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£40.00DREAMS AND DANCES (Flugel Horn Solo with Brass Band) - Harper, Philip
Dreams and Dances is a substantial seven minute solo for one of the most characteristic of the brass band's instruments. It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should he manageable by all.
Estimated dispatch 7-14 working days
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£59.99
My Heart Will Go On (Brass Band - Score and Parts)
With the first notes of this arrangement, everyone who has seen the film Titanic will remember seeing the pictures of this moving love story against those of the dreadful disaster. 02:44
Estimated dispatch 7-14 working days
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£59.99Nostalgia (Brass Band - Score and Parts)
In this stunning work French composer Christian Bouthier has created a nostalgic French chanson, a form of song popularised by the ambassador of French song Charles Aznavour. The piece is characterised by a peaceful, moving melody filled with meditative sounds that encourage a blissful dreaminess. 03:53
Estimated dispatch 7-14 working days
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£22.00O Magnum Mysterium (Brass Band - Score and Parts) - Lauridsen, Morten
For centuries, composers have been inspired by the beautiful O Magnum Mysterium text depicting the birth of the new-born King among the lowly animals and shepherds. This arrangement for symphonic band has been transcribed from the original unaccompanied choral setting. Morten Lauridsen is one of America's most-loved and most-performed living composers, and this arrangement is rich in colour, deeply spiritual and intensely moving.Suitable for Youth/4th Section Bands and above.Duration: 6.00
Estimated dispatch 7-14 working days
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£54.99
Only Time (Brass Band - Score and Parts)
For many years Enya has been selling as many records as pop goddesses like Madonna and Britney Spears. But it was the events of September 11, 2001 that truly brought this Irish singer to the world stage with CNN broadcasting her ballad Only Time with the tragically dramatic images around the World Trade Center in New York. Ron has arranged this moving song in his own familiar creative way 03:00
Estimated dispatch 7-14 working days
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£62.80Avifauna (Brass Band) Joshua Tyler Jameson
This highly descriptive work was commissioned by the National Youth Brass Band of America and will be a terrific concert or entertainment contest item. The music paints the picture of the lives of a variety of different birds. The composer writes: 'When I began thinking about this project I was sitting in my office in the early morning, the sun having just risen. There was a gentle breeze and the only thing that I could hear (aside from my hungry whining cats) was the gentle song of the birds outside my open window. As much of my work is programmatic, almost like symphonic poems, this immediately gave me the image of a majestic sunrise with all types of birds fluttering about, almost as if out of an episode of Planet Earth. When I was commissioned by the National Youth Brass Band of America, I knew the project had to be something the ensemble could grab onto. Something they could see. Something they could relate to. There being so many types of birds in North America, I selected a handful to help tell my story... The scene where I came up with this idea seemed to be the perfect starting point. Sunrise, tiny chirps of Morning Birds floating around the twilight of dawn, swiftly moving towards the majesty of the sun cresting the horizon. A new day, the beginning of a story. As the sun rises higher in the sky, animal activity stirs, becoming lively and wild. The flowers have opened up to drink in the sun's rays, leaving them open to nectar-seeking Hummingbirds. Whizzing by at lightning speed, the hummingbirds journey from flower to flower, drinking their fill until the sun begins to set back over the horizon. When daylight fades, the enigmatic Owl floats silently through the sky. The wonder of these creatures comes not just from their beauty, but also from their mystery and their ferocity. We see images in pop culture of majestic white owls and marvel in their beauty... but to a mouse roaming the forest floor in the dark of the night, the terror of suddenly being dropped upon by a silent predator is anything but peaceful. In the dead of night, soft rolling clouds thicken as a storm begins to brew. With the ensuing rain also emerges the grotesque scavenging Vulture; marching along from carcass to carcass, tearing into the rotting leftovers of another predator's kill, gorging themselves until over-full. However, from this nightmare fuel of a bird, a new day awaits... As the dawn of another day approaches, you begin to hear the same morning birds you heard the previous day. When the light finally breaks the horizon, the soaring majesty of the Eagle drives us to the end of our story; an exciting journey told through the eyes of the winged creatures that paint the skies of North America. This is Avifauna.' To view a follow-the-score video please visit: www.youtube.com/watch?v=J2bhBpx9KvM Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In stock: Estimated dispatch 1-3 days
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£31.39Skidaddle (Brass Band) Barrie Gott
Skidaddle will be the perfect item to provide a lighter moment in your band's programme. The composer Barrie Gott writes: ''Skidaddle' literally means to move in a hurry. This piece means exactly that - to get moving. I was experimenting at the piano at school one morning waiting for my first students and this little ditty came to mind. Four hours later I had the first draft done! It is supposed to be a bit of fun with a few technical demands for cornet and euphonium in particular. The semi-quaver (sixteenth) work needs to be precise. Try and get the audience involved and they'll be yours for the larger works on the programme.' Difficulty Level: 1st Section + Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Set Xylophone
In stock: Estimated dispatch 1-3 days
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£34.95Fire & the Phoenix, The - Christopher Bond
The Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers. Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 5-10 working days
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£24.95Lest We Forget - Christopher Bond
Lest We Forget is a phrase added as a final line at the end of the Ode of Remembrance, taken from Laurence Binyon's poem For the Fallen, first published in The Times newspaper in September 1914. Providing the title for this work for brass band, the piece aims to combine both the acoustic nature of the brass band medium alongside narrated passages and pre-recorded extracts to provide a moving tribute. The words originally spoken by Prime Minister Herbert Asquith in 1914 can be narrated in performance. However, a free audio download, manipulated to sound like a 1914 radio broadcast is available from Prima Vista. Lest We Forget received its premiere at The Sage, Gateshead, on November 17th 2014, performed by the Grimethorpe Colliery Band, conducted by Robert Childs. The work opened their winning Brass in Concert programme, and has since been performed by bands all over the world as a fitting tribute to the Great War.
Estimated dispatch 5-10 working days
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£35.0030 Day Technical Challenge
The 30 Day Technical Challenge This 30 day program is a step by step guide to improve your technique. Each practice session is laid out day by day, exercise by exercise for maximum technical improvement. During the next 30 days you will improve: Breathing Lip Flexibility Single Tonguing Finger Dexterity The Bootcamp will only require a small amount of extra time on top of your normal practice regiment. All you will need is a metronome and your instrument. It does not matter if you are grade 1 or grade 8+ this program will improve your technique. Practice Until Failure If you do not practice until you fail, you are not pushing your technique to its limit. Whether it be squeezing the last drop of air out of your lungs in a breathing exercise, or completing a tonguing exercise until your tongue is completely exhausted, the harder you push yourself the more progress you will see during the 30 days. Taking The Tests Take all 4 tests on day 1. Try to push yourself and reach the highest level possible. There over 20 levels that you can achieve on each test. Start each test from the beginning, playing each exercise at the stated tempo markings before moving on. Exercise 1 corresponds to levels 1 - 5, one level for each tempo written. Levels 6 - 10 are from Exercise 2, 11 - 15 Exercise 3 and 16 - 20 Exercise 4. If you reach level 20, continue changing the tempo on Exercise 4 until you reach failure. Add 1 level for every extra tempo marking completed. Make note of the level you achieve for each test, this will be needed for your comparison at the end of the 30 days. Once you have taken the tests simply follow the calendar and complete the set exercises each day. The weekend practice sessions ask you to repeat the exercises from earlier in the week. This gives you a second chance to push your technique further on each exercise. The Final Test Complete the 4 tests again on day 30 and compare your results. Good luck and enjoy the next 30 days!
Estimated dispatch 5-7 working days
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