Results
-
£31.00GALLIMAUFRY SUITE (Brass Band Extra Score) - Harper, Philip
2013 Butlins Third Section. Extra Score only. The four movements are: 1. Fanfare & Theme 2. Song 3. Hymn 4. Toccata & Finale. Duration:11:00
Estimated dispatch 7-14 working days
-
£60.50
GALLIMAUFRY SUITE (Brass Band Set) - Harper, Philip
2013 Butlins Third Section. Score and Parts. The four movements are: 1. Fanfare & Theme 2. Song 3. Hymn 4. Toccata & Finale. Duration:11:00
Estimated dispatch 7-14 working days
-
£54.99
The Simpsons (Brass Band - Score and Parts)
Homer Simpson and his yellow friends and family have become one of the world's most loved TV cartoon series of all time. Homer and the gang have also finally made it to the big screen. Here's a hot arrangement of one of the most recognizable theme songs ever. Paul Lavender makes sure all the fun and entertainment of the series is recreated by your brass band!Duration: 1:30
Estimated dispatch 7-14 working days
-
£82.95VIVAT! (Brass Band - Score and Parts) - Davoren, Tom
2012 National Championships Finals - First Section. Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections and the music is derived from Parry's coronation anthem, I Was Glad. The sections are: In Memorium, evoking the noble but gentle personality of the Queen's father, George VI; Coronation, a fanfare and subsequent theme capturing the spirit and excitement of British pomp; and Jubilate, a celebration of life and family values.
Estimated dispatch 7-14 working days
-
£44.95
VIVAT! (Brass Band - Score only) - Davoren, Tom
2012 National Championships Finals - First Section. Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections and the music is derived from Parry's coronation anthem, I Was Glad. The sections are: In Memorium, evoking the noble but gentle personality of the Queen's father, George VI; Coronation, a fanfare and subsequent theme capturing the spirit and excitement of British pomp; and Jubilate, a celebration of life and family values.
Estimated dispatch 7-14 working days
-
£39.99You Know my Name
ABOUT THIS PIECE: Bring the iconic energy of Casino Royale to your next programme with Adam D J Taylor's electrifying arrangement of "You Know My Name." Originally performed by Chris Cornell, this powerful theme blends hard rock elements with sweeping orchestration, embodying the grit and sophistication of the James Bond franchise. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: 3-minutes, 30 secondsEXAMPLE SCORE: Click here COPYRIGHT NOTICE: Due to copyright law, this item is only available in: UK AND EUROPE LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
-
£44.99Korobeiniki - Russian Traditional
ABOUT THIS PIECE: "Korobeiniki" is a nineteenth-century Russian folk song that tells the story of a meeting between a peddler and a girl, describing their haggling over goods in a veiled metaphor for courtship. Outside of Russia, "Korobeiniki" is widely known as the Tetris theme (titled "A-Type" in the game), from its appearance in Nintendo's 1989 version of the game. One of our most popular arrangements, this piece is high-paced and features all the usual trappings associated with this musical style - fireworks to start, a slow, melancholy iteration of the melody, an unruly accelerando, and all finished with a loud shout ('Oi!') from the band! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 (choose your tempo wisely!) LISTEN: DURATION: c. 3-minutes EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
-
£89.95
INFINITY (Brass Band Set) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
-
£10.00
INFINITY (Brass Band Study Score) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
-
£59.95
QUINTESSENCE (Brass Band Set) - Robert Redhead
Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
View Music