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£90.00
Fragile Oasis - Peter Meechan
Fragile Oasis is the name of a collective who describe themselves as aaa grass-roots participatory initiative that connects the shared perspective of astronauts from different countries and cultures with people on Earth, encouraging all to work together so that our planet is not only visibly beautiful, but beautiful for alla.Many involved in the project are astronauts on the International Space Station (I.S.S.), who post, on their website (http://www.fragileoasis.org) many different details of their experiments, photos from space, and some incredible video footage of our Earth.One such time lapse video (a video made up many still images) was posted on their website by astronaut Ron Garan (http://www.fragileoasis.org/blog/2011/11/coming-back-down-to-our-fragile-oasis-2/) in 2011. It is made up of images taken from the I.S.S. of what Garan described as aaa couple of laps around our Fragile Oasis before coming back down [to Earth]a and features all kinds of amazing views from space.Each of the five sections of this work relate to an aspect of the video - either something literal or something more metaphorical. The opening section, i: The lights from Above, is a musical description of the view of the Aurora Australis from above the lights. The second section, ii: The Storm from Above (part i), is also a musical portrayal of portions of the video clip - in this case the many lightning storms we see from above. The storms that are so powerful on Earth appear as small bolts of electricity dancing through the clouds.The third section, iii: Freya, has its roots in personal family tragedy. The name Freya derives from a Norse goddess who was associated with both beauty and love, and in this central section I wanted to write music that not only acknowledged how fragile life itself is, but that every day of it counts and should be celebrated.iv: The Storm from Above (part ii) is a again a reference to the lightning storms, but also to the huge hurricanes we see in the video. It leads us to the final section, v: The Oasis from Above - a description of the size and grandeur of Earth, our Fragile Oasis.Fragile Oasis was commissioned by Leyland Brass Band and Michael Bach, and partly funded by The John Golland Trust, for their appearance at the 2013 European Brass Band Championships in Oslo, Norway. It is dedicated to Natalie Youson, in friendship
Estimated dispatch 12-14 working days
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£37.50Carnival Of Venice - J. Arban - Jonathan Bates
One of the most famous pieces of music, arranged by the most famous pioneer of the modern cornet, is now available for band as an Eb solo, allowing either the soprano, solo horn or Eb Bass player to turn their hand to this remarkable piece. Arranged by Jonathan Bates, little more needs to be said about this work as this timeless classic has been entertaining audiences for years. Now its time for the Eb soloists of the banding world to have a chance to play one of the most difficult, virtuoso solo pieces of all time.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Pachelbango - Pachelbel - Ed Keeley
Pachelbel's most famous work as you've never heard it before. This arrangements features all sections of the band and gives them a chance to shine making the piece perfect for both concert or contest venues. Pachelbel's Canon in D is one of the most famous pieces of classical music of all time. Simply written for 3 violins and a cello, the music is basically 8 bars repeated 28 times. Mostly unforgotten until the 1970s it has become one of the most recorded pieces and used at more than 90% of all weddings as an introit. This arrangement has reset the Canon into a Latin-American tango style, pushing it into a new accessible groove and will bring a smile to your audiences & players. A must have for your upcoming concerts.
In Stock: Estimated dispatch 1-3 working days
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£37.50Willy Wonka (Selections From) - Leslie Bricusse & Anthony Newman - Gavin Somerset
Few people have not seen the 1971 film starring Gene Wilder as the eccentric chocolatier, offering tours of his chocolate factory to those lucky enough to find the hidden golden ticket. Whilst initialy a box office failure, the film went on to become a favourite in households across the world, years after its initial release. Now for the first time, your band can enjoy the music from the film in this selection that includes 'Golden Ticket', 'The Candy Man' and of course, the unforgettable 'Pure Imagination'. The music of Leslie Bricusse & Anthony Newley has been a hit for many years and continues to make TV and radio appearances. 'The Candy Man' was perhaps best known when covered by Sammy Davis Jr where it made it to number one in the USA. 'Pure Imagination' has been used countless times in adverts in the media and more recently, recorded by Jamie Callum for his album 'Momentum'. 'Pure Imagination' can also be performed as a stand-alone item. This is truly an all-time classic filled with a feast of musical variety that fits well into just about any concert. A must for all band libraries. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£29.50
Yakety Sax - Randolph & Rich - Neville Buxton
Made famous in its use on the Benny Hill Show, Yakety Sax has long been associated with comedy scenes. Now, arranged for the first time by Neville Buxton as a solo for any Bb instrument, some of that hilarity can now feature in your concerts! There's plenty of room for choreography to add to the spectacle, yet even without, this is one solo item that will have the audience wanting more!
In Stock: Estimated dispatch 1-3 working days
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£29.50
Journey in the Jungle - Max Stannard
This piece was written to book end the performance of Friezland Band at the inaugural Red Admiral Entertainment Contest where they won the Most Entertaining Programme Award. The composition starts with an exciting jungle feel, which has different sections starting one at a time, giving the option of players walking on stage whilst playing. The lively start is followed by the more menacing section as night begins to fall. There is then a frantic dash to the end in an attempt to escape the jungle.
In Stock: Estimated dispatch 1-3 working days
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£22.50Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£54.95Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 5-14 working days
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£30.00Reminiscing Dance - Brass Band - LM983
COMPOSER: Chris AllenReminiscing Dance is the most traditional of all the brass band works I have written so far, but it contains beautiful melodies that should appeal to most audiences. The piece is similar in nature to 'The Three Bells',the central movement of Gordon Langford's Three Haworth Impressions, and is inspired by rural imagery and the idea of a widow recalling their precious experiences with their loved one. The general mood of the piece is one of happiness tinged with wistfulness and longing, beginning with a lilting,but not jolly triple time melody in the soprano cornet.This melody gives way to a more jovial tune at bar 56 which can afford to be played with more humour and freedom, but at bar 86 the atmosphere should darken again, with a subdued dynamic and smoother articulation.At bar 114, the upbeat music of the opening returns but bolder than before, to represent a feeling of anger that the opportunity to spend cherished time with a loved one has been stripped away by death. An intense countermelody in the euphoniums and baritones grinds painfully against the main tune in the cornets, before a soft close that suggests ultimately the dominant emotion of the piece is one of happy memories rather than loss.Chris Allen, December 2021
In Stock: Estimated dispatch 3-5 working days
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£127.30Graceful Ghost - William Bolcom
I came to know of this piece when hearing famous Norwegian ragtime pianist Morten Gunnar Larsen playing it at a concert with the Norwegian Navy Band Bergen. I was struck by its melancholic beauty and wanted to arrange it for band.Ragtimes are rarely in a minor key (which this one is) and when you first hear it, you might think it was written around the time when Scott Joplin was the main ragtime composer. But, if you listen more carefully, you notice that some of theharmonies are more advanced than one might expect in traditional ragtime, giving the piece a slightly more contemporary feel. The composer William Bolcom wrote Graceful Ghost in 1970 to honour the memory of his father and it is one of hismost popular pieces.
Estimated dispatch 5-14 working days
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