Results
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£42.95The Fairy Garden (From Mother Goose) - Maurice Ravel
Estimated dispatch 5-14 working days
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£67.20Does Your Mother Know - Benny Andersson
Estimated dispatch 5-14 working days
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£24.95Songs My Mother Taught Me (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£29.50Cheer Up, Charlie - Leslie Bricusse & Anthony Newman - Gavin Somerset
This fresh new cornet solo comes from one of the greatest loved movies of all time. Featuring alongside musical hits such as Pure Imagination and The Candy Man, 'Cheer Up, Charlie' is probably one of the most underrated musical numbers from the film, Willy Wonka & The Chocolate Factory. In the film, the song is sung by Charlie's mother, whilst young Charlie ponders the life he believes lay ahead for him. With a complex chord structure, the band parts remain interesting throughout whilst the lyrical solo line can shine in this beautiful, melodic work. A great 'slow melody' solo item and one that works on both concert and contest stages. To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£30.00My Little Welsh Home - Traditional
A beautiful arrangement by Tim Paton of a Welsh song by W S Gwynne Williams. Created in memory of his mother, Tim has produced a wonderful version for brass band and has also included an optional vocal solo or unison choir line.Comments from the arranger:I have arranged [My Little Welsh Home] in memory of my mother. [She] was born, Doreen Davies, on 27th November 1918, in Haverfordwest, Pembrokeshire, a small town in South West Wales. She had a beautiful voice, and met my father, Bill Paton, during World War II, whilst she was singing in a troop concert at the County Theatre in her home town, and my father was the MC.Throughout her life, my mother and father entertained, and she was singing right up until the final months of her life. She spent many years in Weston-super-Mare, Somerset, a seaside town in South West England, and it was here that she passed away on 20th September 2004. During the last several months of her life, she often referred to the song My Little Welsh Home:Here are the words.I am dreaming of the mountains of my homeOf the mountains where in childhood I would roamI have dwelt 'neath southern skiesWhere the summer never diesBut my heart is in the mountains of my homeI can see the little homestead on the hillI can hear the magic music of the RhyllThere is nothing to compareWith the love that once was thereIn the lonely little homestead on the hillI can see the quiet churchyard down belowWhere the mountain breezes wander to and froAnd when God my soul will keepIt is there I want to sleepWith those dear old folks that loved me long agoLooking at the words, I can see why it meant so much to her. Haverfordwest is at the foot of the Preseli Mountains, and her home and church were at the top of a hill. My mothers' ashes were taken back to her own little Welsh home, and laid to rest in the grounds of the church where she had been Christened, Confirmed and Married.Look and Listen (Score-reading digital sound-sample):
In Stock: Estimated dispatch 3-5 working days
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£71.84Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£79.95Neverland - Christopher Bond
"All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."
Estimated dispatch 5-10 working days
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£75.99Dreamcatcher - Otto M. Schwarz
Once upon a time in North America, there lived a mother and her small daughter in a tribe of Ojibwa Indians. The girl suffered from constant nightmares. The mother sought help from Spider Woman known as Asibikaashi, who took care of the children and people on the land. Asibikaashi span a magic web to protect the girl from these evil dreams using a branch from the meadow bent into a sacred circle, with a web woven from cord that had dried on sacred herbs, and with a hole in the middle to let good dreams pass through. The dreamcatcher, decorated with sacred feathers, only allowed good dreams to pass through; the bad dreams were caught in the web. If one awoke early in the morning and the rest of the sun's rays touched the dreamcatcher, the bad dreams would be burnt and turned into invisible stardust.This work contains well-known dream images: the dream of flying, the transcendental meeting with a deceased person, and the dream of running away on legs that won't run. Everything turns out well in the end, as the sun's rays burn off the evil and everything is forgotten.
Estimated dispatch 5-14 working days
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£25.00Senza Mamma - soprano cornet solo
The aria Senza Mamma (Without your mother), sung by Sister Angelica, is one of the most poignant moments in any of Puccini's works, and has remained a recital favourite.Suor Angelica is the second instalment in Puccini's triptych of one-act operas commonly known as Il trittico. The opera chronicles the fall, redemption, and final transfiguration of its central character, Sister Angelica, who has taken the veil in repentance for bearing a child out of wedlock. The libretto, by Giovacchino Forzano, was immediately appealing to the composer, whose sister Igenia was Mother Superior of the convent at Vicepelago. Though it contains some of Puccini's most adventurous writing (the musical language at times even flirts with polytonality) the work has not enjoyed popularity comparable to that of its companions, Il Tabarro and Gianni Schicchi , each of which has enjoyed an independent life in the repertory.Duration: c.3'40"Difficulty: Suitable for all grades (band accompaniment)
Estimated dispatch 5-7 working days
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£25.00Senza Mamma - vocal solo
The aria Senza Mamma (Without your mother), sung in the opera by Sister Angelica, is one of the most poignant moments in any of Puccini's works, and has remained a repertoire favourite.Suor Angelica is the second instalment in Puccini's triptych of one-act operas commonly known as Il trittico. The opera chronicles the fall, redemption, and final transfiguration of its central character, Sister Angelica, who has taken the veil in repentance for bearing a child out of wedlock. The libretto, by Giovacchino Forzano, was immediately appealing to the composer, whose sister Igenia was Mother Superior of the convent at Vicepelago. Though it contains some of Puccini's most adventurous writing (the musical language at times even flirts with polytonality) the work has not enjoyed popularity comparable to that of its companions, Il Tabarro and Gianni Schicchi , each of which has enjoyed an independent life in the repertory.Duration: c.3'40"Dofficulty: Suitable for all grades (band accompaniment)
Estimated dispatch 5-7 working days
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