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  • £25.95

    African Adventure - Darrol Barry

    An upbeat, fun piece which exudes positive-vibes from the outset. This original composition by Darrol Barry for brass band is a great addition to concert repertoire. A nice balance of strong rhythm, touches of featured obligato and a catchy melody.Darrol Barry composed this work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africato help raise funds for projects in Adet, Africa, and to build awareness of theMake Poverty History campaign. African Adventure was featured on the CD with a recording by the Black Dyke Band.Now that the original BBA projects are complete, funds raised by the titles we publish from the Brass Band Aidseries continue to support other music-related projects on a regular basis.Look and Listen (performance courtesy of Bertnes Brass 2016):

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  • £25.95

    African Trio - Kenneth Downie

    As it's title suggests, this piece consists of three distinct elements, all of which maximise the stylish creativity of Kenneth Downie's renowned writing talent.After a rich, warm and hymnal opening 'movement' based upon Kum Ba Yah, the work develops and lifts into a fascinating take on 'The Lord's Prayer'. Bringing the piece to an even more positive, up-tempo close is the final section which references the South African traditional song We Are Marching (Siyahamb' ekukhanyen' kwenknos')Kenneth Downie composed this work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africato help raise funds for projects in Adet, Africa, and to build awareness of theMake Poverty History campaign. African Trio was featured on the CD with a recording by The National Youth Band of Wales.Now that the original BBA projects are complete, funds raised by the titles we publish from theBrass Band Aidseries continue to support other music-related projects on a regular basis.Look and Listen (performance courtesy of Golden Gate British Brass Band in 2019):

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  • £35.00

    Ascension - Lucy Pankhurst

    A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension - creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the 'Tibetan Singing Bowl' is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. "Tibetan" Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the "secrets of sound" yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body's residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred "Planets" : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden "beater" around the outer circumference of the Bowl to create the "singing" effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate "tinkle" produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.

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  • £25.00

    Breakaway Fanfare and Romance - David Hext

    A grand fanfare of an opening instantly catches the attention of the audience. This is then followed by the delightfully gentle melody of the Romance, reflected around the sections with some wonderful chordal sounds to build the intensity.The piece closes with a return to the fanfare theme and a definitive flourish to the end.This is an ideal work to add some original composition interest to a concert of entertainment contest programme

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  • £30.00

    Down By The Salley Gardens

    A new brass band release for 2023 which also welcomes Fiona Neary as a new member of our ever-growing family of writers!This traditional Irish folk tune has been beautifully arranged for brass band, offering a tranquil moment to your programme with a memorable jaunty jig section to keep your listeners on their toes!Every concert needs that 'Aaahhhh' element, and Down By The Salley Gardens certainly brings all the qualities required to meet that need.This original traditional Irish melody has been referred to by a variety of titles: 'Mourne Shore', 'Moorlough Shore' and 'The Maids of Mourne Shore', and is believed to have dated back to the 17th-18th century.In 1889, William Butler Yeats had his poem 'Down By The Salley Gardens' published in The Wanderings of Oisin and Other Poems. The verse was then later set to the Irish melody by Herbert Hughes in 1909. Since this combining, the music has become synonymous with the poem and naturally adopted the poem's title.Due to the beauty of the melody and the emotive words of the associated poem, both elements of this work has been embraced by a variety of artistes, including recordings by The Corrs and Sinead O'Connor; John Ireland (1879-1962) set the words to an original melody in his song cycle Songs Sacred and Profane, written in 1929-31; there is a vocal setting by the poet and composer Ivor Gurney, which was published in 1938; and Benjamin Britten published a setting of the poem in 1943.

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  • £15.00

    Flourish - Helen Douthwaite

    A lovely original composition by Helen Douthwaite with junior/youth bands in mind, but just as appropriate for brass ensembles looking for a short and sweet item to play.A rich opening melody develops to bring vitality and a nice upbeat feel to the piece.Lots for each instrument section to do and a chance for the emerging players to hear some great harmonies around the band.The set includes score and parts for:Cornet 1Cornet 2Cornet 3Eb Tenor HornEb Tenor Horn EASYEuphonium/BaritoneEuphonium/Baritone EASYTromboneTrombone EASYEb BassDrum setPercussion

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  • £30.00

    Hot Gospel - Various

    Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.

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  • £30.00

    On Ilkley Moor Pastiche

    I was commissioned to write a piece for the RNCM Trombone Quartet by the bass trombonist Trevor Slade, a true Yorkshireman. I have created a full brass band version. There is an element of comedy, (though not irreverent). The introduction is a direct reference to a well known film theme about bouncing bombs! We then hear the famous Yorkshire melody with overtones of the old BBC Grandstand theme, (for those old enough to remember). A 'patriotic' section is a mixture of "Ilkley Moor", and those bouncing bombs again! We are then taken to a 'Dixieland' treatment, with 'overtones' of a 'Hootenannyish' piece, which every bandsman/woman is familiar with! What follows is a rather pretty 'Edmundo Ross(ish)' beguine. After a brief Beethovian bit, we are taken back once again to the original pastiche, with a BIG ending. A good piece for the lighter element of the concert programme.

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  • £25.00 £25.00
    Buy from Wobbleco Music

    Das Boot - Klaus Doldinger - Len Jenkins

    Traditionally, submarines are referred to as 'boats' rather than 'ships' and the German U- boat (Unterseeboot) was originally a craft primarily designed for surface attack that also had an underwater capability, an aspect that was subsequently developed into the submarine craft that we now know. Das Boot was a 1980's TV series/film that followed the patrol of U-96 and is reckoned by many to be the best (anti) war film produced. Authenticity was achieved by filming in a full size replica with actors who were denied washing or shaving to get the right 'atmosphere' of life in a U-boat. Despite the havoc and distress caused by attacks on Allied shipping by U-boats one cannot but be saddened by the fact that out of 40,000 who went to sea in them, 30,000 never returned. The music is characterised by a theme that has a haunting, deep, sonorous quality penetrated by the sharp, regular 'ping' of ASDIC (sonar) that was used by surface vessels to echo-locate submarines prior to attacking them with depth-charges. This 'ping' may be approximated to, at modest cost, by the percussion section using either a cymbal dome (select an appropriate beater) or a high-pitched wooden 'agogo'. Alternatively, more complex and expensive electronics may be employed. The piece needs to be played with confidence because of its discordant and intentionally sombre nature.

  • £25.00 £25.00
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    I'm The Urban Spaceman - Neil Innes - Len Jenkins

    Made famous by the Bonzo Dog Doo-Dah Band, "I'm the Urban Spaceman" was written by Neil Innes who won an Ivor Novello Award in 1968 for the song. The record which was released in the same year and went to No5 in the hit-parade, was produced by Sir Paul McCartney and Gus Dudgeon. It has been used to accompany various humorous sketches including one by Monty Python, and lends itself to anarchic behaviour by the band. A jolly piece which we leave to your imagination as to how you present it......