Results
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£99.95SNARING OF THE SUN, The (Brass Band Set) - Roberts, Stephen
2015 National Championships Finals Testpiece - Second Section. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30
Estimated dispatch 7-14 working days
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£44.99
The Dreaded Groove and Hook (Brass Band - Score and Parts) - Dobson, Simon
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass in Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has been recorded by the same band and conductor on the CD entitled Penlee.Suitable for 1st Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
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£119.95The Torchbearer (Symphonic Variations on a Theme by Eric Ball) (Brass Band - Score and Parts) - Graham, Peter
2015 National Championships Regionals - Championship Section. The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) Variation 3 (a vivace featuring C as an ostinato) is followed by variation 4 (the central andante e sciolto molto for solo cornet). The work culminates in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation. Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. There has been no less sincere in the composers' efforts to pay musical tribute to the 20th century's most influential composer of brass band music. Duration: 12:30
Estimated dispatch 7-14 working days
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£37.95
The Torchbearer (Symphonic Variations on a Theme by Eric Ball) (Brass Band - Score only) - Graham, Peter
2015 National Championships Regionals - Championship Section. The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) Variation 3 (a vivace featuring C as an ostinato) is followed by variation 4 (the central andante e sciolto molto for solo cornet). The work culminates in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation. Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. There has been no less sincere in the composers' efforts to pay musical tribute to the 20th century's most influential composer of brass band music. Duration: 12:30
Estimated dispatch 7-14 working days
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£42.95TWO HYMNS TO THE MOTHER OF GOD (Brass Band) - Tavener, John - Littlemore, Phillip
Two Hymns (A Hymn to the Mother of God (3:00); Hymn for the Dormition of the Mother of God (3:45)) were written in memory of the composer's mother. The first, originally composed for double choir, is a setting of a text from the Liturgy of St. Basil. It speaks of the almost cosmic power attributed to the Mother of God by the Orodox Church. The second comes from the Vigil Service for the Dormition (or falling asleep) of the Mother of God. She invites the apostles to gather together from the ends of the earth to bury her body in Gethsemane, and asks her son to receive her spirit.
Estimated dispatch 7-14 working days
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£30.00Joy to the World - George Frideric Handel
"Joy to the World" is a popular Christmas Carol with words by Isaac Watts. As of the late 20th century, "Joy to the World" was the most published Christmas hymn in North America. The words of the hymn are by the English writer Watts are based on Psalm 98, 96:11-12 and Genesis 3: 17-18. The version of this carol usually heard today is from an edition by Lowell Mason and is named "Antioch" and attributed as "arranged by Handel". This tune has the first four notes in common with the chorus "Lift up your heads" from the Messiah and the third line recalls "Comfort ye" from the same work. But this resemblance is often dismissed as a chance resemblance by Handel scholars today. Another theory is its similarity to a tune called "Comfort" and associated with Charles Wesley's hymn "O Joyful Sound", which was written some three years earlier than Lowell Mason's "Antioch" in 1833. This carol has been recorded by many artists such as Andy Williams, The Supremes, Bing Crosby, Ella Fitzgerald, Johnny Cash, Nat King Cole, Perry Como, Vic Damone and Mariah Carey.
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£30.00The American - David Wheeler
It utilises the energetic rhythmic elements of the western film genre made famous by the music of Aaron Copland, Elmer Bernstein and Jerome Moross. Look out for the homage to the movie "Big Country" in the repeat of the trio section, an idea suggested to me after sending the first daft to my old friend and mentor Major Denis Burton MBE, to who's guidance I will be forever grateful.
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£40.00Carnival of the Animals
Saint-Saens composed The Carnival of the Animals in 1886. He regarded the work as a piece of fun and was adamant that the work would not be published in his lifetime. It was published in the year following the composer's death and the first public performance was given on 25th February 1922. It was well-received and has since become one of Saint-Saens's best-known works.This brass band transcription contains six of the original fourteen movements and opens with Introduction and The March of the Royal Lion a brief, dramatic beginning is followed by a stately march for the 'King of Beasts' that is interrupted from time to time by the lions' formidable roar, depicted by ferocious, low chromatic scales. In The Elephant, a solo B flat Bass sings a doleful song made from melodies 'borrowed' from Mendelssohn and Berlioz without apology. Next comes the relentless descending third of A Cuckoo in The Deep Woods. Fossils are clearly not animals, but some of them undoubtedly were at some point, so Saint-Saens has some fun with the xylophone rattling around like a box of old prehistorix bones. Among some little musical quotes you can listen out for 'Twinkle, Twinkle, Little Star and some references to his own 'Dance Macabre' whilst opera buffs may recognise Rossini's
Estimated dispatch 5-7 working days
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£35.00And The Glory Of The Lord - Messiah
Handel's Messiah was composed in 1741, receiving it's premiere in Dublin a year later. And The Glory, The Glory Of The Lord is the fourth movement of the oratorio, and the first in which the choir sings. This arrangement, for chorus and brass band, works with all the major editions of the vocal score.Duration: 3'30"Difficulty: 3rd Section and above
Estimated dispatch 5-7 working days
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£35.00Trumpet Shall Sound, The - G. F, Handel arr. Phillip Littlemore
Along with the Hallelujah Chorus, the bass aria (and mini trumpet concerto) The Trumpet Shall Sound is one of the most recognisable movements from Handel's Messiah, which was composed in 1741 and received it's premiere in Dublin a year later. Written in three parts, the The Trumpet Shall Sound appears in the middle of the third and final part.The aria is rarely performed 'live' with the full repeat, as it is a particularly taxing part for the trumpet player. However, in this arrangement, the extended middle section is intact and can therefore be played at the trumpet soloists discretion!Duration: 10'30" (4'20" playing the first section only)Difficulty: Suitable for all (band accompaniment)Also available from Messiah:Hallelujah ChorusAnd The Glory, The Glory of the Lord
Estimated dispatch 5-7 working days
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