Results
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£33.00
Star Trek Deep Space Nine - McCarthy, D - Phillips, L
This "symphonic" concert version of the theme from Star Trek: Deep Space Nine was re-arranged for the fourth season of the TV series. More up tempo than the original, this brass band arrangement includes the main theme and the exciting Battle for the Station theme.2nd section +
In Stock: Estimated dispatch 1-3 working days
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£107.95WHEN WORLDS COLLIDE (Brass Band - Score and Parts) - Clarke, Nigel
Subtitled: Little Green Men in Intergalactic Spaceships with Ray-Guns and Phasers, A Space Symphony for Brass band. Written for the free choice test piece for Brass Band Buizingen for the Flemish Open Brass Band Championships. When Worlds Collide seeks to recreate the atmosphere and sentiment of the American cult Sci-Fi movies of the 1950's such as Robert Wise's 1951 film 'The day the Earth Stood Still' and 'Invasion of the Body Snatches' directed by Don Siegel in 1956, as well as Rudolph Mate's 1951 film 'When Worlds Collide'. It is programmatic with subtitled sub-sections as follows: Crop Circles; Lights in the Sky; Strange Happenings; Sightings; "We Come in Peace"; Alien Abduction; Analysis of the Earthlings; Teleportation; New Understandings; Visions of Far Off Worlds; Colonisation. Duration: approx. 19 mins.
Estimated dispatch 7-14 working days
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£49.95
WHEN WORLDS COLLIDE (Brass Band - Score only) - Clarke, Nigel
Subtitled: Little Green Men in Intergalactic Spaceships with Ray-Guns and Phasers, A Space Symphony for Brass band. Written for the free choice test piece for Brass Band Buizingen for the Flemish Open Brass Band Championships. When Worlds Collide seeks to recreate the atmosphere and sentiment of the American cult Sci-Fi movies of the 1950's such as Robert Wise's 1951 film 'The day the Earth Stood Still' and 'Invasion of the Body Snatches' directed by Don Siegel in 1956, as well as Rudolph Mate's 1951 film 'When Worlds Collide'. It is programmatic with subtitled sub-sections as follows: Crop Circles; Lights in the Sky; Strange Happenings; Sightings; "We Come in Peace"; Alien Abduction; Analysis of the Earthlings; Teleportation; New Understandings; Visions of Far Off Worlds; Colonisation. Duration: approx. 19 mins.
Estimated dispatch 7-14 working days
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£89.95
INFINITY (Brass Band Set) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
INFINITY (Brass Band Study Score) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£28.95Hopak (Brass Band - Score and Parts) - Wiffin, Rob
An extended fanfare/opener, A New Beginning is a joyous and exuberant outburst, an affirmation of the eternal hope of the human spirit. It starts and ends with the drama and splendour of a simple fanfare and the sections in between are full of energy, drive and purpose.The musical language is typically American in style with its typical feel of openness, space and grandeur. There are plenty of big moments but players and conductors are asked to pay careful attention to the various layers to prevent it all being performed at full volume.Duration: 4.30
Estimated dispatch 7-14 working days
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£28.95A New Beginning (Brass Band - Score and Parts) - Wiffin, Rob
An extended fanfare/opener, A New Beginning is a joyous and exuberant outburst, an affirmation of the eternal hope of the human spirit. It starts and ends with the drama and splendour of a simple fanfare and the sections in between are full of energy, drive and purpose.The musical language is typically American in style with its typical feel of openness, space and grandeur. There are plenty of big moments but players and conductors are asked to pay careful attention to the various layers to prevent it all being performed at full volume.Duration: 4.30
Estimated dispatch 7-14 working days
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£159.99Other Lives (Brass Band - Score and Parts) - Waespi, Oliver
Other Lives is works perfectly for a competition but can also be programmed as concert work. The dark chords at the beginning of the piece are derived from Der Doppelganger, one of Franz Schubert's late songs. After a short development the music begins to accelerate and find its own shape, gradually moving away from the introduction. The entire first part, Rage, has an intensely agitated character. The ensuing Reflection turns back to the initial chord progression, before a series of interspersing solos explore time and space at a slower pace. After another musical surge, the music is brought close to silence and then gives way to the third part, Redemption. Here, a widely spaced sound field contains a remote allusion to another work by Schubert, Ruckblick. After this farewell, an abstract musical transformation triggers an emotional change, as the initial motifs are now presented in their inversed form in order to create a much brighter harmonic landscape. Moreover, in the last part of the piece, Renewal, the grim, tense atmosphere of the first part is transformed into a great energy.Duration: 18.00
Estimated dispatch 7-14 working days
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£169.99Explorers on the Moon (Brass Band - Score and Parts) - Raphael, Paul
Composed by Paul Raphael, Explorers on the Moon, the sequel to his 2017 work Destination Moon, was composed in 2019 to commemorate the 50th anniversary of the 1969 Moon Landings. It is inspired by the Belgian author Herge and his most famous creation, Tintin. The music uses Herge's story from 1950, almost twenty years prior to the first ever moon landing, following Tintin and his fellow adventurers as they become the first humans on the Moon. This fantastic piece is split into three parts, titled Space, Nightmare Land and The Journey Home and is one of the most spectacular contest pieces in recent years.Duration: 20.00
Estimated dispatch 7-14 working days
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£169.99Destination Moon (Brass Band - Score and Parts) - Raphael, Paul
Destination Moon was first performed by Cory Band at the 2017 European Championships in Ostend, Belgium, and is inspired by the Belgian comic-book hero Tintin. The first part is called 'Science' and describes the development of the theory of space travel. The second part is 'Humanity' which addresses human concerns and philosophies about our place in the universe. The third part is 'The Launch' which ends with a repetition of the words 'Earth to Moon Rocket - are you receiving me?' as the rocket vanishes into a tiny speck in the sky. Duration: 18.45
Estimated dispatch 7-14 working days
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