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  • £54.99

    Fanfare for an Occasion - Philip Sparke

    Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the horns that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.

    Estimated dispatch 5-14 working days

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  • £127.30

    Bogoroditse Devo - Sergei Rachmaninov

    The All Night Vigil is an a-cappella composition that Sergei Rachmaninov composed in January/ February 1915. It was one of Rachmaninoff's favorite among his own compositions, and it has also been called "the greatest musical achievement of the Russian Orthodox Church". "Bogoroditse Devo" is movement number 6, and the lyrics are: Hail Mary, full of grace, the Lord is with thee, blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Performance suggestion: Solo Clarinet, 1st Altosax, 1st Horn amd Solo Euphonium stand, preferably some distance away from the band. The remaining players of the band can sing from the "choir" sheet. At letter A, 1st Hornand Solo Euphonium return to their seats while Solo Clarinet and 1st Altosax remains standing until letter C

    Estimated dispatch 5-14 working days

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  • £84.99

    Festivus Americas - Stephen Bulla

    Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well asa festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and isdeveloped, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weavestraight through the brighter instruments.

    Estimated dispatch 5-14 working days

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  • £137.99

    Metamorphosis - Jan de Haan

    The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme. Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three isthe so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.

    Estimated dispatch 5-14 working days

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  • £115.60

    Generalstabens Honnormarsj - Oscar Borg

    This march was written in 1919 by Norways own March King Oscar Borg (1851-1930).He was born in the town of Halden in the southeast of Norway and received his education at the Royal Academy in Stockholm, Sweden.Upon his return to Halden he became a driving force in the towns musical life in several respects. He conducted choirs, amateur bands and played the organ in church.Borg was also the conductor of 1. Brigades Musikkorps (today The Norwegian Wind Ensemble) from 1881 to 1918.His significance for the Norwegian military bands and their repertoire is unquestionable.He wrote over 60 marches and he played several instruments; the violin, flute, cornet and the organ.This arrangement was written for Askoy Brass Band in 2021.Svein H. Giske

    Estimated dispatch 5-14 working days

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  • £159.99

    Rush Hour - Etienne Crausaz

    Rush Hour was commissioned by the Swiss Brass Band Association (SBBV) on the occasion of the 38th Swiss National Brass Band Championships 2012 (Montreux SBBW) as the test piece in the Championship division.Structured in three parts without breaks, the work opens in a heavy, oppressive atmosphere, sometimes even noisy. After a short passage in a lighter mood a quick tempo takes over, the music becomes nervous and unrelenting, with constant twists and turns. The tension builds, leading to a slower movement in which various soloists are highlighted. A few humorous touches are heard in contrast to a majestic, powerful and dramatic chorale. The end of this part is brighter andmore peaceful. This atmosphere is soon replaced by a return of the thematic material heard in the first movement, developing into an oppressive moos. The piece concludes with a last ecstatic tutti, reusing the harmonies of the introduction in a kind of final flurry.Rush Hour attempts to express the range of feelings we may experience when caught in various stressful situations in the middle of the rush hour.

    Estimated dispatch 5-14 working days

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  • £59.99

    Aria - Philip Sparke

    Aria was commissioned by and written for the remarkable Tenor Horn player, Sheona White. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves as an introduction to another melodic idea, marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat of the main theme, which is completed by the soloist. A Cornet then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close. A fantastic new addition to the solo repertoire for this much neglectedsolo instrument.

    Estimated dispatch 5-14 working days
  • £79.99

    Fanfare and Celebration - Philip Sparke

    Fanfare and Celebration was commissioned by the Brass Band of the Western Reserve (Dr Keith M. Wilkinson, director) to celebrate their 15th anniversary.Based in north-west Ohio, the band was formed in 1997 and was competing in the Championship Section of the North American Brass Band Championships in less than three years. The first performance of Fanfare and Celebration took place in Akron, Ohio, on November 10th 2012.The opening Fanfare features the cornet section, in two groups standing either side of the band.A central horn theme brings a change of mood before the cornets take the lead oncemore. Celebration follows seamlessly and continues the declamatory style until a cantando theme in uneven meter is introduced. A transformed recapitulation ushers in a return of the Fanfare to close the work.

    Estimated dispatch 5-14 working days

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  • £53.50

    Heritage (Brass Band - Score and Parts) - Sparke, Philip

    Philip Sparke wrote Heritage as a grand concert march in the tradition of Elgar and Walton. After a brief introduction, the march's long main theme is presented: first in subdued tones, then taken up by the full band, adding a tenor counter melody. The following bridge passage leads to a change of key and the traditional trio section. A repeat of previous motifs leads to a return of the main theme, followed by a short closing coda.Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £26.95

    Heroic Etude (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    Back in the day I always enjoyed playing the well-known trombone works by Alexandre Guilmant and Ferdinand David and I wanted to return to that type of language and writing in a short concert piece. The music is direct in its expression, mostly exciting but sometimes lyrical. The pace of this etude is relentless and requires some deft double tonguing although I stayed away from too many running semiquavers. The last note should ideally be the high D (concert) but a B flat is indicated as a suitable alternative.- Rob WiffinDuration: 3.45

    Estimated dispatch 7-14 working days

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