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  • £17.50

    Celebration (Brass Band - Score only) - Condon, Leslie

    Composed for the 75th anniversary of the ISB in 1965, this music went on to become one of the best known concert marches in the Salvation Army repertoire.

    Estimated dispatch 7-14 working days
  • £34.95

    Everlasting Praise (Brass Band - Score and Parts) - Samuel, Nicholas

    Written for the 25th anniversary of The Salvation Army Anglia Youth Band, this exciting music features the hymn tunes of 'Ascalon', 'Miles Lane' and 'Old Hundredth' with references to 'Praise, my soul, the King of Heaven'.

    Estimated dispatch 7-14 working days
  • £17.50

    Everlasting Praise (Brass Band - Score only) - Samuel, Nicholas

    Written for the 25th anniversary of The Salvation Army Anglia Youth Band, this exciting music features the hymn tunes of 'Ascalon', 'Miles Lane' and 'Old Hundredth' with references to 'Praise, my soul, the King of Heaven'.

    Estimated dispatch 7-14 working days
  • £29.95

    Goldcrest (Brass Band - Score and Parts) - Anderson, James

    A great march more suited to festival rather than procession, Goldcrest by James Anderson has long been a favourite with Salvation Army Bands.

    Estimated dispatch 7-14 working days
  • £14.95

    Goldcrest (Brass Band - Score only) - Anderson, James

    A great march more suited to festival rather than procession, Goldcrest by James Anderson has long been a favourite with Salvation Army Bands.

    Estimated dispatch 7-14 working days
  • £44.95

    Lyric Variations (Euphonium Solo with Brass Band - Score and Parts) - Steadman-Allen, Ray

    This solo was written at the request of Stephen Cobb and was premiered by Derick Kane with The International Staff Band of The Salvation Army in 1999. The theme, commonly known as 'Lord of the Dance', is followed by four variations (waltz, soft shoe, brillante, lento) and a blistering finale!

    Estimated dispatch 7-14 working days
  • £22.50

    Lyric Variations (Euphonium Solo with Brass Band - Score only) - Steadman-Allen, Ray

    This solo was written at the request of Stephen Cobb and was premiered by Derick Kane with The International Staff Band of The Salvation Army in 1999. The theme, commonly known as 'Lord of the Dance', is followed by four variations (waltz, soft shoe, brillante, lento) and a blistering finale!

    Estimated dispatch 7-14 working days
  • £44.95

    My Comfort and Strength (Brass Band - Score and Parts) - Bowen, Brian

    A Salvation Army meditation based on the hymn 'The God of love my Shepherd is', a paraphrase of Psalm 23 to the tune 'University'. The setting, using fragments of the tune, reflects the differing moods of the Psalm culminating in an inspiring close.Duration: 6.30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £22.50

    My Comfort And Strength (Brass Band - Score only) - Bowen, Brian

    A Salvation Army meditation based on the hymn 'The God of love my Shepherd is', a paraphrase of Psalm 23 to the tune 'University'. The setting, using fragments of the tune, reflects the differing moods of the Psalm culminating in an inspiring close.Duration: 6.30

    Estimated dispatch 7-14 working days

     PDF View Music

  • £59.95

    My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean

    This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).

    Estimated dispatch 7-14 working days