Gershwin arr. Rob Bushnell
First performed by the composer at the Roosevelt Hotel in New York in 1926, The Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote seven, performed only six publically and was further reduced to three when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baiao and minor-seventh chords throughout. The second prelude, which Gershwin said was "a sort of blues lullaby" consists of two sections: the first a "lazy" melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called "Spanish" by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a follow-the-score video please visit www.youtube.com/watch?v=XqIQ0j1SWlc PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Mallet Percussion
In Stock: Estimated dispatch 1-3 working days
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