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£59.95
Judd: My Strength My Tower - Contest Version
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1 This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2 Fire and ferocity are asked for in the course of this variation. Variation 3 This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4 Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5 The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£74.95
Eden (Score and Parts)
This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
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£29.50
Eden (Score Only)
This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
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£15.00
My Love is Like a Red, Red Rose - Helen Douthwaite
Robert Burns' beautiful melody is brought to life as a euphonium solo with brass band accompaniment in this simple, yet highly effective, arrangement by Helen Douthwaite.Originally arranged by Helen for the Kirkintilloch Youth Band, the piece not only features the soloist with a carefully crafted, accessible solo line, but also enables the rest of the band to shine through the tutti elements.Set includes score and parts for:Solo CornetRepiano Cornet2nd Cornet3rd CornetFlugelhornSolo Eb Tenor Horn1st Eb Tenor Horn2nd Eb Tenor Horn1st Baritone2nd Baritone1st Trombone2nd TromboneBass TromboneEuphoniumEb BassBb Bass (optional)GlockenspielPercussionAdditional world parts also provided include F Horn 1/2/3, Baritone 1/2 in bass clef, Trombone 1/2 in bass clef, Euphonium in bass clef, Tuba.
In Stock: Estimated dispatch 3-5 working days
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£30.95
Beaufort Fanfare (Brass Band) Friedrich Gattermann
Beaufort Fanfare, by German composer Friedrich Gattermann, is a dynamic and vibrant musical work inspired by the Beaufort scale, a system for estimating wind speeds. Originally composed for brass ensemble and percussion, it was created to showcase Orchestral Tools' Beaufort Brass sample library, recorded at the iconic AIR Studios in London. Here it has been set for brass band. A central element of Beaufort Fanfare is its exploration of musical density. The piece begins with a single motif and gradually builds in complexity and richness, reflecting the increasing strength of the wind. As it progresses, the music intensifies, with the development of density playing a crucial role in conveying the evolving character of the elements. Through intricate brass harmonies and rhythmic drive, Beaufort Fanfare captures both the awe-inspiring beauty and raw power of nature. More than just an auditory experience, this composition takes the listener on a journey through the elements, celebrating the force of wind in all its forms. To view a rolling score video of the work please visit www.youtube.com/watch?v=vdiIIERMSDY Duration: 2.15 minutes approx. Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet 1-3 Bb Solo Cornet 2-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£38.69
Great is Thy Faithfulness (Brass Band) Runyan arr. Dan Forrest trs. Wainwright
This marvelous setting by Dan Forrest of the classic hymn Great is thy Faithfulness has quickly become a popular item for choirs around the world. This setting for brass band by English composer Andrew Wainwright was commissioned by the Melbourne Staff Band to commemorate Bandmaster Ken Waterworth's final year as Bandmaster before his retirement. It begins with quiet assurance, a beautiful combination of strength and gentleness which continues to build to a dramatic final statement of truth. For bands looking to combine with a choir, this setting is in the same key and format as the original choral version. To view a rolling score video of Melbourne Staff Band performing the piece please visit www.youtube.com/watch?v=bPtXdxaEPHc Duration: Approx. 5.30 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£34.82
Adagietto from Symphony No.5 (Brass Band) Mahler arr. Keith M. Wilkinson
Gustav Mahler's Symphony No. 5 is arguably his best known and most loved composition. The Adagietto from that symphony, often performed on its own, is scored for strings and harp only and is widely regarded as one of the most beautiful tunes ever written. It is marked sehr langsam (very slow) and is immensely serene and tranquil, often performed at commemorative events such as the concert following the events of September 11th, 2001. It has been said that the movement is a love song to the composer's wife, Alma. The symphony was composed in 1901 and 1902 and this movement received its British premiere in 1909 at a Promenade concert directed by Henry Wood. The Adagietto received additional popularity when used in the 1971 film Death In Venice. This arrangement by Keith M. Wilkinson shortens the movement slightly and now gives brass bands the opportunity to programme this delightful work. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=PxQRQy534lM Duration: Approx. 5.20 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£15.48
Jingle Boogie-Woogie Bells (Brass Band - Ukraine Charity Release) Ovcharenko
This piece was arranged by Halyna Ovcharenko, a Ukrainian composer who was born in Lugansk, a Ukrainian city that is currently under occupation by the Russian Federation. All the proceeds from this sale will go towards the 'A family for every orphan' appeal, which is providing emergency relief services to thousands of children and families in Ukraine. For more information about the charity please visit https://afamilyforeveryorphan.org/ukraine/ Halyna Ovcharenko has been composing music since she was 11. Many of her compositions of various genres have received international awards, but she discovered the world of brass band music with its specific timbre and huge range of musical colors only recently, in 2022, while composing her Vyshyvanka for Grimethorpe Colliery Band. Halyna comments: "I enjoyed my experience. Since then I have had an appetite to write more for brass bands, and here we are - an arrangement of a traditional English Christmas song which I have done especially to raise money for Ukrainian orphans. Their heroic parents stood for my Lugansk, for our Ukraine and for the whole World. I hope that the World will make these children feel that they are not left alone, giving them love, care and joy." The picture on the front cover was drawn by Victoria Lebed, a Ukrainian girl. This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£34.82
For unto us a child is born from 'Messiah'(Brass Band) Handel arr. Kevin Norbury
Ever since the first performance in April 1742 in Dublin, Ireland, Messiah has been the iconic Christian oratorio. It is a work of genius with lyrics skillfully taken from the Bible by Charles Jennens and timeless music by G. F. Handel, and has been at the top of the Western musical canon for close to 300 years. For unto us a child is born comes roughly halfway through Part One of the oratorio and is one of its most popular choruses, being the prophecy of the birth of a Messiah (Jesus) found in Isaiah chapter nine. This excellent setting for brass band is by Kevin Norbury. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=G63Tzi3L07U Duration: Approx. 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Snare Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£34.82
O Little One Sweet (Brass Band) J.S Bach arr. Andrew Wainwright
This delightful German lullaby-carol first appeared in print in Samuel Scheidt's Tablaturbuch of 1650, though it may have been written before then, either by Scheidt himself or by an unknown author. J. S. Bach's version (in the form of a melody and figured bass) was included in Schemelli's Gesangbuch of 1736, and it is that which this arrangement for brass band by Andrew Wainwright is based on. This setting includes all four verses. Duration: Approx. 3.45 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani
In Stock: Estimated dispatch 1-3 working days