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£29.50
All About That Bass (Tuba!) - Kevin Kadish & Megan Trainor - Gavin Somerset
If you're looking to spice up your concert programme with something a little different, then look no further! It isn't too often that the lower brass get to take the limelight, however, this toe-tapping arrangement of the Meghan Trainor hit does just that! The work has become a huge hit and with a 50's & 60's 'Doo-Wap' feel, it works incredibly well for brass band. With the lower brass being kept busy, the big-band feel to the chorus and plenty of areas in which choreography would work well, this piece can't help but bring a smile to your face. The ultimate entertainment item and one that is enjoyed by all ages! A must have piece for your concerts this year. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£57.50
Whence is that Goodly Fragrance Flowing? (Brass Band - Score and Parts) - Sparke, Philip
Whence is that Goodly Fragrance Flowing? is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar's Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season.Duration: 3:45
Estimated dispatch 7-14 working days
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£57.50
Whence is that goodly Fragrance flowing?
'Whence is that Goodly Fragrance Flowing?' is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar's Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season.
Estimated dispatch 5-14 working days
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£49.95
That Promised Land - Jonathan Bates
DURATION: 8 minutes. DIFFICULTY: 1st+. That Promised Land was the culmination of 5 years of my personal interest in spiritual music since performing Michael Tippett's wonderful Oratorio 'A Child of Our Time' at the RNCM. Tippett's work combines original material, with music inspired and based upon spirituals, whilst all of the major 'chorus' sections are direct settings of those tunes. This was a work that had stuck with me for a long time, and one I tried to emulate in a smaller form with this work. The title is a quote from one of the verses of the spiritual 'Deep River'. This piece was composed for Jaren Hornmusikkforening as part of their programme for the 2018 SIDDIS Championships held in Stavanger, Norway. .
In Stock: Estimated dispatch 1-3 working days
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£59.99
Play That Funky Music (Brass Band - Score and Parts) - Parissi, Robert - Minnebo, Stef
Play that funky Music is an unflagging classic which, since its first success in the seventies, is still often played. The exciting and stirring groove always ensures an enthusiastic atmosphere. This atmosphere can only be reached if the groove is good. At the end everyone that isn't playing can sing along. Duration: 3.20
Estimated dispatch 7-14 working days
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£30.00
Here's That Rainy Day
Trombone Solo.In 1953, a new musical by Johnny Burke and Jimmy Van Heusen was staged, "Carnival in Flanders". Unfortunately, it was not successful. However, one of the songs, "Here's that Rainy Day" became a standard on the cabaret scene.I have arranged this memorable song for solo trombone and brass band. It begins in a Latin style, then moves to the famous Jazz Big Band style. Good key players make the band parts playable by most bands - as long as they like to 'swing'! The trombone part is not easy, on the other hand, neither is it aimed at the 'select few' virtuoso players. Impressive stuff though, with 'written' sections that sound like improvisation.
In Stock: Estimated dispatch 3-5 working days
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£30.00
That Moaning Trombone - Carl D Bethel, Sandy Coffin
Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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£59.99
Play That Funky Music - Sly and the Family Stone
'Play that funky Music' is an unflagging classic which, since its first success in the seventies, is still often played. The exciting and stirring groove always ensures an enthusiastic atmosphere. This atmosphere can only be reached if the groove is good. At the end everyone that isn't playing can sing along.
Estimated dispatch 5-14 working days
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£38.00
Is That the Time? (Brass Band - Score and Parts) - Mottram, Paul
'Is That The Time' was written in 2014 for UK national award winning band 'Youth Brass 2000'. It's a showpiece in a jazzy fusion idiom with a full and central role for the kit drummer and percussionists. The temptation must be resisted to play the piece too quickly and in so doing losing the 16th note syncopations inherent within the rhythmic groove. The challenge is not so much one of getting the notes, although there are a few harmonic surprises along the way, as one of playing as a cohesive rhythmic unit. Duration: 4.30. Suitable for 1st Section Bands and above.
Estimated dispatch 7-14 working days
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£30.00
Is That The Time ? - Paul Mottram
Is That The Time ? was written in 2014 for UK national award winning band 'Youth Brass 2000'. It's a showpiece in a jazzy fusion idiom with a full and central role for the kit drummer and percussionists. The temptation must be resisted to play the piece too quickly and in so doing losing the 16th note syncopations inherent within the rhythmic groove. The challenge is not so much one of getting the notes, although there are a few harmonic surprises along the way, as one of playing as a cohesive rhythmic unit.