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£89.99
Arctic Funk Brass Band (Score & Parts)
Arctic Funk might just as well have been a flashing sequel to a scene from Leonard Bernstein's West Side Story. Popular music but with a difference, as indicated by the title. The work's quiet section temporarily soothes down the heated passion of its two corner movements, but everywhere else action is required throughout. The work was commissioned in 1991 by Troms? Brass. Situated just above the Polar Circle, Troms? is one of Norway's northernmost towns. Topographically, the town probably comes across as freezing cold, but Troms? is famous for its 'warm' night-life. The Composer: In Arctic Funk you might get a feeling of a party that takes place between ice-rocks and snow-capped mountains. 04:45
Estimated dispatch 7-14 working days
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£24.95
SPACE INVADERS (Brass Band Parts) - Scott, Andy
Brass Band parts only. Space Invaders is an arcade video game designed by Tomohiro Nishikado. Following its release in 1978, the game caused a temporary shortage of 100-yen coins in Japan, and the Guinness World Records ranks it the top arcade game. The piece commences with a fanfare-like passage with shifting time signatures, before settling into a funk-inspired groove, led by the bass section, bass trombone and percussion. An intricate ensemble section, either side of a tongue-in-cheek 'B' section (where Space Invader images and firing sounds were projected behind Foden's at Brass in Concert) all lead to a powerful and tight finish. Dur: 4:00
Estimated dispatch 7-14 working days
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£15.00
SPACE INVADERS (Brass Band Score) - Scott, Andy
Brass Band score only. Space Invaders is an arcade video game designed by Tomohiro Nishikado. Following its release in 1978, the game caused a temporary shortage of 100-yen coins in Japan, and the Guinness World Records ranks it the top arcade game. The piece commences with a fanfare-like passage with shifting time signatures, before settling into a funk-inspired groove, led by the bass section, bass trombone and percussion. An intricate ensemble section, either side of a tongue-in-cheek 'B' section (where Space Invader images and firing sounds were projected behind Foden's at Brass in Concert) all lead to a powerful and tight finish. Dur: 4:00
Estimated dispatch 7-14 working days
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£12.00
Vienna Nights - Study Score - Wilby, Philip
The City of Vienna stands at one of the historic crossroads of the world, linking east and west and embracing artistic influences from all sides. In the 250th anniversary year of Mozart's birth, this fantasy on Mozart's celebrated Piano Sonata in A (K331), has been composed true to the form and content of the original, but also to the underlying substance of the conception.One of Mozart's distinguishing features, and one that links him to later music by Beethoven, Schubert, Mahler and Schoenberg, is the breadth of his musical vision. His music links intellectual rigour with ecstatic utterance and darker preoccupations. It is, perhaps, this shadow-laden side of his musical nature which gives his work a profundity often absent in the work of his contemporaries. Admirers of his Requiem Mass or the Statue music in Don Giovanni will recognise that it is this extra sense of reality which makes Mozart so relevant to the modern age, and where he may link hands with the other great Viennese thinkers such as Berg, Webern and Adorno.The composer follows the three movement plan of the Sonata closely. The original begins with a Theme and Variations which is freely quoted. His Minuet is mirrored in the Recitative and Notturno, where each section of the band lays down a metaphoric rose to his memory. Famously, the sonata ends in populistic style with a Turkish Rondo. Ever since the Hapsburg-Ottoman Wars, which came to an end in the seventeenth century, Viennese composers have included Turkish elements in their music, not least in the use of certain percussion instruments. Vienna Nights is thusly a homage.It celebrates the world's greatest composer, but also the city which fostered his work. Here, in your imagination, you might easily conjure up a caf table near the Opera House, where Mozart, Mahler and Sigmund Freud, observed by us all from a discreet distance, may meet as old friends.
Estimated dispatch 7-14 working days
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£20.00
King Lear Fanfare - Claude Debussy
King Lear is a tragedy by William Shakespeare. Lear descends into madness bringing tragic consequences for all. Based on a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. Its first known performance was in 1607, George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear". Originally orchestrated for 2 flutes, 4 horns, 3 trumpets, timpani, side drum, 2 harps, and strings, Debussy wrote five minutes of incidental music for a production of King Lear, produced at the Theatre Mogador Paris in 1904.
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£30.00
Man from a Clan - Jock McKenzie
I wrote this piece as I watched the Scottish football side in the recent World Cup of 2021. At the time, all sorts of patriotic music was being played. As I listened it occurred to me that with just a handful of subtle musical nuances, music that was undeniably Scottish could be created from all manner of disparate sources.
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£30.00
Janacek's 'Taras Bulba' - Janacek
Comments from Tim Paton, the arranger of Janacek's 'Taras Bulba': "I will never forget the day in 1967 when I was introduced to the music of Leos Janacek, a Czech composer born in 1854, who died in 1928. Janacek was little known in Britain until the 1960's, when the conductor Charles Macherras introduced his unique music. I heard a recording of Macherras conducting the Pro Arte Orchestra in a performance of Janacek's "Sinfonietta".It was in 1969 that I first heard Janacek's Symphonic Rhapsody, "Taras Bulba".Janacek's music is exciting, powerful, emotive, impassioned and unpredictable.I have taken the first and third movements of this piece, and adapted them for Brass Band, which was at times extremely difficult, but rewarding. It sometimes took up to an hour to be satisfied that a mere several bars had been reproduced to convey the composer's intentions.The Death of AndriThe Cossaks, under the leadership of Taras Bulba, are fighting against the Poles in the 17th century. Taras's son Andri seeks to rescue his love, a Polish princess, from a city which is being besieged by the Cossaks. Having found her, he throws in his lot with the Poles, but is finally captured by his father, who executes him as a traitor before riding off again to battle.Prophesy and Death of Taras BulbaTaras himself is finally captured and condemned to be nailed to a tree and burned alive. As the flames creep around him, Taras has the satisfaction of seeing histroops escape, and as he dies, sees a vision of his country freed at last.This is incredibly descriptive music. The mood is constantly changing, creating feelings of love and anger, celebration and melancholy, despair and triumph.This Brass Band EditionThe duration of the original symphonic rhapsody, three movements, is approximately 23 minutes. I chose the first and third movements, so the Brass Band edition is approximately 14 minutes. The main reason is twofold: Being realistic about the demands this music would place on the stamina of the brass player; Keeping the piece less than 15 minutes, so that, if desired, it could be used on the contest platform.Two unique qualities of Janacek's music had to be taken into account when preparing this brass band version. His compositional technique was individual, at times not sticking to traditional expectations, in both form and orchestration. I imagined what the genius himself would have said looking at my work, and how to tackle a particular section to emulate his original intentions. This was particularly the case when dealing with high woodwind and violin parts, the use of tremolo in string parts, and the orchestral harp.Percussion: Janacek included timpani, side drum, cymbals, triangle and tubular bells. For reasons stated previously, I have also included xylophone and glockenspiel. I have also added the gong in a couple of places to enhance the dramatic effect of the music.
In Stock: Estimated dispatch 3-5 working days
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£30.00
Wired - Lucy Pankhurst
A fantastically funky piece! So good it was featured on BBC television during the 2010 general election campaign coverage for the North West and at the 2014 International Women's Brass Conference.Originally written in 2009 for Jason Katsikaris and the Leyland Band, Lucy Pankhurst has created a vivacious, energetic work which is strong on percussion and style!It's fast-moving, completely engaging and makes for compulsive toe-tapping and the need to 'get into the groove'! Huge opportunities for the kit player/percussion section to show their wild side and, so as not to be outdone, plenty of other moments for improvisation-esque solos from other quarters.If you can keep up, this is a really great contribution to your concert programme.Look and Listen (performance courtesy of Oslofjord Brass from their appearance at the 2010 Grenland International Brass Festival 2010):
In Stock: Estimated dispatch 3-5 working days
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£73.60
A Spring Lullaby - Andrew Pearce
During the past few years, Andrew Pearce enjoyed a fruitful collaboration with Phillip Cobb, principal trumpet of the London Symphony Orchestra, composing such works as The Maestro and Interlude for his album in 2012. Later Cobb invited Pearce to compose a slow melody, accompanied by the Central Band of the Royal Air Force for Cobb's upcoming album, displaying his softer, expressive side on flugelhorn. This song-like, warm lilting lullaby reflects on the joy of life.
Estimated dispatch 5-14 working days
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£85.00
Freaks! - Gavin Higgins
Freaks! was written for Lisa Sarasini in 2006 and first performed by her with Zone One Brass at the Royal College of Music, London.This tuneful and flamboyant showpiece was inspired by the Tod Browning film of the samename. The 1932 black and white cult classic was banned for many years due to its controversial morality issues and lead characters real life side show freaks . It is one of the most bizarre things to have ever come out ofHollywood. Gavin Higgins' virtuoso trombone solo is programmatic in style, full of humour with a sinister undercurrent, and is broken into seven short scenes:IntroductionRoll up... See theFreaksThe Amazing Cleopatra Queen of the AirGooble Gobble one of us The Wedding PartyThe Fall of CleopatraThe Freaks Take RevengeCleopatra The Duck Lady
Estimated dispatch 5-14 working days