Results
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£106.50La Figlia del Reggimento - Gaetano Donizetti
The Selection from La Figlia del Reggimento (The Daughter of the Regiment) by Gaetano Donizetti comes from the second of a series of works (No. 6 in the advertisement below) called Distin's Brass Band Scores published in 1855 by Henry Distin. These publications represent an important stage in the history of bands in Britain. The popular music of the day was mostly opera extracts, and the music of Donizetti was particularly popular.The purpose of this scholarly edition is to produce a performing version, clearing ambiguities and errors, that can be enjoyed by today's performers and listeners, bearing in mind the original function and context. At the same time the edition is an analytical, musicological study of one of the rare treasures of the brass band repertory.
Estimated dispatch 5-14 working days
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£115.60General Jackson's Schottische - John Wright Tidswell
The piece was written by John Wright Tidswell and performed during Enderby Jackson's series of brass band events which took place at the Crystal Palace, London 1860 - 1863. Enderby Jackson was the organiser of these historically important occasions and also conducted the massed band concerts.The purpose of this scholarly edition is to produce a performing version, clearing ambiguities and errors, that can be enjoyed by today's performers and listeners, bearing in mind the original function and context. At the same time the edition is an analytical, musicological study of one of the rare treasures of the brass band repertory.
Estimated dispatch 5-14 working days
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£127.30Mahalageasca - Mahala Rai Banda
Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.
Estimated dispatch 5-14 working days
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£40.00Crown Imperial - William Walton arr. Phillip Littlemore
William Walton composed his Crown Imperial for performance at the coronation of King Edward VIII, which was scheduled for the 12th May 1937. However, due to the dramatic abdication of Edward, it was in fact performed at the Coronation of the new monarch, King George VI, which took place on the same scheduled date. The march became popular immediately, and arrangements for piano solo, organ, small orchestra and military band were all published within a year. It has been used at all Royal events since, most notably the Coronation of Queen Elizabeth II in 1953 and latterly King Charles III.This new brass band transcription is in keeping with the shorter, 6-minute concert version that Walton created immediately following the Coronation of George VI. However, the scoring is more in keeping with contemporary brass band voicings, corrects errors in the previous brass band transcription by Frank Wright, and provides a much more exciting version for brass band. "Phillip Littlemore's arrangement of Crown Imperial is a bit like Frank Wrght's, only Phillip's is in Technicolor!" (Gary Westwood, Leyland Band) A video of this arrangement can be found here: Crown ImperialDuration: 6'30"Difficulty: 2nd Section and above
Estimated dispatch 5-7 working days
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£30.00Jerusalem - C. Hubert H. Parry arr. Phillip Littlemore
Sir Hubert Parry wrote the music to the hymn Jerusalem in 1916, during the gloom of World War I. It uses William Blake's poem And Did Those Feet In Ancient Times which itself was written around 1804, and first published in 1808.Parry's hymn was originally written for the 'Fight for Right' movement, formed to sustain the resolve of Britain during the Great War. The hymn received its premiere on the 28th March 1916 in the Queen's Hall, London at a 'Fight for Right' meeting. In 1917, Parry conducted it for the ladies of the Albert Hall choir as part of a call in favour of National Service for Women. This signalled a closer relationship with the women's suffrage movement which Parry and his wife, Maude, supported. A year later, Jerusalem was sung at a suffrage demonstration concert and was adopted by the Women's' Institute as their anthem in 1924.There are regular calls for the hymn to be adopted as the official National Anthem of England, but this is not new. The first such call can be traced back to the centenary of Blake's death in 1927 and the call continues undimmed to this present day. This brass band arrangement is based on Parry's original orchestration from 1916.Duration: 2'20"Difficulty: Suitable for all grades
Estimated dispatch 5-7 working days
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£35.00Pomp & CIrcumstance March No.1 - Edward Elgar arr. Phillip Littlemore
Elgar's Pomp & Circumstance March No. 1 was completed in July 1901 although the 'big tune' actually dates from earlier in that same year. It was premiered in Liverpool by its dedicatees, the Liverpool Orchestral Society, on the 19th October. It was repeated in London a few days later by Henry Wood at the Promenade concerts and the result was sensational, the audience roared its applause, and refused to allow the concert to continue. In order to restore order, Wood conducted the march three times - the only time in the history of the Promenade concerts that an orchestral item was accorded a double encore in Wood's lifetime.Now a staple of the 'Last Night of the Proms', where it always manages a partial encore, and a fitting item for any such themed concerts. This new arrangement recreates the colour from the original orchestral version.A video of this arrangement can be found here: Pomp & Circumstance March No.1Duration: c.6''00"Diffculty: 3rd Section and above
Estimated dispatch 5-7 working days
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£65.00Ancient Airs and Dances - Ottorino Respighi arr. Phillip Littlemore
Ancient Airs and Dances is a set of three orchestral suites written in 1917, 1924 and 1932 respectively. In each, Respighi borrows melodic material from the 16th and 17th centuries, and then applies his own distinct voice to create something at once new and old. This arrangement takes four separate movements from two of the three sets. Balletto detto "Il Conte Orlando" by Simone Molinaro, was a popular piece from the beginning of the 17th century. Its noble rhythmic gestures in the opening and closing sections are answered by a more reflective mood in the middle. Gagliarda, by Vincenzo Galilei (father of the famous astronomer) was originally called Polymnia, after one of the muses of song. Arie di Corte (Courtly Airs), is based on a set of songs by Jean-Baptiste Besard, where sprightlier dances are enveloped by a stately dance. The finale is a clever alternation of two anonymous dances of the late 16th century. There are several variations on a passa-mezzo with interjections of a mascherada. The suite arrives at a brilliant finish with the mascherada's fanfare theme.A recording of this work can be found here: Ancient Airs and Dances.Duration: c. 9'30"Grade: 4th Section and above
Estimated dispatch 5-7 working days
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£30.00Have Yourself A Merry Little Christmas - Hugh Martin/Richard Blane arr. Phillip Littlemore
The successful songwriting team of Hugh Martin and Ralph Blane wrote Have Yourself a Merry Little Christmas for the 1944 MGM musical Meet Me in St. Louis, where it was introduced by Judy Garland.The original lyrics were too melancholic and Garland asked for something a little bit more upbeat instead. Blane substituted them to the now-familiar lyrics of those Garland sang in the movie, although Frank Sinatra asked for one further change so that the song could be included on his album The Joy Of Christmas. It is one of the most popular Christmas songs of all time and has been recorded by over 500 artists.This arrangement, for cornet with band accompaniment, captures the reflective style of the original song, although allows a little bit of magic to close.A video of this arrangement can be found here: Have Yourself A Merry Little ChristmasDuration: 3'20"Difficulty: Suitable for all (band accompaniment)
Estimated dispatch 5-7 working days
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£40.00Legends of Cyfarthfa - Matthew Hall
Legends of CyfarthfaCombining the music of Joseph Parry and the legendary Cyfarthfa Band, Legends of Cyfarthfa is a technically challenging but musically rewarding concert work. Robert Crawshay owned the Cyfarthfa Ironworks in South Wales creating a business empire second to none.Cyfarthfa Castle was built by Crawshay as the family home from the income made via the ironworks. He wanted his own private band to play under the name of the ironworks with the best players in the world, playing on the highest quality instruments at the time. Employing the band members under the guise of iron workers, the Cyfarthfa Band was made up of virtuoso players, performing for the pleasure of the Crawshay dynasty.This virtuosity can be heard in some of the more technically challenging sections of Legends of Cyfarthfa. Joseph Parry was born in Cyfarthfa.He composed the first piece of music specifically written for brass band called Tydfil Overture for the Cyfarthfa Band, alongside many other memorable works for other instrumentation.Legends of Cyfarthfa incorporates many of Parry's works including his opera Blodwen, hymn tune Aberystwyth, folk melody Myfanwy and the Tydfil Overture, alongside many other melodies from Wales. Sospanfach, Men of Harlech, Lisa Lan and Calon Lan are just a number of the melodies that are used in this composition.The premiere performance was given by Tredegar Town Band under the direction of Ian Porthouse at the 2010 Brass in Concert Championships where it was awarded the Cyril Beere Memorial Trophy for Best New Composition or Arrangement.https://matthew-hall.co.uk/wp-content/uploads/2014/08/05-Legends-Of-Cyfarthfa.mp3Legends of Cyfarthfa
Estimated dispatch 5-7 working days
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Paint It Black - Mick Jagger & Keith Richards - Len Jenkins
"Paint It Black" (originally released as "Paint It, Black") was written by Mick Jagger and Keith Richards, and first released as a single on 6 May 1966. It became the Rolling Stones' sixth number one in the UK and has remained influential as the first number one hit featuring a sitar. The song came at a pivotal period in The Rolling Stones' recording history, a time that saw the song-writing collaboration of Jagger and Richards assert itself as the principal composers of the band's original material. Its lyrics are for the most part meant to describe bleakness and depression and describe the extreme grief suffered by one stunned by the sudden and unexpected loss of wife, lover or partner. It famously plays during the end credits of the film Full Metal Jacket. Beginning in the style of an ironic minuet, which can be by-passed by starting at bar 54 where the heavy rock beat takes over, the piece is interesting and within the capabilities of 3rd or 4th section bands. For those bands with a drummer and one percussionist, an alternative percussion part is provided.
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