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£35.87
E lucevan le stelle (Cornet/Euphonium Duet with Brass Band) Puccini arr.Bushnell
Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon's invasion of Italy. Some of Puccini's best-known arias can be found in Tosca. The opera is based on Victorien Sardou's dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 - although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote "I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music." It took four years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner's leitmotif concept to identity different parts of the opera. Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the stars shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as "another tenor classic, both tragic and beautiful." This arrangement (for cornet and euphonium duet with brass band) includes alternative parts for horns in F and lower brass in bass clef. A recording of the original song can be found here: www.youtube.com/watch?v=EAqHQMX7GHY
In Stock: Estimated dispatch 1-3 working days
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£63.78
We Seven (Brass Band) Derek Jenkins
We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion
In Stock: Estimated dispatch 1-3 working days
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£34.99
Submerged... (Cornet Concerto No.2) - Jonathan Bates
'Submerged..' is a virtuoso concerto for Cornet composed as a response to the 'lost' Derbyshire villages of Ashopton & Derwent,. both of which were drowned in the early 1940's to make way for a new reservoir to aid the ever-increasing water demand from nearby. Sheffield and it's steel industry during World War 2. The work is through-composed but is defined by 3 clear main sections, 'The . Packhorse Bridge, Derwent', 'Ashopton Chapel' and 'Operation Chastise'. Much of the melodic and harmonic material throughout the. concerto is inspired by 3 contrasting sources; an original motif of towering block chords which opens the concerto, the famous opening. fragment of Eric Ball's 'High Peak' (1969) which was composed as a tribute to the district of Derbyshire where Ashopton & Derwent lie, . and finally Claude Debussy's haunting 'La Cath drale Engloutie' or 'The Sunken Cathedral', which was composed in 1910 around the legend of. the submerged cathedral of Ys. . I. Packhorse Bridge, Derwent (1925). One of the most striking features of the former village of Derwent was it's Packhorse Bridge, which spanned the River Derwent. adjacent to the Derwent Hall - a grand, picturesque Jacobean country house. In 1925, the renowned impressionist artist Stanley. Royle painted a striking image of the two in midwinter, with the partially frozen river sat quietly underneath the snow-topped. bridge in the foreground, while the old hall sits peacefully and dark in the background. The opening setion of this concerto paints. this picture in a quite schizophrenic manner; with frosty, shrill march-like material picturing the villagers crossing the narrow icy. bridge, combined with wild and frenzied waltz music of the grand hall and it's masquerade balls laying, for now, quietly mysterious. across the river. . II. Ashopton Chapel (1939). Ashopton was much the smaller and less-populated of the 2 'lost' villages, but still bore home to a Roman Catholic Chapel which was. the focal point of the village. The chapel - along with the rest of Ashopton - was drowned in 1943, but the final service to take place there. was held in 1939, with the final hymn being 'Day's Dying in the West'. This hymn forms a haunting coda to the 2nd section, with firstly the . piano leading the melody before an audio track containing an old recording of the hymn is accompanied by the sound of flowing water and . the rumble of storms as the village hypothetically disappears from existence with the hymn tune still echoing around the valley, before . subsiding into the growing roar of the engine of a Lancaster Bomber as it soars overhead towards Derwent to practise it's 'Dam-Buster' raid. . III. Operation Chastise (1943). The Derwent Reservoir lies adjacent to Ladybower Reservoir (of which Ashopton & Derwent were flooded to make way for) in the . Derbyshire High Peak, and during the 2nd World War was used as one of the central low-atitude practise areas of the 617 Squadron - more . commonly known affectionately as the 'Dambusters'. Before the destruction of Derwent, it's 'Packhorse Bridge' was dismantled stone by stone . and re-assembled upstream at Howden Dam to the north end of Derwent Reservoir. This is where the music begins, with a reconstruction of . the opening material before taking flight into a whirlwind tour of virtuosity from the soloist. .
In Stock: Estimated dispatch 1-3 working days
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£104.99
Sinfonietta No. 4 - Etienne Crausaz
This work was composed for the occasion of the 28. Fete Cantonale des Musiques Vaudoises (28th Music Festival of the Canton Vaud), taking place in the Valley of Joux in June 2018. The music begins with a very simple fanfare consisting of five ascending legato notes which constitute the fundamental framework of the piece. This contrasts with the more cantabile sounding theme we hear after. The following Allegro section uses the sequence in a contrapuntal style reminding us of the Renaissance period, but with more modern day harmonies. Two solo cadenzas played by cornet and euphonium initiate the middle section, in which a theme also based on the sequence builds uptowards the climax of the piece. The sequence in the last section is played in time but gives the feeling of a "one to the bar" beat. Shortly before the festive finale, the music heard in the middle part resumes.
Estimated dispatch 5-14 working days
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£77.00
General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
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£55.00
Triumph Series Brass Band Journal, Numbers 1351 - 1354, July 2023
1351: The anointed King (Marcus Venables)This piece was originally written as a massed band item for the Ontario Central-East Divisional Music Day in 2019. The updated version includes two songs, King of kings, majesty (S.A.S.B. 376) and O worship the King (S.A.S.B. 52) to a rhythmic setting of the tune Laudate Dominum (T.B. 481). Both songs present the contrasting characteristics of God; the powerful King and gentle, loving Saviour.1352: A suite of English Christmas carols (Kenneth Downie)This suite is the result of a request for a piece of music featuring exclusively English Christmas carols.The first movement features The holly and the ivy (C.C. 87). In sharp contrast, the second movement calls for a broad, sensitive, song-like approach. Using The cherry tree carol (C.C. 85), a much slower tempo than is normally applied to encourage the listener to see this beautiful tune in a new light. The rumbustious arrival of the finale is based on I saw three ships come sailing in (C.C. 44) with the festive mood prevailing until the end.1353: Nothing but thy blood (Norman Bearcroft)This two-verse setting of Richard Slater's much-loved hymn Nothing but thy blood (S.A.S.B. 769) appears straight-forward in nature, but requires a careful sense of the musical line across all parts.1354: Meditation - Reflections on Advent (Andrew Blyth)Two well-known carols, Away in a manger (C.C. 12) and Silent Night! (C.C. 77) are featured alongside original material. The piece attempts to convey a sense of reflection and meditation on the wonderful and awe-inspiring Advent story.
Estimated dispatch 7-14 working days
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£5.99
Scripture-based Songs Compilation Folio Books
No. of TuneTitleRefernece1Above all powersSpring Harvest Song Book 2003, 12All for theeThe Musical Salvationist, January 19763All Heaven declaresMagnify, 24All the world is waitingThe Musical Salvationist, April 19875As we are gatheredThe Source, 296Be bold, be strongThe Source,387Be still for the presence of the LordMagnify, 78Beauty for brokennessThe Source,379Blessd be the name of the LordThe Source,5310Breathe 11By his handSing to the Lord, Vol.1, Part 112Come, now is the time to worshipThe Source, 66213Come on and celebrate!The Source, 7514Come, thou Fount of every blessing (Nettleton)Salvation Army Song Book, 31315ContentmentHappiness & Harmony, 1416Crown him with many crowns (Diademata)Salvation Army Song Book, 15617Cwm RhonddaSalvation Army Song Book, 57818Do something beautifulSing to the Lord Children's Voices Series, Vol.1219Faithful GodThe Source, 8820Father, we love youHappiness & Harmony, 1621Give thanks with a grateful heartThe Source, 1822Glorious things of thee are spoken (Abbot's Leigh)Salvation Army Song Book, 15723God in youSing to the Lord, Vol.9, Part 224Great is the darkness (Come, Lord Jesus)Magnify, 1425He is ableSing to the Lord Children's Voices Series, Vol.1526He is the Lord (Show your power)Magnify, 1927Healing ChristSing to the Lord, Vol.6, Part 328Here am I, my LordThe Musical Salvationist, July 199129His ProvisionThe Musical Salvationist, July 198530Holy, holy, holy is the LordSongs of Fellowship, 18231HosannaThe Source, 18232How deep the Father's love for usThe Source, 185; Songs of Fellowship II, 78033I am a new creationThe Source, 19134I dare to be differentSing to the Lord, Vol.1, Part 135I love you, LordMagnify, 2436I will run to you (Your eye is on the sparrow)The Source, 109337In Christ aloneThe Source, 131138In his presenceSing to the Lord, Vol.9, Part 339In his time 40In Jesus' nameSing to the Lord, Vol.13, Part 141In this quiet momentSing to the Lord, Vol.13, Part 342It is to youMagnify, 3043Jesus is Lord!The Source, 28444Jesus, name above all namesHappiness & Harmony, 3245Joyful, Joyful (Europe)Salvation Army Song Book, 1046King of Kings, MajestyThe Source, 30947Knowing You (All I once held dear)Magnify, 348Light of the world (Here I am to worship)Sing to the Lord Children's Voices Series, Vol.1049Lord, I lift your name on highMagnify, 3850Lord, you know that we love youThe Musical Salvationist, April 198351Love Divine (Blaenwern)Salvation Army Song Book, 43852MajestyHappiness & Harmony, 4553My Lord and Christ!Sing to the Lord, Vol.2, Part 254My Lord, what love is thisThe Source, 37055My Saviour's love (I stand amazed)Salvation Army Song Book, 17956Nothing but thy bloodSing to the Lord Children's Voices Series, Vol.1357O God of burning, cleansing flame (Send the fire)Salvation Army Song Book, 20358O happy daySalvation Army Song Book, 36559Oh to see the dawn (The power of the cross)Spring Harvest Song Book 2005, 6760Only by graceMagnify, 4861Power of your love (Lord, I come to you)Magnify, 3762Praise, my soulSalvation Army Song Book, 1763Praise to the Lord (Lobe den Herren)Salvation Army Song Book, 1964Regent SquareSalvation Army Song Book, 14765Rejoice!The Source, 43866Shout to the Lord (My Jesus, my Saviour)Magnify, 4367Sing and make musicHappiness & Harmony, 5568Spirit of the living GodSongs of Fellowship, 511; The Source, 46369Storm the forts of darknessSalvation Army Song Book, 69670Teach me to danceThe Source, 46971The light has comeHappiness & Harmony, 6372The Potter's hand (Beautiful Lord, wonderful Saviour)The Source, 64073The servant King (From Heaven you came)The Source, 11474The splendour of the KingSpring Harvest Song Book 2005, 9775There is a redeemerMagnify, 5976To be in your presence (My Desire)Magnify, 6177To God be the gloryThe Musical Salvationist, April 198878Wake up, O sleeperSing to the Lord, Vol.6, Part 279We are marchingThe Source, 53980We have come into this placeHappiness & Harmony, 7381We want to see Jesus lifted highThe Source, 55982When the music fades (The heart of worship)Magnify, 7083Who is on the Lord's side? (Rachie)Salvation Army Song Book, 707
Estimated dispatch 7-14 working days
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£29.95
Scripture-based Songs Compilation Full Score
No. of TuneTitleRefernece1Above all powersSpring Harvest Song Book 2003, 12All for theeThe Musical Salvationist, January 19763All Heaven declaresMagnify, 24All the world is waitingThe Musical Salvationist, April 19875As we are gatheredThe Source, 296Be bold, be strongThe Source,387Be still for the presence of the LordMagnify, 78Beauty for brokennessThe Source,379Blessd be the name of the LordThe Source,5310Breathe 11By his handSing to the Lord, Vol.1, Part 112Come, now is the time to worshipThe Source, 66213Come on and celebrate!The Source, 7514Come, thou Fount of every blessing (Nettleton)Salvation Army Song Book, 31315ContentmentHappiness & Harmony, 1416Crown him with many crowns (Diademata)Salvation Army Song Book, 15617Cwm RhonddaSalvation Army Song Book, 57818Do something beautifulSing to the Lord Children's Voices Series, Vol.1219Faithful GodThe Source, 8820Father, we love youHappiness & Harmony, 1621Give thanks with a grateful heartThe Source, 1822Glorious things of thee are spoken (Abbot's Leigh)Salvation Army Song Book, 15723God in youSing to the Lord, Vol.9, Part 224Great is the darkness (Come, Lord Jesus)Magnify, 1425He is ableSing to the Lord Children's Voices Series, Vol.1526He is the Lord (Show your power)Magnify, 1927Healing ChristSing to the Lord, Vol.6, Part 328Here am I, my LordThe Musical Salvationist, July 199129His ProvisionThe Musical Salvationist, July 198530Holy, holy, holy is the LordSongs of Fellowship, 18231HosannaThe Source, 18232How deep the Father's love for usThe Source, 185; Songs of Fellowship II, 78033I am a new creationThe Source, 19134I dare to be differentSing to the Lord, Vol.1, Part 135I love you, LordMagnify, 2436I will run to you (Your eye is on the sparrow)The Source, 109337In Christ aloneThe Source, 131138In his presenceSing to the Lord, Vol.9, Part 339In his time 40In Jesus' nameSing to the Lord, Vol.13, Part 141In this quiet momentSing to the Lord, Vol.13, Part 342It is to youMagnify, 3043Jesus is Lord!The Source, 28444Jesus, name above all namesHappiness & Harmony, 3245Joyful, Joyful (Europe)Salvation Army Song Book, 1046King of Kings, MajestyThe Source, 30947Knowing You (All I once held dear)Magnify, 348Light of the world (Here I am to worship)Sing to the Lord Children's Voices Series, Vol.1049Lord, I lift your name on highMagnify, 3850Lord, you know that we love youThe Musical Salvationist, April 198351Love Divine (Blaenwern)Salvation Army Song Book, 43852MajestyHappiness & Harmony, 4553My Lord and Christ!Sing to the Lord, Vol.2, Part 254My Lord, what love is thisThe Source, 37055My Saviour's love (I stand amazed)Salvation Army Song Book, 17956Nothing but thy bloodSing to the Lord Children's Voices Series, Vol.1357O God of burning, cleansing flame (Send the fire)Salvation Army Song Book, 20358O happy daySalvation Army Song Book, 36559Oh to see the dawn (The power of the cross)Spring Harvest Song Book 2005, 6760Only by graceMagnify, 4861Power of your love (Lord, I come to you)Magnify, 3762Praise, my soulSalvation Army Song Book, 1763Praise to the Lord (Lobe den Herren)Salvation Army Song Book, 1964Regent SquareSalvation Army Song Book, 14765Rejoice!The Source, 43866Shout to the Lord (My Jesus, my Saviour)Magnify, 4367Sing and make musicHappiness & Harmony, 5568Spirit of the living GodSongs of Fellowship, 511; The Source, 46369Storm the forts of darknessSalvation Army Song Book, 69670Teach me to danceThe Source, 46971The light has comeHappiness & Harmony, 6372The Potter's hand (Beautiful Lord, wonderful Saviour)The Source, 64073The servant King (From Heaven you came)The Source, 11474The splendour of the KingSpring Harvest Song Book 2005, 9775There is a redeemerMagnify, 5976To be in your presence (My Desire)Magnify, 6177To God be the gloryThe Musical Salvationist, April 198878Wake up, O sleeperSing to the Lord, Vol.6, Part 279We are marchingThe Source, 53980We have come into this placeHappiness & Harmony, 7381We want to see Jesus lifted highThe Source, 55982When the music fades (The heart of worship)Magnify, 7083Who is on the Lord's side? (Rachie)Salvation Army Song Book, 707
Estimated dispatch 7-14 working days
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£23.50
A Brussels Requiem - SCORE ONLY - Bert Appermont
The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally, the attacks in Paris and Nice led to great public indignation, fear and disbelief. What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont's intention was to voice certain emotions that these acts of terror have caused: particularly fear, grief, anger, and helplessness. He uses the French children's song Au Claire de la Lune as a connecting thread throughout the work. This piece is also about hope and faith in another world, and is meant to pay homage to all victims, resulting in a dignified remembrance. The musical development is presented in four through-composed parts, titled Innocence, In Cold Blood, In Memoriam - We Shall Rise Again and A New Day. This work was commissioned by the Brassband Oberosterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.
Estimated dispatch 5-14 working days
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£82.00
Kobolt - John Brakstad
"Cobalt" was commisioned by Modum Janitsjar as own choice piece for the Norwegian Wind Band Championships, third section in 2009.The Royal Cobalt Works of Modum were established in 1773 to extract cobalt ore from the local mines. The works were in operation until 1893.The cobalt was used in the production of cobalt blue pigment for the worlds porcelain and glass industry.To day it is a museum showing us how people at that time worked and lived.Most of the work was done by hand. There were also bad accidents with many fatalites.But in their free time there were dancing and drinking, and the entire piece ends with a dance-episode including a local tune.
Estimated dispatch 7-14 working days