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£69.00The Legend Of Hans Roth - Howard Lorriman
The Legend Of Hans Roth is a composition by Howard Lorriman. In the Obrasso webshop are the Sheet Music for Brass Band with the article no. 18153 available. The sheet music is classified in Difficulty level B / C (easy to medium). More Original compositions for Brass Band can be found using the flexible search function.Use the free trial score for The Legend Of Hans Roth and get a musical impression from the audio samples and videos available for the Brass Band piece. With the user-friendly search function in the Obrasso webshop, you can find in just a few steps more sheet music from Howard Lorriman for Brass Band. So that you can complete your concert program, show all music sheets can be displayed with one click on Original compositions in Difficulty level B / C (easy to medium) .The Legend Of Hans Roth is one of many brass music compositions that have been published by Musikverlag Obrasso. Next to Howard Lorriman over 100 composers and arrangers work for the Swiss music publishing house. In addition to the notes for Brass Band you will also find literature in other formats such as Brass Band, Concert Band, Junior Band, Brass Ensemble, Woodwind Ensemble, Symphony Orchestra as well as CDs and Music Education. A large part of the publisher's own literature from top brass bands such as the Black Dyke Band, Cory Band, Brighouse & Rastrick Band or the Oberaargauer Brass Band was recorded on Obrasso Records. All sound carriers are also available digitally on the popular portals of Apple, Amazon, Google, Spotify and other providers worldwide.All Obrasso sheet music is produced on high quality paper. The slightly yellowish note paper offers a good contrast and is easy on the eyes in difficult lighting conditions. Delivery to private customers worldwide is free of shipping costs. Order your sheet music now directly from Obrasso Verlag.
Estimated dispatch 5-14 working days
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£10.00The Once and Future King
DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!
Estimated dispatch 7-14 working days
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£110.00
Legend - Geert Jan Kroon
Other than the title, there is no real story that connects this piece to eyeballs or werewolves. There is no real legend that precedes this work. The legend will evolve in the listener's mind while listening to this piece. For me, it started with the title. It was dreamed up by my son. He also suggested a musical gesture, which I then used to build all the musical materials in this piece. I have sought to capture a dark atmosphere with a sense of excitement. Although, there are some not so dark moments in the piece which serve as a musical contrast. I would like to invite every listener to imagine a world where there exists a legend of a bleeding eyeball and a blind werewolf. And if you do dream up a great story, please let me know and share it with each other!
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£89.99Broken Sword (Brass Band - Score and Parts) - Houben, Kevin
The Broken Sword is one of the five ceremonial swords kept in the Tower of London and is used during the coronation of a new king or queen. Legend has it that an angel broke off the tip of the sword in an effort to prevent an unjust killing. Composer Kevin Houben lets his music retell this intriguing legend. Broken Sword resembles a film score in many ways and will paint vivid images as the band plays its way through the legend. Many different moods create a contrast-rich work that makes for an exciting listening and playing experience every time!Duration: 11.45
Estimated dispatch 7-14 working days
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£102.99The Seventh Night of July (Brass Band - Score and Parts) - Sakai, Itaru
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 7-14 working days
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£93.50The Seventh Night of July (Brass Band - Score and Parts)
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 7-14 working days
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£102.99The Seventh Night of July - Itaru Sakai
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 5-14 working days
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£69.99Willow Pattern (Brass Band - Score and Parts) - Harper, Philip
Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Chang by the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone.The Willow Pattern Legend:Once, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only the exotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it be stolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescue Knoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip. They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men set fire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness.Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware.Duration: 12:00
Estimated dispatch 7-14 working days
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£69.95Le Roi d'Ys (Brass Band - Score and Parts) - Lalo, Edouard - Wright, Frank
OvertureLe roi d'Ys (The King of Ys) is an opera in three acts and five tableaux by the French composer douard Lalo, to a libretto by douard Blau, based on the old Breton legend of the drowned city of Ys. That city was, according to the legend, the capital of the kingdom of Cornouaille.
Estimated dispatch 7-14 working days
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£69.95Le Roi D'ys (Brass Band - Score and Parts)
OvertureLe roi d'Ys (The King of Ys) is an opera in three acts and five tableaux by the French composer douard Lalo, to a libretto by douard Blau, based on the old Breton legend of the drowned city of Ys. That city was, according to the legend, the capital of the kingdom of Cornouaille.
Estimated dispatch 7-14 working days
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