Results
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£29.95Island Whirl
Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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Trumpet Tune and Air - Clarke, Purcell - Len Jenkins
Wobbleco Music is pleased to offer a new arrangement of the famous 'Trumpet Tune in D' for full brass band featuring a soprano cornet solo. The tune is often attributed to Henry Purcell, but in fact was the result of a joint musical production by Jeremiah Clarke and Daniel Purcell (Henry Purcell's younger brother), hence the confusion. For bands that do not have a soprano cornet player, we also include an alternative solo part written for Bb cornet. To complement this, we also include a soprano cornet part in Eb, for use when the band has a soprano player but who is not the featured soloist. Recognising its popularity for weddings and special occasions, where a full band may be impractical for space or availability reasons, we have also produced a quintet edition, which is available as a separate publication from Wobbleco Music.
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£67.84Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£90.45Euphonium Concerto with Brass Band (Karl Whelan)
VIEW SCORE PDF Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements: I: Prelude II: Aria III: Scherzo The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range. A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria. A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word! To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£60.30Caprice (Euphonium Solo with Brass Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Euphonium Soloist Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£10.00Kopanitsa
DescriptionKopanitsa was commissioned by Gavin Pritchard, who is also the work's dedicatee and gave the first performance with the Tongwynlais Temperance Band conducted by Gareth Pritchard at the Butlins Mineworkers Championship on 20 January 2008, winning the prize for best soloist as a result. He has recorded it on the CD "Enter the Galaxies" accompanied by the Cory Band conducted by Robert Childs.Gavin had requested a virtuoso showpiece featuring as many instruments as possible. The solo part is therefore written for vibraphone (bowed and struck), 10 x tuned tom toms, 5 x suspended cymbals plus hi-hat and a xylophone. The soloist's 'choreography' therefore forms an integral part of the performance. This can be seen to great effect in Gavin's performance of the work at the 2013 Brass in Concert Championship with Tredegar Band, available on the DVD of the event from World of Brass. A 'kopanitsa' is a Bulgarian folk dance that traditionally features two slow beats and two quick beats, reflected in the central 10/8 section. The music is deliberately Balkan in character, using the characteristic modes of Greek and Bulgarian folk music, and accelerates regularly to finish at breakneck speed. The tom-tom section marked 'ad lib.' after [D] can be improvised if the soloist wishes.You can follow the score in the preview video below!PercussionThe band percussion parts are written for timpani, snare drum, suspended cymbal, tambourine on a stand and bass drum. It is possible to combine these with the soloist part to make the work a feature for percussion trio and parts for this can be made available on request.MutesSoprano cornet, solo and 1st horn, 1st and 2nd baritone and euphoniums will require straight mutes (metal ideally). Soprano cornet, principal cornet, repiano and 1 x 2nd cornet, plus all trombones, will require cup mutes. Repiano, 2nd and 3rd cornet require harmon mutes with the tubes removed (indicated by 'TR').
Estimated dispatch 7-14 working days
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£33.91Sunset (Cornet Solo with Brass Band) David Robb
Sunset was written in June 2023 as a graduation present for the composer's son Callum and is dedicated to him. It portrays an older father (the composer) reminiscing about the love, respect and pride he has for his grown-up son and all that he has achieved and worked for. Sunset is lyrical and song-like in style. A soaring solo line is accompanied by a mainly homophonic background which should support, but never overpower the soloist. The tutti sections feature the melody accompanied by flowing scalic figures which portray the passing of time. The piece ends with an ad lib cadenza section where the soloist can really put their own mark on the music. To view a video of Dominic Longhurst and Victoria Brass performing the solo please visit www.youtube.com/watch?v=nzYwOvlqaYU PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 4.10 minutes Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Tutti Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£26.38The Three Kings (Euphonium Solo with Brass Band) Cornelius arr. Wainwright
This beautiful arrangement of the much loved tenor solo The Three Kings was made for the GUS Band and euphonium soloist Mark Giles, for the CD recording Christmas Fantasia - The Music of Andrew Wainwright (2013). The Three Kings, or Three Kings From Persian Lands Afar, is a Christmas carol by the German composer Peter Cornelius. He set Die Konige for a vocal soloist, accompanied by Philip Nicolai's hymn Wie schon leuchtet der Morgenstern ('How Brightly Shines the Morning Star'), which he erroneously thought was an Epiphany hymn. In fact, it is an Advent hymn in which the morning star is an allegory for the arrival of Jesus, not the Star of Bethlehem. In Cornelius' original second setting, the accompaniment was played on a piano but the English organist Ivor Atkins later arranged the accompaniment for choir, with the choir singing the words of the original hymn. The carol describes the visit of the Biblical Magi to the Infant Jesus during the Nativity and is also used as an Epiphany anthem. To view a rolling score video of Mark Giles performing the solo with GUS Band, please visit www.youtube.com/watch?v=YsLVNknim7w PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk/sheet-music/the-three-kings-euphonium-solo-with-brass-band-cornelius-arr-wainwright-brookwright USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb 1st Cornet Bb 2nd Cornet & Flugel Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone 2nd Euphonium Bb Bass Eb Bass Bb
In Stock: Estimated dispatch 1-3 working days
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£33.91Silent Night (Vocal Solo with Brass Band) Joseph Mohr arr. Andrew Wainwright
This solo for soprano voice with brass band accompaniment was arranged for ITV's Britain's Got Talent star Faryl Smith and the GUS Band for a joint Christmas concert. It was recorded on the CD Christmas Fantasia - The Music of Andrew Wainwright by the same performers. This simple but charming setting features three verses of the carol. To view a rolling score video featuring Faryl Smith performing the solo with GUS Band please visit https://www.youtube.com/watch?v=qmIRwYogtzU&t=2s Length: 5.20 minutes Instrumentation: Vocal Soloist Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion
In Stock: Estimated dispatch 1-3 working days
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£33.91Adoration (Cornet Solo with Brass Band) Florence Price trs. Andrew Wainwright
Florence Price was an American classical composer, pianist, organist and music teacher. She is noted as the first African-American woman to be recognised as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers that had been previously considered lost was found in her abandoned summer home. Amongst these was this delightful work, Adoration, which had been composed in the 1950s for organ. According to IMSLP.org, the piece "failed to meet notice or renewal requirements to secure statutory copyright with no 'restoration' under the GATT amendments" and therefore is in the public domain. A version for violin and piano by Elaine Fine has become popular. This setting for cornet soloist with brass band has been arranged by Andrew Wainwright. It is also available as a Bb solo with piano here. To view a video of Andrew Roe performing the work, please visit: www.youtube.com/watch?v=_7UYlz8Fzxo Difficulty Level: 4th Section + Length: 3.15 minutes Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb (Percussion Tacet)
In Stock: Estimated dispatch 1-3 working days