Results
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£18.00Scarborough Fair
DescriptionScarborough Fair is a traditional English ballad about the Yorkshire town of Scarborough. The song relates the tale of a young man who instructs the listener to tell his former love to perform for him a series of impossible tasks, such as making him a shirt without a seam and then washing it in a dry well, adding that if she completes these tasks he will take her back. Often the song is sung as a duet, with the woman then giving her lover a series of equally impossible tasks, promising to give him his seamless shirt once he has finished.As the versions of the ballad known under the title Scarborough Fair are usually limited to the exchange of these impossible tasks, many suggestions concerning the plot have been proposed, including the theory that it is about the Great Plague of the late Middle Ages. The lyrics of "Scarborough Fair" appear to have something in common with an obscure Scottish ballad, The Elfin Knight which has been traced at least as far back as 1670 and may well be earlier. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task.As the song spread, it was adapted, modified, and rewritten to the point that dozens of versions existed by the end of the 18th century, although only a few are typically sung nowadays. The references to the traditional English fair, "Scarborough Fair" and the refrain "parsley, sage, rosemary, and thyme" date to 19th century versions. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, "twixt Berwik and Lyne", etc.The earliest notable recording of it was by Ewan MacColl and Peggy Seeger, a version which heavily influenced Simon and Garfunkel's later more famous version. Amongst many other recordings, the tune was used by the Stone Roses as the basis of their song "Elizabeth my Dear".
Estimated dispatch 7-14 working days
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£94.99Dublin Pictures (Brass Band - Score and Parts) - Jeanbourquin, Marc
Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing. More tranquil in its feel, the second movement illustrates the landscape that can be seen from the Ha'penny Bridge, a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra's sound colours as the musicians' voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar, the famous tourist quarter of the city, well known for its vibrant nightlife. The music's energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011.Duration: 7:45
Estimated dispatch 7-14 working days
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£154.99Audivi Media Nocte - Oliver Waespi
Audivi Media Nocte is based on the eponymous motet by Thomas Tallis from the 16th Century - a work that holds great fascination for Oliver Waespi.During the process of composition, various chord sequences and rhythmical structures emerged that led the work in the direction of a musical drama, with elements of a concerto grosso and solos for different soloists. An innovative, virtuoso and gripping work that can also take you far in competitions!
Estimated dispatch 5-14 working days
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£94.99Dublin Pictures - Marc Jeanbourquin
Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing.More tranquil in its feel, the second movement illustrates the landscape that can be seen from the Ha'penny Bridge, a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra's sound colours as the musicians' voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar, the famoustourist quarter of the city, well known for its vibrant nightlife.The music's energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert, Fanfare or Brass Band.
Estimated dispatch 5-14 working days
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£29.50A Kit of Fun
Drummers are now an integral part of the modern brass band that they accompany. However, there are not too many chances for your drummer to take the limelight. All that can now change with this light-hearted new release. A light swing piece in style, this entertaining work offers drummers the chance to show off their skills and more importantly, is accessible to players of many levels. Whilst a drum part is clearly written out, the soloist is advised to 'ad lib' throughout, allowing the player to make their part as easy or as complex as they wish. This is great showcase item that is just something different from the norm and suits all concert programmes.
Estimated dispatch 7-14 working days
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£29.95
Rhapsody in Brass (Score Only)
Rhapsody in Brass is in three movements and was written for the British Open Championships in 1949, held at Belle Vue in Manchester. The contest winners were Fairey Aviation Works Band under the baton of Harry Mortimer. Eric Ball came second with Ransome & Marles and Stanley Boddington 3rd with Munn and Felton Band. Rhapsody in Brass had the unusual distinction of being written as a test piece by a Salvation Army composer. Eric Ball's Resurgam was the only other piece to achieve that dual personality in that era.Dean Goffin was born in 1916 in Wellington, New Zealand, son of Henry Goffin, a Salvation Army officer and composer. At 19 he was appointed Bandmaster of the Wellington South Band and when World War II started, he enlisted in the New Zealand Armed Forces where he became Bandmaster of the 20th Infantry Battalion and later the 4th Brigade Band. During the time he served with them in the Middle East and Europe, he composed and arranged numerous pieces among which Rhapsody in Brass and the march Bel Hamid, later adapted for Salvation Army use and renamed Anthem of the Free.After the war, Dean kept on composing and his work was featured by the Wellington South Band. Later he transferred to Timaru for another job and became Bandmaster there. He was studying music at the time and as he wanted to take part in a competition for devotional selections for Salvation Army use, he sent some of his compositions to the International Headquarters. When Rhapsody for Brass was chosen as the test-piece for the British Open Championships, people at the Salvation Army started asking questions about the lack of publications of his work. It was discovered that the pieces submitted for the competition didn't meet the exact criteria. Among these pieces was one of his most appealing works The Light of the World which was published a year later, in 1950, the same year as he completed his Bachelor of Music studies at Otagu University.After entering the Salvation Army Training College in Wellington with his wife, Marjorie, Dean was in 1956 appointed National Bandmaster in the British Territory. Later he became National Secretary for Bands and Songster Brigades and in this period he organised the yearly festival in the Royal Albert Hall and was responsible for the national music schools in the UK. Dean returned to his home country in 1966 and to mark the centenary of the Salvation Army in New Zealand he was knighted by the Queen in 1983. Sir Dean Goffin died on 23 January 1984.
Estimated dispatch 7-14 working days
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£72.11Dreams of America (Brass Band) Derek Jenkins
Dreams of America was commissioned by the National Youth Brass Band of America. The concept of the 'American Dream' is an indelible part of the American psyche. Over time, notions of success, fame, and fortune have become synonymous with this idea. Some have achieved their personal 'American Dreams', and yet for others they often remain only a dream. Dreams of America takes a look at certain, generalised aspects of the 'American Dream' and pits them against the harsh realities faced by many, both in the past and present. To heighten these dichotomies, each movement is accompanied by a slideshow of historic and modern images related to the issues at hand. Movement 1: Yearning to Breathe Free explores the anger, fear, and subjugation that seems rampant in recent years, but has been present throughout the country's founding. Movement 2: Take my Stand looks at the role that change, protest, and equality has had and continues to have in our society. Movement 3: It Beckons and Beckons examines the beauty of nature and our role in preserving and protecting this country's natural wonders while illustrating the ease of which our environment can be ruined and destroyed. Movement 4: Sweet Land of Liberty reflects onthe composer's interpretation at what truly makes the United States of America a great country - the people who call this place home. The patriotic tune America the Beautiful has been woven throughout, in part for its poetic depiction of the American landscape and its call for "brotherhood from sea to shining sea!" Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) 1 Flugelhorn 3 Tenor Horns (Eb) 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£79.95Corineus - Christopher Bond
Corineus, in medieval British legend, was a prodigious warrior, a fighter of giants, and the eponymous founder of Cornwall. The first of the legendary rulers of Cornwall, he is described as a character of strength and power. It is on the medieval ruler that this new work, Corineus, is based, presented in three contrasting sections. The work opens with heraldic fanfares and a sense of jubilance before presenting musical material which changes and develops organically, portraying the journey taken by Corineus, Brutus, and the Trojans from modern-day mainland Europe to Britain. The central section of the work is slower, creating a feeling of longing. Brutus' son, Locrinus, had agreed to marry Corineus' daughter, Gwendolen, but instead fell in love with a German princess. In writing this part of the work, the composer portrays the longing of Gwendolen for her husband, knowing he is in love with somebody else. After Corineus died, Locrinus divorced Gwendolen, who responded by raising an army in Cornwall and making war against her ex-husband. Locrinus was killed in battle, and legend suggests that Gwendolen threw Locrinus' lover into the River Severn. This dramatic battle provides the inspiration for the final part of the work. In writing this work, the composer hopes to flare the imagination of young brass players around the country, in an engaging new take on a firm fixture in British folklore.
Estimated dispatch 5-10 working days
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£69.95
TRANSFORMATION (Brass Band Set) - Kenneth Downie
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£79.95Corineus (Brass Band - Score and Parts) - Bond, Christopher
Regionals 2024 - 3rd Section test piecePremiered by Cory Band at the 2018 Festival of Brass, Manchester. Selected as the set-work for the Championship Section at the 2019 National Youth Championships of Great Britain.Corineus, in medieval British legend, was a prodigious warrior, a fighter of giants, and the eponymous founder of Cornwall. The first of the legendary rulers of Cornwall, he is described as a character of strength and power. It is on the medieval ruler that this new work, Corineus, is based, presented in three contrasting sections. The work opens with heraldic fanfares and a sense of jubilance before presenting musical material which changes and develops organically, portraying the journey taken by Corineus, Brutus, and the Trojans from modern-day mainland Europe to Britain. The central section of the work is slower, creating a feeling of longing. Brutus' son, Locrinus, had agreed to marry Corineus' daughter, Gwendolen, but instead fell in love with a German princess. In writing this part of the work, the composer portrays the longing of Gwendolen for her husband, knowing he is in love with somebody else. After Corineus died, Locrinus divorced Gwendolen, who responded by raising an army in Cornwall and making war against her ex-husband. Locrinus was killed in battle, and legend suggests that Gwendolen threw Locrinus' lover into the River Severn. This dramatic battle provides the inspiration for the final part of the work. In writing this work, the composer hopes to flare the imagination of young brass players around the country, in an engaging new take on a firm fixture in British folklore.Duration: 11.00
Estimated dispatch 7-14 working days
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