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  • £73.00

    Midwinter (Brass Band with Optional Choir - Score and Parts) - Vilhelmsen, Ingebjorg

    This arrangement for full band can be performed both with and without choir. Midwinter is a Christmas song about how the holiday can be a highlight even in the darkest winters. The piece was originally written for brass quartet and choir, for Oslofjord Brass and Vivo Vokal's Christmas concert in 2019.If the piece is performed together with a choir, the dynamics of the band must be balanced with regard to the size of the choir, possibly using sound amplification if necessary.Choir Parts (SATB) available separately.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £59.99

    The Bare Necessities (from The Jungle Book) (Brass Band - Score and Parts) - Gilkyson, Terry - Bond & Murtha

    First heard in the original 1967 movie, this familiar tune is featured again in the acclaimed 2016 version. In this clever arrangement for band, Paul Murtha utilizes a peppy 2-beat style, beginning with the trombones taking the melody. Every section of the band soon gets into the act, including a solo or soli for tuba, and a brief slower section for a Dixieland combo leading to the rousing finish. This song is guaranteed to be a highlight at any concert. Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £69.95

    Strange New Worlds (Brass Band - Score and Parts) - Graham, Peter

    Strange New Worlds was commissioned by Nicholas Childs for the National Children's Brass Band of Great Britain with funds provided by Arts Council England.The COVID-19 pandemic made it necessary for the 2020 course to transition from residential to virtual and the work was designed to accommodate this change. The participants individually filmed themselves to a click track and the videos were collated to create a "virtual" performance. The premiere was streamed live on YouTube on August 7, 2020.The work is in 5 movements with a narrative dictated by the individual movement titles. Although to me this narrative is clearly defined, multiple scenarios present themselves. Some may interpret the story as being one from the ancients while others might identify with the science-fiction of H.G. Wells. Others still will relate to the recent surge of interest in 1980s culture and the Netflix series Stranger Things (to which the title of my work pays homage). Nor would it be unreasonable to consider the piece an analogy reflecting events in 2020. Listeners will decide the story (or message) for themselves.The five movements are: I. Things to Come; II. Descent to Darkness (featuring Cornets, Trombones and Percussion); III. Resistance (featuring Horns, Baritones, Euphoniums, Basses and Percussion); IV/V. Aftermath/A New HopeDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £134.99

    Alpina Brass (Brass Band - Score and Parts) - Van der Roost, Jan

    Alpina Brass was the test piece for the first division of the Ftes Cantonales on 8 and 9 June 2019 in Naters, Switzerland. It consists of three movements, and features a variety of aspects, as is common for a competition work. However, as a whole, it has been written in such a way that it can perfectly serve as a concert work as well. It is a challenging piece for every section and offers colourful and melodic as well as spectacular rhythmic sequences and a most impressive ending!Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £31.50

    Postcard to Grimethorpe (Brass Band - Score and Parts) - Gregson, Edward

    I composed the original version of Postcard to Grimethorpe in 1993 at the request of Elgar Howarth, for a concert at the Queen Elizabeth Hall, London, given by the Grimethorpe Colliery Band. This was at a time when after the Grimethorpe Colliery pit closed the future of the band was in severe jeopardy. The concert was given in aid of the band, both through publicity and funding.Then in late 2022 Jack Stamp, the American composer, conductor and educator, and at that time international composer-in-association with Grimethorpe, contacted me to say that he had discovered my short piece in the band library, and asked if I might extend it for a recording he was sponsoring for the band - the repertoire to consist entirely of music specially composed for Grimethorpe.I agreed and decided to extend the piece by using the miner's hymn Gresford, as a symbolic gesture of protest at the many thousands of miners in the UK who were made redundant from their jobs. After an angular (quasi-atonal) first section, the hymn enters, softly at first, but with each phrase it becomes more powerful and insistent, ending with the final phrase triumphantly accompanied by melodic percussion (replacing the drums and cymbals of the earlier phrases, as if the band were then on the march). However, this short work ends softly and gently, as if anger has been replaced by quiet resolution and determination, looking to the future with confidence.- Edward GregsonDuration: 3.00

    Estimated dispatch 7-14 working days

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  • £48.00

    Tientos y Danzas (Brass Band - Score and Parts) - Wood, Gareth

    Tientos y Danzas is a suite in four movements and was written especially for Superbrass. It is not literally descriptive, but conjures up a breezy, festive atmosphere. The title "Tientos" stems from the fact that a lot of the brass writing is reminiscent of virtuosic Renaissance keyboard finger-work (a "Tiento" is the Spanish equivalent of a toccata). Only later did we discover that the word is also the name of a style of flamenco dancing, which links nicely with Danzas (dances). The first movement is an extended fanfare, with military rhythms on the tenor drums and dramatic cornet and horn calls. Next comes a witty waltz featuring the horn. The music builds in complexity; the main horn theme returns before a playful coda. The following Andante makes effective use of the mutes, both in the haunting opening "pyramid" chords, and in the elaborate, recurrent cornet duets; the two cornets have the last word. After a couple of false starts, the finale sets off at a cracking pace, with dislocated accents creating an irregular rhythmic pulse. There are opportunities for every instrument to shine (metaphorically) and the music gets even faster for a thrilling conclusion. Duration: 10.30. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £23.99

    Origenes (Brass Band - Score only) - Cardenas, Carlos

    Origenes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of Carlos Cardenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal an impressive range of new sound combinations and yet are very accessible for the audience.Duration: 10.45

    Estimated dispatch 7-14 working days

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  • £134.99

    Ori?genes (Brass Band - Score and Parts) - Cardenas, Carlos

    Origenes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of Carlos Cardenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal an impressive range of new sound combinations and yet are very accessible for the audience.Duration: 10.45

    Estimated dispatch 7-14 working days

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  • £100.00

    Danceries (Set II) (Brass Band - Score and Parts) - Hesketh, Kenneth

    Danceries Set II, arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunes and dances from Playford's Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, each movement is self-contained, colourful and direct, with its own distinct mood. The outer movements - Jennie's Bawbee and Peascod's Galliarda - share driving percussion with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Suitable for 1st Section Bands and above. Duration: 15.00

    Estimated dispatch 7-14 working days

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  • £62.00

    Set To (Brass Band - Score and Parts) - Turnage, Mark-Anthony - Houlding, Christopher

    Set To is dedicated to London Brass and arranged for brass band by Christopher Houlding. It was commissioned by the Aldeburgh Foundation and received its first performance on August 24th 1993 at the Maltings, Snape. Originally divided into two movements, a pensive and richly harmonic Blues and an aptly named Bacchanale, sometimes slow but mostly fast and furious. "I remember playing the original brass ensemble version of "Set To" numerous times in the early nineties with London Brass and always wondered if the composer would consider writing something for Brass Band. As Director of The Guildhall Brass Band, a possible performance opportunity arose in 2010 and I successfully approached Mark and gained his permission to scale it up for brass band with added percussion parts. I conducted the premier of this new Brass Band version at the Guildhall School of Music & Drama in February 2011 with the composer present and he liked it. Although very contemporary compared to most brass music, I feel that Mark's easily accessible style makes this rhythmically quirky and harmonically 'bluesy' work a really interesting concert piece, suitable for any occasion" - Chris Houlding. Duration: 7.30. Suitable for Championship Section Bands

    Estimated dispatch 7-14 working days