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  • £154.99

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated dispatch 5-14 working days

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  • £94.99

    Dublin Pictures - Marc Jeanbourquin

    Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing.More tranquil in its feel, the second movement illustrates the landscape that can be seen from the Ha'penny Bridge, a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra's sound colours as the musicians' voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar, the famoustourist quarter of the city, well known for its vibrant nightlife.The music's energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert, Fanfare or Brass Band.

    Estimated dispatch 5-14 working days

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  • £23.50

    A Brussels Requiem - SCORE ONLY - Bert Appermont

    The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally, the attacks in Paris and Nice led to great public indignation, fear and disbelief. What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont's intention was to voice certain emotions that these acts of terror have caused: particularly fear, grief, anger, and helplessness. He uses the French children's song Au Claire de la Lune as a connecting thread throughout the work. This piece is also about hope and faith in another world, and is meant to pay homage to all victims, resulting in a dignified remembrance. The musical development is presented in four through-composed parts, titled Innocence, In Cold Blood, In Memoriam - We Shall Rise Again and A New Day. This work was commissioned by the Brassband Oberosterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.

    Estimated dispatch 5-14 working days

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  • £83.00

    A Bournemouth Suite - Benjamin Tubb

    Bournemouth Suite was written by Benjamin Tubb in 2005, when the composer was just 17 years of age. After spending many school holiday weeks with his grandparents in the coastal town of Bournmouth, it was obvious that these experiences would make a great basis for a composition.This testpiece is split into three separate movements: Balloon Ride, The Pier at Night and The BIC. Each movement has its own unique character, although there are ideas shared by all three throughout, one of which is the opening syncopation.Balloon RideThe First movement, Balloon Ride, describes a journey on "The Bournemouth Eye", a tethered hot air balloon that takes you up 500 feet. It's located in the middle of the town centre, which enables you to see surrounding countryside for up to 20 miles! The movement begins rather ominously as the balloon raises from the ground which leads into a more lively section caharacteresed by the repeating quavers in the lower brass and woodblock. The movement ends in much the same way as it started - signalling the return to terra firma.The Pier At NightDuring the summer there are several large firework displays in the town centre. The second movement, The Pier At Night descirbes an evening spent on the beach in deckchairs watching the montage of colours in the night-time sky. With demanding solos for horn and cornet, as well as exposed playing spread throughout the band, this slow movement will really test a band's expressive and lyrical playing.The 'BIC'The Bournemouth INternational Centre, also known as "The BIC" is one of Bournemouth's most visited attractions, and regularly hosts shows such as 'Riverdance' and pantomimes. Inside is a world of entertainment and the centre itself is just a stone's throw from both "The Bournemouth Eye" and the Pier. The 3rd movement has been written to describe the buzz of activity surrounding the BIC, and the entire works ends with the same syncopated motif from the beginning.A Bournemouth Suite was set as the 'set-test' at the Pontins Brass Band Championships 2009.

    Estimated dispatch 7-14 working days
  • £15.00 £15.00
    Buy from Big Shiny Brass

    The Last Rose of Summer - John Stevenson - Matt Kingston

    A belter of a folk tune - not that it's really a folk tune of course, it's by the Irish composer John Stevenson. It's the percussion section that make this one special - their snare rolls and bass drum thwacks reminiscent of Highland Cathedral.

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  • £65.00

    AN ELGAR PORTRAIT - D.Price

    This work was composed in commemoration of the 150th Anniversary of the birth English Composer Sir Edward Elgar. The suite is in three movements: 'Introduction', 'Elegy' and 'March', each of which have been inspired by three of Elgar's most celebrated works; Chanson de Matin, Nimrod ('Variation IX' from the Enigma Variations) and Pomp and Circumstance No.1.'Introduction' - Hollybush HillHollybush Hill is the name of one of the peaks of the Malvern Hills in Worcestershire. The Malverns were a favourite walking area for Elgar and his wife, and their panoramic views inspired much of Elgar's music.'Elegy' - BroadheathBroadheath is the small village at the foot of the Malvern Hills where Elgar was born (and lived at various times throughout his life). Elgar is buried not far from Broadheath at St Wulstan's in Little Malvern. 'March' - Worcester CathedralMany of the Worcestershire ensembles and music festivals played an important role in Elgar's early musical education. He was heavily involved in The Three Choirs Festival and either conducted or played in many of the light orchestras and vocal groups that performed at venues across Worcester. A statue of Elgar overlooks the Cathedral at the end of Worcester High Street.An Elgar Portrait has been used regularly as an own-choice test-piece for Section 4 bands, and was also selected as the set work for the Swiss National Championships in 2007 as well as the Pontins Championships in 2008. The composer has slightly reworked this piece for the Section 4 Final of the National Brass Band Championships of Great Britain 2020 and it's this version that should be performed at the contest. If bands currently have an older version in their libraries, please contact us directly for more information.

    Estimated dispatch 7-14 working days
  • £61.00

    Bla vals - Idar Torskangerpoll

    A piece that explore the "blue" notes in music, and where we have the constant change of 3 or 2 in a bar. Solo in horn or altosax.Make sure that the bass line and percussion is steady and firm throughout the piece.

    Estimated dispatch 7-14 working days
  • £94.00

    Tornado - Fredrick Schjelderup

    "Tornado" is based on sketches from the Royal Norwegian Naval Forces' Band (SFMK) Composer Workshop with composition students from The Grieg Aacademy in 2012. The working title of the piece, "Workshopping", reflects a young composer on "shopping" for new timbres and effects within the range of instruments and opportunities. The piece starts with a wind from afar (trills and tremolos) which then builds up in block harmony and various fragments that are processed across different keys and harmonies. Tension between chords and dissonances are then pressed up and develops the character and temperament. The title,Tornado, is selected on the basis of the energy and build up, something that can be translated with the weather phenomenon Tornado . Whirl- wind speed translates into the notation with fast tempo, tremolos and technical parts.

    Estimated dispatch 7-14 working days
  • £61.00

    Ungarsk marsj - Hector Berlioz - Bjorn Morten Kjaernes

    The "Rakoczi March" (Hungarian March) was the unofficial state anthem of Hungary before Ferenc Kolcsey wrote the Himnusz which is today the official national anthem of Hungary.The first version of this march-song was probably created around 1730 by one or more anonymous composers, although tradition says that it was the favorite march of Francis Rakoczi II. That early version called back Francis Rakoczi II to save his people. It was very popular in the 18th century but in the 19th century the more refined Rakoczi March became prevalent.Hector Berlioz included the music in his composition "La Damnation de Faust" in 1846, and Franz Liszt wrote a number of arrangements, including his Hungarian Rhapsody No. 15, based on the theme. The march gave its name to a 1933 Austrian-Hungarian feature film - Rakoczy-Marsch This arrangement is based on Berlioz instrumentation and phrasing from his Hungarian March, but in the form of the 19th century Rakoczi March

    Estimated dispatch 7-14 working days
  • £40.00

    Don't Sit Under the Apple Tree - Stept-Brown-Tobias - Bjorn Morten Kjaernes

    "Don't Sit Under the Apple Tree (With Anyone Else but Me)" is a popular song that was made famous by Glenn Miller and by the Andrews Sisters during World War II. Its lyrics are the words of two young lovers who pledge their fidelity while one of them is away serving in the war. Originally titled "Anywhere the Bluebird Goes", the melody was written by Sam H. Stept as an updated version of the nineteenth-century English folk song "Long, Long Ago". Lew Brown and Charles Tobias wrote the lyrics and the song debuted in the 1939 Broadway musical Yokel Boy. After the United States entered the war in December 1941, Brown and Tobias modified the lyrics to their current form, with the chorus ending with "...'till I come marching home".In 1942 the song was featured in the film Private Buckaroo as a performance by the Andrews Sisters with the Harry James orchestra and featuring a tap dancing routine by The Jivin' Jacks and Jills. It was featured in the films Twelve O'Clock High (1949), With a Song in My Heart (1952), Kiss Them for Me (1957), A Carol for Another Christmas (1964), In Dreams (1999) and The Master (2012). It also featured in the mini-series The Pacific. You can use the song both on musical concerts, movie concerts or just as a happy jazz tune on your next concert. On the sections (like from bar 25), please work carefully to make a good balance with all parts, and that each chord is balanced. With 4-part harmonies sometimes you need to hold back certain notes to make the accord sound good. If you want to open up for a longer improvisation, you can repeat 65 to 81, but then change the part 2 in bar 80 from Eb to a D on the repeat. The accord will be an F6 instead of F7 (on beat 3 and 4 in bar 80) Have fun and enjoy!

    Estimated dispatch 7-14 working days