Results
-
£59.99Mercury (Brass Band - Score and Parts) - Van der Roost, Jan
Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterize the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a "grandioso" version of the main trio melody and thus concluding this march in a magnificent way.Duration: 3.00
Estimated dispatch 7-14 working days
-
£29.95Seaside Rendezvous - Freddie Mercury - Iain McKnight
There was no greater showman in the world of rock than Freddie Mercury and, for many, no greater group than Queen. The release in 2018 of the film Bohemian Rhapsody brought the sounds of Queen to a new generation as...
Estimated dispatch 5-7 working days
-
£53.99Barcelona (Brass Band - Score and Parts) - Mercury & Moren - Bernaerts, Frank
As performed by Freddie Mercury & Montserrat Caballe. Duration: 4.45
Estimated dispatch 7-14 working days
-
£40.00
Barcelona - Mercury & Moran - Harper, P
'Barcelona' was one of the biggest hits of Freddie Mercury's solo career. Reflecting his love of opera with high notes and Montserrat Caballe's operatic voacls it was a key part of the 1992 Summer Olympics. A wonderful piece arranged by Philip Harper
In Stock: Estimated dispatch 1-3 working days
-
£33.00 -
£33.00
Mercury - Greenwood, JA
Includes a full band set (no score)
In Stock: Estimated dispatch 1-3 working days
-
£37.50Innuendo - Freddie Mercury, Brian May, Roger Taylor and John Deacon - Peter Meechan
Winner of 'Best new Composition or Arrangement' at Brass In Concert some years ago, this stunning arrangement is now finally available to all bands. The work was performed as part of Whitburn band's Brass in Concert programme and saw the arranger, Dr Peter Meechan take the Cyril Beere Memorial Trophy for this clever take on the Queen classic rock hit. The arrangement has been in great demand but has not been published, until now. Featuring antiphonal trumpets, hand claps and host of other clever effects, this is the perfect choice for bands looking for something different at concerts and entertainments contests.
In Stock: Estimated dispatch 1-3 working days
-
£61.73We Seven (Brass Band) Derek Jenkins
We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
-
£55.00Barcelona
In 1987, Montserrat Caball met with Freddie Mercury to discuss the production of a new song for the forthcoming 1992 Olympics to be held in Barcelona. From this meeting both agreed to produce an album titled: "Barcelona" - the title track of the same name which would be the iconic track used as the theme for the 1992 Olympics. The song had it's first performance in May 1987 at the Ibiza Festival and then again in 1988 at the open air La Nit festival in Barcelona. This would be Freddie Mercury's last live performance. In 1991 Mercury died - one year before the Olympics. The track was broadcast at the start of the international broadcast of the 1992 Olympics ceremony. In 1999 at the UEFA Champions League Final held in Barcelona, Montserrat Caball performed 'Barcelona' live together with a recording of Freddie Mercury and his image which appeared on the stadium's electronic screen.
Estimated dispatch 5-7 working days
-
£35.00Ascension - Lucy Pankhurst
A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension - creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the 'Tibetan Singing Bowl' is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. "Tibetan" Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the "secrets of sound" yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body's residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred "Planets" : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden "beater" around the outer circumference of the Bowl to create the "singing" effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate "tinkle" produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.
In Stock: Estimated dispatch 3-5 working days
View Music