Results
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£34.95
COVENANTERS, The (Brass Band Set) - Kenneth Downie
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days
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£29.95
BEFORE THE CROSS (Cornet Solo with Brass Band Set) - Edward Gregson
Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (originally published in The Musical Salvationist, April 1965), the first lines of which are Before the cross I stand in fear and wonder, and see that all my sirs on Thee are laid. The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on Euphonium and Flugel Horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.
Estimated dispatch 7-14 working days
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£34.95
EVERLASTING PRAISE (Brass Band Set) - Nicholas Samuel
Written for the 25th anniversary of The Salvation Army Anglia Youth Band, this exciting music features the hymn tunes of 'Ascalon', 'Miles Lane' and 'Old Hundredth' with references to 'Praise, my soul, the King of Heaven'.
Estimated dispatch 7-14 working days
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£59.95
KING OF HEAVEN (Brass Band Set) - Kenneth Downie
Based on the well-known hymn 'Praise my soul, the King of Heaven', this composition was specially written for The International Staff Band. A veritable showcase for the brass band, featuring each section in turn (cornets, horns and baritones, trombones, euphoniums and basses, percussion), the music concludes with an exciting and dramatic presentation of the theme.
Estimated dispatch 7-14 working days
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£59.95
BEULAH LAND (Brass Band Set) - Wilfred Heaton - Paul Hindmarsh
Wilfred Heaton began to assemble material for 'Beulah Land' in the early 1990s following a request from the Amsterdam Staff Band for a new work. Despite reminding himself on the manuscript that he should either complete or destroy the work before his death, ultimately he did not manage either. This edition was subsequently realised in 2003 for the tour of the USA Western States by the Amsterdam Staff Band.'Beulah Land' is Heaton's vision of the joy that awaits the Christian in Heaven and, according to his family, is reminiscent of the kind of music he often improvised at the piano. The three movements are as follows;1. Better World; a waltz sequence on the tune 'Zealley' to which the words 'There is a better world, they say' are sung.2. Heavenly Home; an elegiac cortege using the tunes 'My home is in Heaven', 'I have a home that is fairer than day' and 'The home over there'.3. Happy Land; Beginning in waltz rhythm this soon gives way to a sequence of free variations on the song 'There is a happy land, Far, far away'.
Estimated dispatch 7-14 working days
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£29.95
PILGRIM WAY, The (Brass Band Set) - Eric Ball
Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.
Estimated dispatch 7-14 working days
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£44.95
PSALM OF PRAISE, A (Brass Band Set) - James Curnow
Inspired by Psalm 100 and based on the hymn tune 'Praise my soul the King of Heaven', this is music of joy and exuberance, with James Curnow's very clear stamp of North American style.
Estimated dispatch 7-14 working days
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£30.00
See Ya Later - Jock McKenzie
This is my attempt to write an encore type piece in a South African 'township' style - inspired by some of the great South African musicians such as Abdulla Ibrahim, Hugh Masekela and Dudu Pukwana. So much of their music really wore a smile - J.M.
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£30.00
Nimrod - Edward Elgar arr. Phillip Littlemore
Elgar wrote his Enigma Variations between 1898 and 1899. It is without a doubt Elgar's best-known large scale composition, and is dedicated to 'my friends within', as each variation is an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is dedicated to Augustus J. Jaeger, Elgar's publisher at Novello & Co. and also his editor and close friend.The name of the variation refers to 'the mighty hunter before the Lord' and can be found in the Book of Genesis. The name Jager is German for hunter. Often used for solemn occasions, it is the most poignant and beautiful pieces of British music.A video of this arrangement can be found here: NimrodDuration: c.3'00"Dofficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£55.00
Second Suite in F - Gustav Holst arr. Phillip Littlemore
Gustav Holst's Second Suite in F was composed in 1911, two years after the first suite, yet like his first suite it didn't receive its premiere until many years later, on 30th June 1922, at Royal Albert Hall in London and performed by band of The Military School of Music.The Suite uses English folk songs and folk dance tunes throughout. The opening march movement uses three tunes: a lively Morris Dance called Glorishears, the folk song Swansea Town and finally Cloudy Banks. The first two tunes are repeated to conclude the first movement. The second movement is a setting of I'll Love My Love, a sad story of a young maiden driven into Bedlam by grief over her lover being sent to sea by his parents to prevent their marriage. The Song of the Blacksmith follows with a lively hammer rhythms and the score actually asks for a blacksmith's anvil. The final movement is a fantasia based on the 16th Century English country-dance, The Dargason, with the Elizabethan love-song Greensleeves intertwined. This is a new brass band arrangement that has a lighter texture to that made by Sydney Herbert, restoring it to the original key of F and including sectioned omitted from the 1923 arrangement.Duration: c. 12 minutesDifficulty: 2nd Section and above
Estimated dispatch 5-7 working days