Results
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£40.00
Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40
Estimated dispatch 7-14 working days
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£35.00
Symphony No.5, Finale from (Brass Band - Score and Parts) - Littlemore, Phillip
Tchaikovsky composed his fifth symphony in the summer of 1888. He suggested that the opening-and recurrent-theme of the symphony represented "a complete resignation before Fate." The finale begins with a slow introduction of the 'fate' theme which segues into an Allegro Vivace of drive and energy, during which a majestic version of the fate theme periodically emerges. Finally, after a notorious "false" ending, the music courses ahead to a dramatic climax. Duration: 7:30
Estimated dispatch 7-14 working days
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£39.95
The Music of the Night (Score and Parts) - Andrew Lloyd Webber arr. William Himes
The official authorized brass band arrangement one of the hits from Andrew Lloyd Webber's The Phantom of the Opera.
Estimated dispatch 7-9 working days
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£42.00
Island Music (Score only) - Stuart Johnson
Each of the four movements depicts a different aspect of life on the Isle of Wight, from the Edwardian elegance of Shanklin Town itself to the drama of a great storm which destroyed the magnificent Pier, and the mysterious Tuba on the Downs!
Estimated dispatch 7-9 working days
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£52.00
Island Music (Parts only) - Stuart Johnson
Each of the four movements depicts a different aspect of life on the Isle of Wight, from the Edwardian elegance of Shanklin Town itself to the drama of a great storm which destroyed the magnificent Pier, and the mysterious Tuba on the Downs!
Estimated dispatch 7-9 working days
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£42.00
Partita for Band (Postcards from Home) (Score only) - Philip Wilby
The sound and culture of brass bands was part of Philip Wilby's childhood, and this short Partita seeks to commemorate his childish memories in the musical terms of today's currency. Although the music makes technical demands on the players the piece is, nevertheless designed to involve rather than impress its audiences. There are four movements: 'Towers and Chimneys' which is both heraldic and mysterious; 'Churches: Lord of the Dance' is an arrangement of the famous shaker melody made popular in Martin Shaw's hymn of Jesus' life and history; 'Pastorale: Sunday Afternoon recalls those long and languorous days before television, and 'Coronation Day Parade' - a community celebration with a brass band at its centre. Duration: 12:00
Estimated dispatch 7-9 working days
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£52.00
Partita for Band (Postcards from Home) (Parts only) - Philip WIlby
The sound and culture of brass bands was part of Philip Wilby's childhood, and this short Partita seeks to commemorate his childish memories in the musical terms of today's currency. Although the music makes technical demands on the players the piece is, nevertheless designed to involve rather than impress its audiences. There are four movements: 'Towers and Chimneys' which is both heraldic and mysterious; 'Churches: Lord of the Dance' is an arrangement of the famous shaker melody made popular in Martin Shaw's hymn of Jesus' life and history; 'Pastorale: Sunday Afternoon recalls those long and langorous days before television, and 'Coronation Day Parade' - a community celebration with a brass band at its centre. Duration: 12:00
Estimated dispatch 7-9 working days
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£127.30
Symphony from The Fairy Queen - Henry Purchell
Henry Purcell (1658 1695) is generally considered as one of the greatest English composers. He incorporated Italian and French stylistic elements into his compositions and made uniquely English baroque music. He has a rich production as composer, with works for orchestra, church, scene and vocal. In 1692, three years before his dead, he composed music to The Fairy Queen, who is a masque or semi opera who is a revised version of William Shakespeare's wedding comedy A Midsummer Night's Dream. This arrangement of Symphony is the overture to act number four.
Estimated dispatch 5-14 working days
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£59.95
Swedish Festival Music (Brass Band - Score and Parts) - Downie, Kenneth
This three-movement suite was commissioned by the Swedish Brass Band Association as the test piece for the Championship Section of their 2008 National Contest. The first movement is inspired by the magnificent Swedish hymn 'How Great Thou Art'. Indeed the influence of that hymn can be traced in all three movements. The declamatory style of the opening gives way to other, more reflective expressions of awe and wonder. A more animated section develops before a final, triumphant statement of the 'How Great' idea returns to finish the movement. The slow second movement features another much-loved Swedish hymn. The music provides plenty of scope for expressive playing, and a feeling of intimacy should be created by the use of several short solo passages. The third movement Allegro brings a totally different, dance-like mood with frequent references to a reel from the region of Uppland. This eventually brings a return to the opening subject and a final, triumphant reference to 'How Great Thou Art'.
Estimated dispatch 7-14 working days
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£29.95
Swedish Festival Music (Brass Band - Score Only) - Downie, Kenneth
This three-movement suite was commissioned by the Swedish Brass Band Association as the test piece for the Championship Section of their 2008 National Contest. The first movement is inspired by the magnificent Swedish hymn 'How Great Thou Art'. Indeed the influence of that hymn can be traced in all three movements. The declamatory style of the opening gives way to other, more reflective expressions of awe and wonder. A more animated section develops before a final, triumphant statement of the 'How Great' idea returns to finish the movement. The slow second movement features another much-loved Swedish hymn. The music provides plenty of scope for expressive playing, and a feeling of intimacy should be created by the use of several short solo passages. The third movement Allegro brings a totally different, dance-like mood with frequent references to a reel from the region of Uppland. This eventually brings a return to the opening subject and a final, triumphant reference to 'How Great Thou Art'.
Estimated dispatch 7-14 working days