Results
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£29.95Carol of the Bells
Christmas time is my favourite time of year. I love the festive spirit and all the Christmas music both traditional and modern.This piece is based on the traditional Ukrainian Bell Carol that was composed by the Ukrainian composer Mykola Dmytrovych Leontovych. Throughout the piece you hear a four note ostinato that is the backbone to the music. I have taken those ideas and motifs and have mixed them with some of my own to create this piece of Christmas music.For something different I have given this piece two endings for the conductor to choose. The first ending is at bar 189 (page 18 in the score) where there is the repeated four bar ostinato section in the solo cornets and percussion that is marked "Keep repeating and fade to nothing". This is so the piece can either fade to nothing or for a bit of originality the piece can fade into the next piece during a concert programme.For ending number two you need to cut from bar 189 to 193 (bypassing ending one). And continue to the end. The choice of endings should bring some interesting performances of this wonderful traditional Christmas piece.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£29.95Island Whirl
Island Whirl was commissioned by Margaret Milligan who wanted a brand new piece of music composed as a present for Ian, her husband for his 70th birthday. Ian Milligan is a keen and dedicated musician and he is the musical director of Callendar Brass, based in Callendar near Stirling in Scotland.Margaret contacted me about the possibility of composing a short lively piece which had a Scottish theme that would be ideal for Callendar Brass Band and any other ensemble to get their teeth into. This piece takes its inspiration from the traditional Scottish folk song 'An Eriskay Love Lilt' which is a particular favourite of both Margaret and Ian.With thunderous Celtic drums the piece opens in a whirlwind of sound with fanfare brass and an off-stage soloist that can perform using either the cornet or trumpet. After the exciting opening, the brass and drums die away to allow the off-stage soloist to air the traditional tune 'An Eriskay Love Lilt'.The beautiful haunting melody, keeping its originality throughout undergoes a series of changes in the accompanying harmonic material before dying away to allow the Celtic drums to return. The percussion whip the band into a frenzy as the piece gets faster and faster. Just prior to the final notes the band diminuendo to allow one last closing statement from the Eriskay Love Lilt lead by the off-stage soloist before the ensemble charge to a dramatic close.When performing this piece I would recommend the off-stage soloist taking a position somewhere in the audience, so they can almost feel part of the performance. In addition, with the two tom-tom parts that represent the Celtic drums, bands should make the most of showcasing them by getting the two drummers out to the front of the band to perform. The ideal stage position would be with the players set up in stereo with one player in front of the soprano cornet and the other in front of the solo trombone.With the various choreographed movements from both the off-stage soloist and the percussionists. This piece is a great addition to any concert repertoire and is an ideal showcase for bands who want to try something a little different.I wish Ian at 70 years young, all the very best with his music making in the many years to come and I hope this piece, composed especially for him and Callender Brass brings them many years of musical enjoyment.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£29.95Song for the Skies
Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£61.00
Vise ved vintersolkverv - Bruvoll/Stangnes - Haakon Esplo
The beautiful song "Song at Winter Solstice" has within short time been highly loved by listeners all around Norway. It's performed by folk-rock band "Hekla Stalstrenga" who released their first album "Hekla Stalstrenga" in 2008. This album was nominated for "Spellemansprisen" (the Norwegian equivalent to Grammy) in the folk music / traditional music category."Song at Winter Solstice" was released as single record in 2013.To the conductor:In this band arrangement you can choose whether to perform with or without repetition of the melody. If you want to use a song soloist, play the piece as is with all the verses that belong. As instrumental you can choose to go straight in the 2nd house to make the song shorter.
Estimated dispatch 7-14 working days
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£37.95The Irish Blessing (Score and Parts) - Joyce Eilers Bacak arr. Stephen Bradnum
The Irish Blessing is a celtic gem - the words of the traditional benediction aptly portrayed in music which is both affirming and uplifting. This finely crafted and sensitively scored arrangement provides an excellent training vehicle for bands of all ages, helping to develop dynamic range; integrate solo and tutti, and at the same time enteraining an audience! Perfect for devotional or concert use. The Irish Blessing May the road rise up to meet you. May the wind be always at your back. May the sunshine warm up on your face, The rains fall soft upon your elds. And until we meet again, And until we meet again. May the God that loves us all Hold you in the palm of his hand. Amen, Amen, Amen. Duration: 3 minutes
Estimated dispatch 7-9 working days
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£34.95Goodbye Old Friend - Christopher Bond
Walt Disney was just twenty-five years old when he created Oswald the Lucky Rabbit, and the pair gained huge success, but that success was short-lived. In 1928, Disney travelled to New York City in hopes of negotiating a more profitable contract for the Oswald cartoons with his producer, Charles Mintz. Unknown to Disney, Mintz had been working behind his back to counter his own financial problems by stealing many of Disney's animators and staff. Walt Disney was devastated and decided to let Oswald go, and in doing so, lose all the rights to the rabbit he had created and nurtured so dearly. 'Goodbye Old Friend' is a beautiful slow-melody for euphonium and baritone, communicating the profound loss Disney felt in losing his producer, staff, and most of all, Oswald the Lucky Rabbit.
Estimated dispatch 5-10 working days
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£59.95
FESTIVITY (Brass Band Set) - Leslie Condon
This is a celebrational and witty composition that has all the hallmarks of Condon's innovative style. Originally written for brass quintet and first performed by chosen soloists in 1972, it was scored for brass band a few years later. Acrobatic energy, dignity and solemnity are all aspects of this work. The majestic hymn tune 'Gopsal' is the theme with which the words 'Rejoice, the Lord is King' are associated.
Estimated dispatch 7-14 working days
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£69.95Triquetra (Brass Band - Score and Parts) - Graham, Peter
Triquetra takes the form of a free fantasia on the familiar hymn Old Hundreth. The tune appears in full in four different guises - harmonically and rhythmically altered on each occasion. Fragments of the melody are also used to generate new ideas, most notably in the contrasting middle section where the opening phrase of the hymn appears in inversion.As to the title, the Triquetra (from the Latin triquetrus meaning three-corned) symbol is representative of the Christian Trinity and in that respect relates to the final line of text in Old Hundreth, also known as the Doxology: Praise God from whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son and Holy Ghost.Triquetra was written for Stephen Cobb in recognition of 30 years outstanding service as conductor of the International Staff Band of the Salvation Army.Duration: 7.00
Estimated dispatch 7-14 working days
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£57.50Old Hundredth (Brass Band - Score and Parts) - Sparke, Philip
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - hence its current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.Duration: 2:30
Estimated dispatch 7-14 working days
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£59.95
Festivity (Brass Band - Score and Parts) - Condon, Leslie
This is a celebrational and witty composition that has all the hallmarks of Condon's innovative style. Originally written for brass quintet and first performed by chosen soloists in 1972, it was scored for brass band a few years later. Acrobatic energy, dignity and solemnity are all aspects of this work. The majestic hymn tune 'Gopsal' is the theme with which the words 'Rejoice, the Lord is King' are associated.
Estimated dispatch 7-14 working days
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