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  • £45.00

    Josephine (Trombone Solo) - Kryl, Bohumir - Wilkinson, K

    Composed by one of the most famous bandleaders of the Sousa-era, this virtuosic solo is named after the composer's daughter, and arranged for band by Keith Wilkinson at the request of Brett Baker.Click here to listen to a short excerpt4th SectionDuration 4 mins

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Judge Dredd - Silvestri, A - Harper, P

    Arranged for brass band by Philip Harper. Undoubtedly one of the worst movies I've seen, the acting is terrible, the storyline violent and banal . . . but the soundtrack . . . lots of fanfares, strident chords and music that takes us "out of this world".

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Lux Aeterna - Harper, P

    The title Lux Aeterna (Eternal Light) can be interpreted on a number of levels. Musically it has a rather mystical feel to it, and the single note with which the piece begins continues uninterrupted throughout, like an inextinguishable flame, or a constant source of hope. There are lyrical and song-like solo lines for cornet, flugel and euphonium. In a recent review Paul Hindmarsh described the piece as a touching new work by Philip Harper that would have got my vote for best new work for its technical ingenuity if not its 'wow factor'.Listen to Cory BandCourtesy of World of Brass

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  • £40.00

    Magee's Patrol - Harper, P

    Designed as a first-half finisher, Magee's Patrol is a traditional brass band patrol. It starts quietly, becomes gradually louder then, after a fortissimo statement of the tune begins to decrescendo. One by one the players exit the stage leaving just a lone tuba player to take the final applause. Simple but very effective.3rd section +

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  • £40.00

    Mars Attacks - Elfman, D - Phillips, L

    Tim Burton weaved his usual brand of zaniness throughout this film and his regular composer, Danny Elfman, created a humorous parody of early B movie sci-fi scores by his use of choir and two theremins - an early synthesizer (optional choir and synth. parts supplied). This arrangement features the music that accompanies the film's horrific opening, a heard of burning cattle stampeding past a shocked family; the scoring here is dissonant and over-the-top with horror value. This is followed by Elfman's quirky Main Title Theme which sees the Martian invasion force enroute to Earth - wicked and fiendish fun ensues.2nd section +

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  • £40.00

    Midway - Williams, J - Harper, P

    A terrific march from the soundtrack of the 1979 movie about one of the greatest sea battles in history between the American and Japanese Fleets. Great sop part!

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  • £50.00

    Paintings - Broadbent, D

    Canvases from East AngliaI. View Near the Coast -- Thomas Gainsborough c.1750-55Calm Seas GlisteningPeaceful Folk RestingStorm Clouds ThreateningII. Travellers -- Sir Alfred J. Munnings 1910Romany horses, 'neath sunny autumn skiestread gently through the peaceful countrysideIII. William Wollaston -- Thomas Gainsborough c.1759Member of Parliament for Ipswich,Colonel of the East Suffolk Militia,and a musician of note who played the one-keyed flute

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  • £40.00

    Persistence Fanfare and March - Robertson, G

    Composed as a thank you to everyone for being persistent during the difficult time of the time Covid-19 pandemic. A slow march composed by Gail Robertson, the Associate Professor of Tuba and Euphonium at the University of Central Arkansa in USA.1st Section +Duration 3 mins

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  • £35.00

    Somewhere - Bernstein, L. - Harper, P

    One of the most famous numbers from Bernstein's West Side Story arranged as a show-stopping finale. Features either the trombone or optionally the flugel.2nd sectionDuration 3.30 minsListen to Cory Band on 'Summon the Heroes'Courtesy of World of Brass

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  • £33.00

    Star Trek Voyager - Goldsmith, J - Barry, D

    Take a short trip to the Delta Quadrant with the super theme from Star Trek: Voyager, the latest "trek" series. Bold and majestic tunes from the pen of movie music guru Jerry Goldsmith and faithfully transcribed by Darrol Barry - playable by all levels of bands.4th section +

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