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  • £24.95

    Ar Lan y Mor (On the Sea Shore) - Welsh Traditional - Leigh Baker

    Ar Lan y Mor is a Welsh love song which translates simply as 'on the sea shore'. Leigh Baker's skillfully crafted arrangement of this beautiful song begins with muted euphonium lamenting over a traditional Celtic drone featuring bowed vibraphone. Ar...

    Estimated dispatch 5-7 working days
  • £25.00 £25.00
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    Anyone Who Had A Heart - Burt Bacharach and Hal David - Len Jenkins

    "Anyone Who Had A Heart" is a song written by Burt Bacharach (music) and Hal David (lyrics) originally for Dionne Warwick in 1963. However, in the UK, Ireland and New Zealand, the cover version by Cilla Black was, and is still, the best loved. Championed by her friends The Beatles, she began her career as a singer in 1963, and her singles "Anyone Who Had A Heart" and "You're My World" both reached number one in the UK in 1964. From the first line, the song has a certain frisson: "Anyone who ever loved, could look at me, and know that I love you." Sadly, Cilla passed away on 1 August 2015 so this is our tribute to a well-loved lady and singer. Our objective has been to interpret the style of the original performance by Cilla, and whilst the time signatures may not be familiar, experience has shown that these are easier to read and play than the alternative using triplets.

  • £10.00

    Edward Gregson: Concertante for Piano and Brass Band

    DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days

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  • £104.99

    Scottish Dances Brass Band (Score & Parts)

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding 07:00

    Estimated dispatch 7-14 working days

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  • £104.99

    Scottish Dances - Peter Martin

    Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding

    Estimated dispatch 5-14 working days

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  • £44.95

    JOY THROUGH THE AGES (Brass Band Set) - Howard Evans

    This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.

    Estimated dispatch 7-14 working days
  • £44.95

    Joy Through The Ages (Brass Band - Score and Parts) - Evans, Howard J.

    This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.

    Estimated dispatch 7-14 working days
  • £22.50

    Joy Through The Ages (Brass Band - Score only) - Evans, Howard J.

    This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.

    Estimated dispatch 7-14 working days
  • £9.95

    Euphonium's Amazing Americas Tour - Solo Euphonium (Bass Clef) - LM172 - Alexandra Lehmann

    COMPOSER: Alexandra LehmannEuphonium's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownEuphoniumplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Euphoniumis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerEuphoniumis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Euphonium is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoEuphoniumis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Euphonium plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.

    In Stock: Estimated dispatch 3-5 working days
  • £9.95

    Euphonium's Amazing Americas Tour - Solo Euphonium (Treble Clef) - LM169 - Alexandra Lehmann

    COMPOSER: Alexandra LehmannEuphonium's Amazing Americas TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.1. Hearty HoedownEuphoniumplays at a lively, social, rural gathering;a 'hoedown'; for cowboys and girls. Yeeha!2. Barcarolle BluesOn the 18th of December 1865, the 13th Amendment(abolishing slavery in USA) was officially adopted into the Constitution.Euphoniumis on a boat sailing the Mississippi with former slavestravelling further north in hope of a better life.As the river gently sways the traumatised passengers,they find solace in music-making.3. Kindred KlezmerEuphoniumis playing for Ashkenazi (West and East European)Jews dancing fervently and with joy as a community.4. Carnival CalypsoFurther south, in 1834,Euphonium is playing at a carnivalcompetition in Trinidad, celebrating the abolition of slavery.It is in call (the lead singer)-and-response (the rest of the group) form.The chariot passes through cheering crowds,and trundles merrily into the distance.5. Tantalising TangoEuphoniumis at a dance theatre in downtown Buenos Aires,playing an intense, and moody tango.Couples dance in a passionate and powerful embrace.6. Hallowed Harawi of the IncasThe Incas are no more, like so many indigenouspeoples of the Americas.Euphonium plays an Incan Harawi,a love song, as their spirit still echoes across the valleys,mountains, forests, and rivers that nurtured them in ancient times.

    In Stock: Estimated dispatch 3-5 working days