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  • £154.99

    Bulgarian Dances (Part II) (Brass Band - Score and Parts)

    Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.

    Estimated dispatch 7-14 working days

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  • £44.95

    SPIRIT OF THE PIONEERS (Brass Band Set) - Kenneth Downie

    Estimated dispatch 7-14 working days
  • £44.95

    Powerhouse (Brass Band - Score and Parts) - Downie, Kenneth

    Spirit divine, come as of old. So begins the song by Brindley Boon, and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power, Wonder-working power and the very old chorus Send a new touch of power on my soul, Lord.The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.

    Estimated dispatch 7-14 working days

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  • £94.99

    Admiral Spirit Brass Band (Score & Parts)

    The 'Admiral Spirit' is the pride of the Navy. The ship is at sea, there is no wind, the sun is shining. The crew are busy piloting the ship into port in prime condition. The admiral himself will inspect the vessel. The first movement (Allegro Con Spirito) gives musical expression to the majestic ship and its toiling crew. In the second movement (Andante), the ship sails into port. It has been polished and technically everything is in order. The admiral will be proud when he inspects the ship. Third movement (Allegro Molto): the captain and his crew are nervous (modulations) while working at the 'finishing touch'. The Navy Band is ready to receive the admiral !. He may be proud of his flagship. 06:30

    Estimated dispatch 7-14 working days

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  • £59.95

    Romans 8 Brass Celebration (Brass Band - Score and Parts) - Steadman-Allen, Ray

    Based on the eighth chapter of Romans, this music was composed as a companion to a series of bible studies at the 1985 British National School of Music. The tunes of four songs are presented, each supporting the ideas of the chapter; 'This joyful Eastertide' 'We are born of the Spirit' 'Lord of all hopefulness' and 'In the Cross of Christ I glory'.

    Estimated dispatch 7-14 working days
  • £29.95

    Romans 8 Brass Celebration (Brass Band - Score only) - Steadman-Allen, Ray

    Based on the eighth chapter of Romans, this music was composed as a companion to a series of bible studies at the 1985 British National School of Music. The tunes of four songs are presented, each supporting the ideas of the chapter; 'This joyful Eastertide' 'We are born of the Spirit' 'Lord of all hopefulness' and 'In the Cross of Christ I glory'.

    Estimated dispatch 7-14 working days
  • £35.72

    Polka from 'The Bartered Bride' (Brass Band) Smetana arr. Rob Bushnell

    Considered a major contribution to the develop of Czech music, The Bartered Bride by Bedrich Smetana is a comic opera in three acts that premiered, in its final version, in 1870; having not been a great success when the original two-act version premiered at the Provisional Theatre, Prague on 30 May 1866. The opera was part of Smetana's aim to create a native Czech music after the conductor Johann von Herbeck commented that Czechs were incapable of making music of their own. Whilst he avoided the direct use of folksongs, Smetana did use numerous traditional Bohemian dance forms, such as the furiant and the polka, leading to music that was Czech in spirit. 'Sold Bride', a more accurate translation of the original Czech title (Prodana nevesta), tells the story of two lovers (Marenka and Jenik) who want to marry despite Marenka's father's obligations for his daughter to marry the son of a wealthy landowner, Micha. Scheming, condition proposals and secret identities leads to a happy ending. The polka was not in the original 1866 version. A revision in October 1866 saw the addition of a gypsy dance near the start of act 2. But by the next performance in January 1869, this had been replaced by a polka. In June 1869, a new polka replaced the January version's (as well as being moved to the end of act 1) and this is the one that we know and love today. This arrangement is for British-style brass band, with *alternative parts for horns in F and bass-clef lower brass. Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb* 1st Horn Eb* 2nd Horn Eb* 1st Baritone Bb* 2nd Baritone Bb* 1st Trombone Bb* 2nd Trombone Bb* Bass Trombone Euphonium Bb* Bass Eb* Bass Bb* Timpani Percussion (Triangle, Cymbal(s) & Bass Drum)

    In Stock: Estimated dispatch 1-3 working days
  • £59.95

    ROMANS 8 Brass Celebration (Brass Band Set) - Ray Steadman-Allen

    Based on the eighth chapter of Romans, this music was composed as a companion to a series of bible studies at the 1985 British National School of Music. The tunes of four songs are presented, each supporting the ideas of the chapter; 'This joyful Eastertide' 'We are born of the Spirit' 'Lord of all hopefulness' and 'In the Cross of Christ I glory'.

    Estimated dispatch 7-14 working days
  • £30.00

    Twelve Scripture-Based Songs Volume XIII

    Twelve scripture-Based Songs arranged for Brass Band (Volume XIII) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased.Faithful One Brian Doerksen arr. Mervyn ClarkeHide me now (Still) Reuben Morgan arr. Paul SharmanI know he rescued my soul (My redeemer lives) Reuben Morgan arr. Dean JonesI will praise you Lord, with all my heart Dick KrommenhoekI will worship (You alone are worthy of my praise) David Ruiss arr .Dean JonesJesus shall take the highest honour Chris Bowater arr. Steven PonsfordThe candle of the Lord Joy Webb arr. Michael KenyonThe way it's gonna be Doug Horley arr. Dean JonesThere is an endless song (How can I keep from singing?) Chris Tomlin, Matt Redman and Ed Cash arr. Brian HoggWhen the spirit of the Lord (Dance like David) Anon arr. Andrew MackerethYour grace still amazes me Craig Phillips and Dean Phillips arr. David E JonesZephaniah's Song (I've found the pearl) arr. William Himes

    Estimated dispatch 7-14 working days
  • £89.95

    Revelation (Score and Parts)

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated dispatch 7-14 working days