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  • £40.00

    Bass Trombone Concerto - Gareth Wood

    Written in 2006 for Roger Argente, Gareth Wood brings his considerable experience of writing for brass, and brass bands in particular, to an instrument not often blessed with opportunities for solo exposure. It is scored for soloist accompanied by traditional brass band line-up, including timpani and two percussion, and follows the standard three-movement pattern. In the first movement, the soloist launches straight into the musical argument with a low-lying repeated quaver figure punctuated by the band. A lyrical second subject in the high register is also entrusted to the soloist, and the movement comes to a thrilling conclusion. The slow movement opens softly with the percussion, and a mournful bass line sets the mood for a thoughtful long melody. It reaches a powerful climax, which subsides to a return of the opening mood. In the march-like finale, the soloist is pitted against a number of solo instruments from the band and a driving ostinato carries the momentum through to the blazing ending.

  • £37.95

    The Noble Trombone - Brian Bowen

    This work, which uses the hymn tune Corona, aptly conveys the characteristics inherent in the title.

    Estimated dispatch 7-9 working days
  • £37.95

    Suite for Trombone - Don Lusher

    Don Lusher was the doyen of British trombonists. This three-movement suite showa all his playing characteristics.

    Estimated dispatch 7-9 working days
  • £24.95
  • £26.50

    The Acrobat (Trombone Solo with Brass Band)

    Please note that there is no score included in this set. A full score is not available for this work

    Estimated dispatch 7-14 working days
  • £129.95

    Trombone Concerto (Brass Band - Score and Parts)

    Estimated dispatch 7-14 working days
  • £24.95
  • £50.90

    Basin Street Blues (Trombone Trio with Brass Band - Score and Parts)

    Grade: medium.Duration: 3:28

    Estimated dispatch 7-14 working days
  • £74.95

    Radio City (Trombone Solo with Brass Band)

    As youngsters growing up on the west coast of Scotland, my brother and I fell heir to an old valved radiogram which provided us with our first experiences of radio broadcasts. On the short wave signal, and through the static, we could pick up a whole range of programmes from across the Atlantic. I particularly recall the baseball games, the American accents of the announcers providing a window to a evocative world far removed from our small Ayrshire town. These memories form the basis of Radio City.The work is set in three movements, each introduced by a pastiche radio announcer narrative written by Philip Coutts. The first, City Noir, is a nod towards Raymond Chandler's eponymous private eye Philip Marlow and the dark cityscape of 1940s California.Movement two, Cafe Rouge, takes its title from the main restaurant in New York's famous Hotel Pennsylvania. Two of the most famous band leaders of the 1940s, trombonists Glenn Miller and Tommy Dorsey, broadcast live from the cafe on numerous occasions and the movement echoes with a collage of imagined sounds from the period.The finale, Two-Minute Mile, derives from an event dubbed in the USA as "the most exciting two minutes in sport", namely the Kentucky Derby. The virtuoso soloist figurations have their roots in Kentucky bluegrass fiddle music, with the galloping bluegrass clog-dancing rhythms providing the backdrop.- Peter Graham, Cheshire, January 2013

    Estimated dispatch 7-14 working days