Results
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£29.95
WELLINGTONIAN, The (Brass Band Set) - Harold Scotney
Scotney immortalised his native town and corps in this march and also in 'Wellington Citadel'. In a departure from normal process, Scotney uses a Salvation Army song, 'A robe of white' in the first strain while the hymn-like trio section has no associated text.
Estimated dispatch 7-14 working days
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£29.95
The Wellingtonian (Brass Band - Score and Parts)
Scotney immortalised his native town and corps in this march and also in 'Wellington Citadel'. In a departure from normal process, Scotney uses a Salvation Army song, 'A robe of white' in the first strain while the hymn-like trio section has no associated text.
Estimated dispatch 7-14 working days
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£14.95
The Wellingtonian (Brass Band - Score only)
Scotney immortalised his native town and corps in this march and also in 'Wellington Citadel'. In a departure from normal process, Scotney uses a Salvation Army song, 'A robe of white' in the first strain while the hymn-like trio section has no associated text.
Estimated dispatch 7-14 working days
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£39.95Judd: Glory Hallelujah - March 2018
This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me. Glory, Hallelujah!'
Estimated dispatch 7-14 working days
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£34.95
JOY-BRINGER, The (Brass Band Set) - Kenneth Downie
This Festival (Concert) March was a pacesetter among 'new' Salvation Army marches of the 1960s with its refreshing harmonic language and use of Latin American rhythmic style.
Estimated dispatch 7-14 working days
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£34.95
The Joy-Bringer (Brass Band - Score and Parts) - Downie, Kenneth
This Festival (Concert) March was a pacesetter among 'new' Salvation Army marches of the 1960s with its refreshing harmonic language and use of Latin American rhythmic style.
Estimated dispatch 7-14 working days
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£17.50
The Joy-Bringer (Brass Band - Score only) - Downie, Kenneth
This Festival (Concert) March was a pacesetter among 'new' Salvation Army marches of the 1960s with its refreshing harmonic language and use of Latin American rhythmic style.
Estimated dispatch 7-14 working days
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£34.95Judd: The Joy-Bringer
This Festival (Concert) March was a pacesetter among 'new' Salvation Army marches of the 1960s with its refreshing harmonic language and use of Latin American rhythmic style.
Estimated dispatch 7-14 working days
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£34.95Chalk Farm No.2 (Brass Band - Score and Parts) - Gregson, Edward
Like so many of the best composers for brass band - Eric Ball, Wilfred Heaton, Elgar Howarth and Robert Simpson - Edward Gregson's youthful talents came to the fore in the Salvation Army. In 1975 Gregson was commissioned by the Chalk Farm Band of the Salvation Army to write a march for the centenary of the birth of the band's most long-serving bandmaster Alfred W Punchard, who conducted the band from 1894 to 1944. In 1909 the Salvation Army published a march called Chalk Farm featuring the old Army chorus 'March on, we shall win the day'.Gregson uses the same tune in his Chalk Farm No 2 march, but this is a symphonic march clearly to be played sitting down. He includes irregular bars of 5 and 7 beats as well as a tongue-in-cheek treatment of the tune, complete with bongos (in the march) and bi-tonality (in the trio). Chalk Farm No 2 imaginatively composed. Gregson's own main theme 'fits' the chorus as a counter-subject. The playful irreverence of the style has more in common with Wilfred Heaton's Praise or Glory, than the conventional Salvation Army March.Duration: 4.00
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2234 - 2237, August 2023
2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.
Estimated dispatch 7-14 working days
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