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  • £104.99

    Scottish Dances - Peter Martin

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding

    Estimated dispatch 5-14 working days

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  • £104.99

    The Divine Right - Philip Harper

    At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013

    Estimated dispatch 5-14 working days
  • £68.99

    Selections from Mary Poppins - Richard M. Sherman

    Mary Poppins, starring Julie Andrews and Dick van Dyke, is one of the most endearing musicals of all time. From start to finish, the quality and appeal of the music is unparalleled. This medley is guaranteed to be a hit with your audience without two spoons of sugar! Includes: Step in Time, Supercalifragilisticexpialidocious, Chim Chim Cher-ee, Feed the Birds, and A Spoonful of Sugar.

    Estimated dispatch 5-14 working days
  • £90.30

    Angels We Have Heard on High

    "Angels We Have Heard" on High is one of the most famous Christmas carols all over the world. Of French origin, it's also entitled Les Anges dans nos campagnes. The Irish bishop James Chadwick has written lyrics to the melody. His lyrics are the most widely used also today. For this Brass Band arrangement there are also optional parts for SATB Choir and Organ.

    Estimated dispatch 5-14 working days

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  • £90.30

    Dream a Little Dream of Me - Gus Kahn

    This song was written in 1931 by Fabian Andre and Wilbur Schwandt with lyrics by Gus Kahn. It's now one of the most popular songs from the Great American Songbook and it's also recorded in many versions. Ella Fitzgerald, Louis Armstrong and Nat King Cole are among the most famous ones that have recorded it. In later years singers like Michael Buble, Diana Krall land Robin Williams have all recorded "Dream a Little Dream of Me". This arrangement is inspired by the version by American band Chicago from their 1995 album release "Night & Day".

    Estimated dispatch 5-14 working days

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  • £33.00

    Battle of the Planets - Curtin, H - Harper, P

    70s anime-style cartoon Battle of the Planets, celebrates its 35th anniversary this year and all 85 episodes have been released in DVD box sets. Hoyt Curtin, composer of the main title theme, was one of America's most prolific composers of television cartoon themes, his most famous being The Flintstones and Scooby-Doo.3rd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Colossus - Venables, M

    Winner of the closely-fought RWCMD Cory Composition Prize in 2019, this music is not only heroic and battle call-esque, but also features contrasting sections of beauty and fierceness, all culminating in one final colossal finale.1st section +Duration 4 mins Listen here - Courtesy of Cory Band

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Hawaii 5-O - Stevens, M - Harper, P

    The theme music from the Hawaii 5-O TV series which ran from 1968 to 1980. It is considered to be one of the best television themes of all time.

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Wake Me Up Before You Go Go - Michael, G - Harper, P

    The first number one hit by Wham! in 1984 this is an energetic pop piece that took all the best elements of Fifties and Sixties records and combined them with a more uptempo and youthful attitude. A huge hit that is still popular today. Listen here - Courtesy of Cory Band

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Dreams and Dances (Flugel solo) - Harper, P

    Dreams and Dances was composed for Black Dyke flugel star Zoe Hancock in 2012. This is a substantial seven minute solo for one of the most characteristic of the brass band's instruments.It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should be manageable by all.

    In Stock: Estimated dispatch 1-3 working days

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