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£44.95
Glorified (Brass Band - Score and Parts)
Glorified was composed for the Canadian Staff Band's 50th Anniversary celebrations. This work is based on two tunes, Lord, be glorified (T.B. 738), a significant song at Canada's Territorial Music School over the years, and Great is thy faithfulness (T.B. 641). This song celebrates and signifies God's faithfulness to all associated with the Canadian Staff Band, and the commitment shown by its members through the years.The first half of the work harkens back to those members of the band who tragically perished in the early days on RMS Empress of Ireland, which was en route to England for the 1914 International Congress when it was struck by another vessel and sank. The rhythmic ostinatos heard represent the passing of time over the years. After the somewhat dark introduction, the music settles into a reflective rendition of In my life, Lord, be glorified (S.A.S.B. 593), before bursting into a rhythmic and jagged mixed-metre section. A yearning elegy pays tribute to those who lost their lives.The second half of the piece is celebratory in nature and commemorates the reformation of the band and the rich history which has ensued in the subsequent years. The rhythmic energy found in this section builds to a majestic presentation of the tune Lord, be glorified, which leads into the return of Great is thy faithfulness but in an optimistic fashion.
Estimated dispatch 7-14 working days
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£44.95
Festiva Brazilia
Using a variety of Latin American musical influences the piece opens with a bass riff that is to be the prominent feature in this work. Accompanied with lively Latin American Samba Percussion section the work is reminiscent of the music heard at the world famous Rio Carnival. There are lots of Latin 'Riffs' and 'Licks' throughout the piece that keep returning in true samba style. This is a real fun piece to perform and the performing notes below act as a guide to getting the most out of this performance.Performing Notes:There are opportunities for soloists within the piece, particularly Solo Cornet, Soprano and Bongo's.When the Cornet and Soprano soloist play their solo part they have an instruction to stand out at the front to perform. It is at the players and conductors discretion where they would like to stand for their solo line.Obviously the Drum Kit soloist is restricted to their current positioning within the band. However, the other percussionists are quite at liberty to come out to the front of the band to perform their solo at rehearsal figure P at the conductors discretion.NB - At the 5th bar of figure P there is an optional repeat section. Performers can repeat this section over and over to extend the percussion feature. Or even add more players from the band to play percussion. If you do not wish to use this opportunity then dismiss the repeat so that there is a 16 bar section between figure P and figure R.There are also a variety of cameo roles for other soloists and musical sections during the piece. Other players and sections can stand to perform various motifs during the piece again at the conductor's discretion.Festiva Brazilia was composed for performers to have fun and enjoy performing the piece as much as possible. Just like the many Samba festivals around Brazil.
Estimated dispatch 7-14 working days
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£119.95
Harrison's Dream (Brass Band - Score and Parts)
At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000
Estimated dispatch 7-14 working days
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£37.95
Harrison's Dream (Brass Band - Score only)
At 8.00pm on the 22nd of October 1707, the Association, flagship of the Royal Navy, struck rocks off the Scilly Isles with the loss of the entire crew. Throughout the rest of the evening the remaining three ships in the fleet suffered the same fate. Only 26 of the original 1,647 crew members survived. This disaster was a direct result of an inability to calculate longitude, the most pressing scientific problem of the time. It pushed the longitude question to the forefront of the national consciousness and precipitated the Longitude Act. Parliament funded a prize of �20,000 to anyone whose method or device would solve the dilemma. For carpenter and self-taught clockmaker John Harrison, this was the beginning of a 40 year obsession. To calculate longitude it is necessary to know the time aboard ship and at the home port or place of known longitude, at precisely the same moment. Harrison's dream was to build a clock so accurate that this calculation could be made, an audacious feat of engineering. This work reflects on aspects of this epic tale, brilliantly brought to life in Dava Sobel's book Longitude. Much of the music is mechanistic in tone and is constructed along precise mathematical and metrical lines. The heart of the work however is human - the attraction of the �20,000 prize is often cited as Harrison's motivation. However, the realisation that countless lives depended on a solution was one which haunted Harrison. The emotional core of the music reflects on this, and in particular the evening of 22ndOctober 1707. Peter GrahamCheshireJuly 2000
Estimated dispatch 7-14 working days
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£55.00
Purcell Variations (Brass Band - Score and Parts)
Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use.For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell's original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated 'Hallelujahs'. Purcell's tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material - a quarry for ideas if you like: "I was obsessed with the intervals of thirds in Purcell's tune, rather like Brahms in his Third Symphony", the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell's lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell's opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie's famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell's tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his 'home territory' for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work's introduction. Purcell's second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell's 'Hallelujah'.
Estimated dispatch 7-14 working days
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£23.50
A Brussels Requiem - SCORE ONLY - Bert Appermont
The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally, the attacks in Paris and Nice led to great public indignation, fear and disbelief. What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont's intention was to voice certain emotions that these acts of terror have caused: particularly fear, grief, anger, and helplessness. He uses the French children's song Au Claire de la Lune as a connecting thread throughout the work. This piece is also about hope and faith in another world, and is meant to pay homage to all victims, resulting in a dignified remembrance. The musical development is presented in four through-composed parts, titled Innocence, In Cold Blood, In Memoriam - We Shall Rise Again and A New Day. This work was commissioned by the Brassband Oberosterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.
Estimated dispatch 5-14 working days
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£12.00
Dragon Dances
DescriptionDragon Dances was commissioned by Owen Farr, who is also the work's dedicatee, gave the first performance with the Cornwall Youth Band conducted by Richard Evans on 5 April 2010 and has recorded it on his solo CD "A New Dawn" accompanied by the Cory Band conducted by Philip Harper.Being a Welsh composer, writing music for a Welsh soloist, I was naturally keen to reflect this in the music, and I drew inspiration from two particularly Welsh concepts - "hiraeth" and "hwyl". "Hiraeth" is a word that has no direct translation into English, but an approximation would be 'yearning for home'. Like the other celtic nations, Wales has a widespread diaspora of people who left to seek new lives out in the empire and "hiraeth" is a way of summing up the homesickness felt by these exiles, some of whom return each year for a special ceremony at the Royal National Eisteddfod. "Hwyl" is an even more complicated word, variously meaning ecstatic joy, fervour, equable temperament and even the characteristic sing-song oration style of the great Welsh Methodist preachers.I have attempted to make the music reflect both of these, with the melancholy first part of the work inspired by the hymns and solo songs for which Wales is famous, and the second part having a much more dance-like, joyful quality.Performance Notes:2 solo cornets, 2nd and 3rd cornets require cup mutes. 2 solo cornets require harmon mutes with tubes removed (marked 'TR' in the score).1st horn and 1st baritone require straight mutes, preferably fibre.1st trombone requires a straight mute, 2nd and bass require cup mutes.Percussion instruments required are vibraphone, glockenspiel, timpani, snare drum, suspended cymbal and tam tamWatch/Listen to the score below:
Estimated dispatch 7-14 working days
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£36.84
Adagietto from Symphony No.5 (Brass Band) Mahler arr. Keith M. Wilkinson
Gustav Mahler's Symphony No. 5 is arguably his best known and most loved composition. The Adagietto from that symphony, often performed on its own, is scored for strings and harp only and is widely regarded as one of the most beautiful tunes ever written. It is marked sehr langsam (very slow) and is immensely serene and tranquil, often performed at commemorative events such as the concert following the events of September 11th, 2001. It has been said that the movement is a love song to the composer's wife, Alma. The symphony was composed in 1901 and 1902 and this movement received its British premiere in 1909 at a Promenade concert directed by Henry Wood. The Adagietto received additional popularity when used in the 1971 film Death In Venice. This arrangement by Keith M. Wilkinson shortens the movement slightly and now gives brass bands the opportunity to programme this delightful work. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=PxQRQy534lM Duration: Approx. 5.20 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£36.84
For unto us a child is born from 'Messiah'(Brass Band) Handel arr. Kevin Norbury
Ever since the first performance in April 1742 in Dublin, Ireland, Messiah has been the iconic Christian oratorio. It is a work of genius with lyrics skillfully taken from the Bible by Charles Jennens and timeless music by G. F. Handel, and has been at the top of the Western musical canon for close to 300 years. For unto us a child is born comes roughly halfway through Part One of the oratorio and is one of its most popular choruses, being the prophecy of the birth of a Messiah (Jesus) found in Isaiah chapter nine. This excellent setting for brass band is by Kevin Norbury. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=G63Tzi3L07U Duration: Approx. 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Snare Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£40.93
Fallen Souls (Brass Band) Andrew Wainwright
Fallen Souls was the winner of Grimethorpe Colliery Band's 1st Annual Composition Competition in 2023. This depictive and impactful work explores the theme of human fallibility. The piece begins with a slow, yearnful introduction that depicts a fall from grace, represented by a horn solo that reflects the innate goodness of humanity. However, the music soon becomes more agitated and dissonant as it represents the temptations that can lead us astray. The opening reaches a climax of chaos and despair, as we are shown the devastating consequences of our choices. The following section depicts the temptations of humanity. The music is chaotic and seductive in this section, with regular time changes and rhythmic instability, representing the many temptations that surround us. The section ends with a sense of uncertainty, as we are left wondering whether we will succumb to these temptations. There is a reprise of the opening horn solo, and a return to the notion of human fallibility, but this time in extended form. Again there is a build toward chaos, and the music becomes more complex and textured, reflecting the complexity of the human journey. The work ends somewhat abruptly with a blaze, leaving the listener with a sense of both hope and uncertainty. To view a rolling score video featuring Grimethorpe Colliery Band please visit www.youtube.com/watch?v=rM-p8CjnYo0 Duration: 5.00 minutes approx. Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk/sheet-music/fallen-souls-brass-band-andrew-wainwright-brookwright Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days