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  • £34.95

    Almighty (Brass Band - Score and Parts) - Trigg, Roger

    'Almighty' was written for Bandmaster Ross Johnson and Camberwell Citadel Band (Australia) for use on the band's 2009 tour of New Zealand. This energetic work takes its title from the opening line of the well-loved hymn, 'Praise to the Lord, the Almighty, the King of creation' (S.A.S.B. 19). It is based on the hymn tune 'Lobe den Herren' (T.B. 721) and whilst the tune is only heard in its entirety once, fragments of the tune can be heard throughout the music. The music is a shout of acclamation to the King of Kings.

    Estimated dispatch 7-14 working days
  • £17.50

    Almighty (Brass Band - Score only) - Trigg, Roger

    'Almighty' was written for Bandmaster Ross Johnson and Camberwell Citadel Band (Australia) for use on the band's 2009 tour of New Zealand. This energetic work takes its title from the opening line of the well-loved hymn, 'Praise to the Lord, the Almighty, the King of creation' (S.A.S.B. 19). It is based on the hymn tune 'Lobe den Herren' (T.B. 721) and whilst the tune is only heard in its entirety once, fragments of the tune can be heard throughout the music. The music is a shout of acclamation to the King of Kings.

    Estimated dispatch 7-14 working days
  • £69.95

    Transformation (Brass Band - Score and Parts) - Downie, Kenneth

    I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.

    Estimated dispatch 7-14 working days
  • £34.95

    Transformation (Brass Band - Score only) - Downie, Kenneth

    I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.

    Estimated dispatch 7-14 working days
  • £44.95

    Deus Invictus - God Unconquered (Brass Band - Score and Parts) - Mackereth, Andrew

    Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.

    Estimated dispatch 7-14 working days
  • £22.50

    Deus Invictus - God Unconquered (Brass Band - Score only) - Mackereth, Andrew

    Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.

    Estimated dispatch 7-14 working days
  • £34.95

    Crusaders (Brass Band - Score and Parts) - Goffin, Dean

    This march is based on the hymn tune 'Ascalon' named after the Palestinian city which was of strategic importance in the Crusader Wars. The tune is also called 'The Crusader's Hymn' and was used as such by Franz Liszt in his oratorio 'St. Elizabeth'. The melody is seldom absent and it can be heard in some form or other throughout the march.

    Estimated dispatch 7-14 working days
  • £17.50

    Crusaders (Brass Band - Score only) - Goffin, Dean

    This march is based on the hymn tune 'Ascalon' named after the Palestinian city which was of strategic importance in the Crusader Wars. The tune is also called 'The Crusader's Hymn' and was used as such by Franz Liszt in his oratorio 'St. Elizabeth'. The melody is seldom absent and it can be heard in some form or other throughout the march.

    Estimated dispatch 7-14 working days
  • £59.99

    Gelobet seist du, Jesu Christ (Brass Band - Score and Parts) - Blanken, John

    Gelobet Seist Du Jesu Christ (We Praise You Jesus Christ) is an old Christmas hymn dating from the 16th century, which can still be found in many hymnbooks today. John Blanken has created a varied and imaginative arrangement on four verses of the hymn. A perfect item for you next Christmas concert.Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £29.95

    Salvation Army Classic 5-8 (Flexible Brass Band - Score and Parts)

    Salvation Army Classics arranged for Flexible Brass Band Numbers 5 - 8March - Mighty to Save (George Marshall)Meditation - Hyfrydol (Gunnar Blomberg)Hymn Tune Setting - Colne (Thomas Rive)Hymn Tune Arrangement - My All is on the Altar (Morley Calvert)This series features pieces that have been rescored for Unity Series (five-part) scoringPART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available. Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well as the occasional opportunity for rest.

    Estimated dispatch 7-14 working days

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