Results
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£37.95Party Piece (Euphonium Solo with Brass Band) - Sparke, Philip
Party Piece was commissioned in 1986 by the Cambirdge Co-op Band for their long-serving principal euphonium (and later, conductor) Charles Shipp. It falls into two sections which are jointed by a short cadenza: the first is a tender Andante with a simple tune which is then decorated, and the second a breezy Allegro with a darker central episode.Also available Euphonium with Piano Accompaniment edition.Duration 7:06Recorded on Polyphonic QPRL042D A Touch More SpiceSolo with Piano Accompaniment version recorded on Polyphonic QPRZ019D The World of Euphonium Vol.3 (Steven Mead)
Estimated dispatch 7-14 working days
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Laughter In The Rain - Sedaka & Cody - Len Jenkins
In America, this was Neil Sedaka's comeback single. Whilst he had 11 Top-40 hits from 1960-1963, he could not score a hit after the British Invasion of the 60's. His fortunes were such in America that this song was at first released only in England, where it went to No. 15. However, whilst recording with 10cc in London, Sedaka reconnected with his friend Elton John who offered to put out a Sedaka single in America under his own record label, Rocket Records. Since "Laughter In The Rain" was already a hit in the UK, that was the choice, and anything with Elton John's name on it was sure to get some spins. So, later in 1974, "Laughter" was released on Rocket Records with liner notes and endorsements by Elton, and the song took off, becoming his second million-seller 12 years after his first, which was "Breaking Up Is Hard To Do."
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£49.95Fire in the Blood
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£19.95Fire in the Blood (Score Only)
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£39.95Panic on Pudding Lane - Jonathan Bates
DURATION: 5 minutes. DIFFICULTY: Championship. Panic on Pudding Lane was composed for the 2016 RNCM Festival of Brass, for the Black Dyke Band and Prof. Nicholas Childs. The work was composed to mark the 350th anniversary of the Great Fire of London in 1666. Following the frantic panicking, and hustle and bustle of the emergency service vehicles, a moment of reflection and tranquility is found in the core of the work, with a feature for Soprano Cornet and Flugelhorn in a section that almost pleads and mourns over the damage and devastation which surrounds them, as they stand amongst the burning rubble and debris (enhanced by a CD sound effect backing track). Whilst this section proves to be the calming point of the piece, the chaos and destruction is still never far from the ear, with distant echoes of sirens in the background towards the section's close. . Panic once again returns as the piece builds to a chaotic and driving close, with a huge sweeping recapitulation of the 'London's Burning' motif taking the lead before a wild,dischordant and frenzied finale brings the work to it's end. .
In Stock: Estimated dispatch 1-3 working days
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£87.99Sunday in the Park (Tenor Horn Solo with Brass Band - Score and Parts) - Sparke, Philip
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present. Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously. Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park opens with an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns. A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.Duration: 7:00
Estimated dispatch 7-14 working days
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£44.95Bravura (A Fantasy on British Folk Songs) (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Bravura is a companion piece to the composer's earlier euphonium display piece Brillante, utilising the same traditional 19th century "fantasy variation" structure, familiar to generations of brass soloists. Folk songs from the four corners of Great Britain are featured; Oranges and Lemons, (England), The Blue Bells of Scotland, The Minstrel Boy (Ireland) and the famous Welsh anthem Men of Harlech.The solo is a conflation of the original version, written for the 2002 Royal Albert Hall Gala Concert, which followed the National Brass Band Championships of Great Britain. On that occasion the combined talents of virtuosi David Childs, Derick Kane, Steven Mead and David Thornton (with guests Robert and Nicholas Childs) were on display, each personalising the cadenza section towards the end. This version incorporates a published cadenza, though soloists should feel free to improvise their own material at this point.
Estimated dispatch 7-14 working days
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£3.95On the Face! (1st Bb Trumpet/Cornet)
On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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£3.95On the Face! (2nd Bb Trumpet/Cornet)
On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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£19.95On the Face! (Conductor Score)
On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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