Results
-
£42.60Let Me Try Again (Flexible Solo with Flexible Ensemble - Score and Parts) - Caravelli, Francois - Marlow, Alan P.
Soloist with 8 Part Flexible Ensemble and PercussionSoloist parts in Bb T.C. and C B.C. provided
Estimated dispatch 7-14 working days
-
£50.90Bring Him Home (from Les Miserables) (Euphonium Solo with Brass Band - Score and Parts) - Fernie, Alan
This iconic song from Les Mis is now available for your Euphonium Soloist to feature with your Brass Band.
Estimated dispatch 7-14 working days
-
£54.20Cello Concerto No.1 (Euphonium Solo with Brass Band - Score and Parts) - Haydn, Joseph - Smith, Sandy
The Third Movement from Haydn's Cello Concerto No.1 is now available for your Euphonium Soloist
Estimated dispatch 7-14 working days
-
£154.99Contrasts (Trombone Solo with Brass Band - Score and Parts) - Van der Roost, Jan
Contrasts was written for, and dedicated to, trombone soloist Dr. Brett Baker. As the titles indicates, contrasting elements characterize this challenging piece. The slow movement Sounds has a somewhat dark and sombre atmosphere, with complex harmonies and special sound effects. However, the second movement, Caprice, is energetic, entertaining, virtuosic and somewhat whimsical - quite a contrast indeed with the first! Duration: 16.30
Estimated dispatch 7-14 working days
-
£107.95Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction
Estimated dispatch 7-14 working days
-
£49.95Cornet Concerto (Brass Band - Score only) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Duration: 17.00
Estimated dispatch 7-14 working days
-
£38.00Wade in the Water (Bass Trombone Solo with Brass Band - Score and Parts) - Bassey, Mark
A Bass Trombone feature, "Wade in the Water" is a Negro Spiritual. The song relates to both the old and new testaments and reflects the Israelites escape out of Egypt, There is a popular belief that Wade in the Water contained explicit instructions to fugitive slaves on how to avoid capture. In this arrangement, Mark Bassey has been influenced by Norman Symmons fine arrangement for the Johnny Griffin orchestra and was recorded by Superbrass on their "Brass Taps" CD with Andy Wood as soloist. Duration: 5.00. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
-
£38.00Wade in the Water (Euphonium Solo with Brass Band - Score and Parts) - Bassey, Mark
A Euphonium feature, "Wade in the Water" is a Negro Spiritual. The song relates to both the old and new testaments and reflects the Israelites escape out of Egypt, There is a popular belief that Wade in the Water contained explicit instructions to fugitive slaves on how to avoid capture. In this arrangement, Mark Bassey has been influenced by Norman Symmons fine arrangement for the Johnny Griffin orchestra and was recorded by Superbrass on their "Brass Taps" CD with Andy Wood as soloist. Duration: 5.00. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
-
£44.95Meditation (from The Triumph of Time) (Flugel Horn and Baritone Duet with Brass Band - Score and Parts) - Graham, Peter
Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs. The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn and Baritone soloist Katrina Marzella. This extract brings both instruments together in an extended stand-alone arrangement.Although scored for Flugel and Baritone, a number of options can be explored at the discretion of the conductor (eg. Flugel/Cornet and Euphonium/Trombone; two Bb Cornets etc. in which case cued lines in the Solo Horn and Soprano cornet parts may be played).Duration: 05:00
Estimated dispatch 7-14 working days
-
£89.95Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Gregson, Edward
The Gregson Trombone Concerto was originally written in 1979 to a commission from Bedfordshire Education Service, for a new work for Michael Hext, winner of the first BBC Young Musician of the Year competition. This version for brass band was commissioned by Nicholas Childs, Music Director of the Black Dyke Band, specially for Brett Baker, the then principal trombone of the band. He has recorded it on the Doyen label with the Black Dyke Band.The work falls into three main sections, played without a break, but conforming to the traditional pattern of concerto structure. After a slow introduction, containing most of the motivic and rhythmic ideas used in the work, there follows the main fast section which is itself divided into three parts and concludes with a fierce climax (timpani and gong). The slow and rather intense middle section is linked to a cadenza for the soloist, at first unaccompanied but leading to accompanied references to earlier material. The final section is a scherzo which ends dramatically with a re-statement of the opening slow introduction. A brisk coda concludes the work. The interval of a fourth (and its augmented form) provides melodic and harmonic unity for the work, whilst the tonal juxtaposition between E minor and B flat major throughout the concerto is an important element of the structure.The writing for trombone is virtuosic, encompassing the whole range of the instrument, but it also exploits the rather beautiful lyrical sound of which this instrument is capable.
Estimated dispatch 7-14 working days
View Music