Results
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£25.00Air from the Suite in D - J. S. Bach arr. Phillip Littlemore
Johann Sebastian Bach's Suite No. 3 in D, from a set of four such suites, was recreated from a set of autographed parts from around the 1730s, as no score has survived. The music is believed to date from some years prior to that and is possibly derived from an even earlier work than that.The Air, perhaps the most famous movement from all the Suites, has been arranged as a tenor horn feature, although there is no part for cornets, bass trombone, euphoniums or percussion in this transcription.Duration: c. 3 minutesDifficulty: Suitable for all
Estimated dispatch 5-7 working days
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£30.00Can-Can from Orpheus In The Underworld - Jacques Offenbach arr. Phillip Littlemore
Offenbach's Orpheus in the Underworld is an opera bouffon, and first performed in 1858. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risque 'Infernal Galop'. The 'Infernal Galop' from Act II, is famous outside of classical music circles as the music for the Can-can. This brass band version is a straight-forward transcription directly from the orchestral original.Duration: 2'30"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£30.00Chanson de Matin - Edward Elgar arr. Phillip Littlemore
Chanson de Matin is typical of Elgar's wistful style which, despite the title, has come to represent a nostalgic view of his native Worcestershire and the Malvern Hills in particular. Elgar presented his publisher with this work, originally written for violin and piano, shortly after the success of his Enigma Variations . In a note to accompany the score Elgar referred to piece as something he had found and dusted off, which thought it would serve as a suitable companion piece to the Chanson de Nuit , written a few years earlier.The orchestral version, from which this arrangement is made, was premiered in September 1901 at the Queens Hall, London alongside that same companion piece, Chanson de Nuit .Duration: 3'50"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£45.00Cuban Overture - George Gershwin arr. Phillip Littlemore
Originally entitled Rumba, the Cuban Overture was a was written some time following a two-week holiday which Gershwin took in Havana in February 1932. The overture is dominated by Caribbean rhythms and Cuban native percussion, with a wide spectrum of instrumental colour and technique. It is a rich and exciting work with complexity and sophistication, illustrating the influence of Cuban music and dance. Although it received it's premiere under the title Rumba, it was renamed Cuban Overture three months later at a benefit concert conducted by Gershwin at the Metropolitan Opera to avoid giving audience the idea that it was simply a novelty item. The new title provided, as the composer stated, "a more just idea of the character and intent of the music".Duration: 6'20"Difficulty: 1st Section and above
Estimated dispatch 5-7 working days
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£30.00Fairy Garden, The - Maurice Ravel arr. Phillip Littlemore
Ravel wrote his five short piano pieces entitled Ma Mere l'Oye (Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.Duration: 3'00"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£25.00Fanfare from La PA(c)ri - Paul Dukas arr. Phillip Littlemore
La Peri is a 1912 ballet in one act by French composer Paul Dukas, about a man's search for immortality and an encounter with a mythological Peri (a winged, fairy-like creature). The original music to La Peri was written in 1911 as a Poeme Danse En Un Tableau (Dance Poem in One Scene), and was his last published work.The ballet itself is preceded by this brilliant Fanfare which is often performed separately. This arrangement is for full brass band, and would make a good opener for any concert or event. It can also be performed with or without percussion.Duration: 1'40"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£40.00FAtes - Claude Debussy arr. Phillip Littlemore
Debussy's Nocturnes are a set of three orchestral pieces inspired by three paintings by the American James McNeill Whistler from the 1870s. These three paintings, also entitled Nocturnes, were studies in light and shade offering an impression of landscapes and objects. The second movement, Fetes (Festivals) offers a dancing, vibrating rhythm with sudden flashes of ight. There is also a procession, described by Debussy as a dazzling fantastic vision, which passes through the festive scene and becomes merged in it (letter J in the score). However the background remains the same driving dance-like work.Debussy wrote the Nocturnes between 1897 and 1899 and the first two movements, the first being Clouds, received their premiere in Paris in 1900. The first performance met with a cool critical reception and Debussy made many revisions thereafter to all three movements.Duration: 6'00"Difficulty: 2nd section and above
Estimated dispatch 5-7 working days
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£40.00Fugal Overture - Gustav Holst arr. Phillip Littlemore
Holst began composing his Fugal Overture in the late summer of 1922 after a holiday in Derbyshire and the full score was completed on 4th January 1923. The first performance was at the Royal Opera House the following May, where it preceded the first performance of Holst's opera, The Perfect Fool. The first concert performance on 11th October that same year at the Queen's Hall with Holst conducting.Despite its name, the overture is not strictly fugal. The fugal subject is full of spiky cross-rhythms first introduced in the basses, with the upper parts persisting with a pentatonic chord. The headlong pace slackens for a central interlude, introduced by the solo horn solo. However the festivities soon return driving headlong towards its conclusion.
Estimated dispatch 5-7 working days
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£25.00GymnopA(c)die No.1 - Erik Satie arr. Phillip Littlemore
Erik Satie's Gymnopedies is a series of three short piano pieces that were first published in 1888. These atmospheric pieces, all written in 3/4 time and sharing a common theme and structure, are recognised the world over and are his most famous compositions.Gymnopedie No.1 is divided into two almost identical parts, with a steady accompanying rhythm of crotchet-minim, crotchet-minim (short-long, short-long) that remains constant throughout - with the exception of the last two bars of each part! This gently lilting background supports an expressive melodic line which creates the occasional dissonance, yet seems impressively tension free.Duration: 3'10" Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£30.00Humming Chorus - Giacomo Puccini arr. Phillip Littlemore
In Puccini's opera, Madam Butterfly, the Coro a bocca chiusa (Humming Chorus) is performed by an off-stage chorus which hums a wordless, melancholy tune, whilst Butterfly, her maid Suzuki, and her child begin the long wait for husband Pinkerton to return after many years away. As night falls, Suzuki and the child are soon asleep, but Butterfly keeps her vigil. This arrangement features four flugel horns, each of which plays into the bell of a bass whilst the bass player moves the valves - creating a unique humming sound.Puccini actually wrote five versions of the opera, Madam Butterfly. After a disastrous premiere in early 1904, Puccini withdrew the opera and substantially rewrote it creating a very successful second version. However, he continued to tinker with the orchestration, not being satisfied until the fifth, and now standard, version dating from 1907.Duration: c.2'40"Difficulty: suitable for all grades
Estimated dispatch 5-7 working days