Results
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£82.95The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£44.95
The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£104.99
High Flyers Brass Band (Score & Parts)
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodic material of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece. 08:30
Estimated dispatch 7-14 working days
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£49.99Marcho Brioso (Brass Band - Score and Parts)
Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer's series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional 'bass' strain. A change of key heralds the trio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.Duration: 3:40
Estimated dispatch 7-14 working days
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£104.99High Flyers - Andrew R. Mackereth
From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.
Estimated dispatch 5-14 working days
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£57.50Marcho Brioso - Philip Sparke
Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer's series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso.After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tuttiversion of the main theme which is followed by the traditional 'bass' strain. A change of key heralds the trio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.
Estimated dispatch 5-14 working days
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£87.21'Odyssey' Variations (Brass Band) Kevin Norbury
'Odyssey' Variations was composed as a result of a commission in May 2020 from Five Lakes Silver Band and its musical director, Christopher Ward. This music is based on an original theme that I first used in an earlier composition, Odyssey, which was the test piece for the European Brass Band Championships, held at Munich, Germany, in April 1999. I distinctly remember getting into my hotel room and turning on the television to be greeted by news coverage of the Columbine High School shooting, so that piece has always held some significance for me, though because of a very sad coincidence. The melody was originally a cornet solo in the central slow section of Odyssey and pitched deliberately to test the soloist. I have, more recently attempted a straightforward choral setting of the melody, and the harmonies I use in the three chorale-style settings at the start of these variations are loosely based on that setting. The melody is a setting of the familiar words of Be Thou My Vision, an old Irish hymn, translated by Mary E. Byrne, and versified by Eleanor H. Hull. The form of the work is as follows: Theme - three presentations Variation 1 - Allegro Variation 2 - Moderato (featuring the horns, baritones, euphoniums and basses) Variation 3 - Maestoso (featuring the cornets, flugel horn, and trombones) Variation 4 - Adagio Variation 5 - Allegretto Variation 6 - Largo - Moderato Variation 7 - Allegro molto Theme - Maestoso e sostenuto Finale - Allegro vivace - Adagio e allargando To view a video of Five Lakes Silver Band performing the work please visit: www.youtube.com/watch?v=vfLnld3bCw8 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£104.99Purcellian Fantasia (Brass Band - Score and Parts) - De Haan, Jan
This composition is based on the march from Henry Purcell's Music for the funeral of Queen Mary II, a work written in 1694. In this fantasia, various movements flow from one to the next following the main theme; these movements not only elaborate on the theme, but also contrast with it. At times, the thematic material diverges so much, that the work acquires a character of its own; however, the composer often refers back to fragments of the theme. This work was test piece in the 4th division of the Dutch National Brass Band Championships (NBK) in 2017. Duration: 10.30
Estimated dispatch 7-14 working days
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£87.99Moon Song, Sun Dance (Flugel Horn Solo with Brass Band - Score and Parts) - Sparke, Philip
Moon Song, Sun Dance was commissioned by flugel horn virtuoso, Claude Romailler, and premiered by him at the Swiss National Solo and Quartet Championships in April 2012. As the title implies, the work is in two contrasting movements, which can be performed separately or together. Moon Song opens with a flowing modal theme, which the soloist embellishes before the band takes centre stage. A central section brightens the mood with a new melody over the lightest of accompaniments; this is once again developed by the soloist until the original theme reappears, played by the band. This introduces a cadenza for the soloist which either closes the movement, or can be extended to link directly to the second movement. Sun Dance is a vivace 6/8 scherzo which opens with a flourish from the band. The soloist then introduces the main theme, which in turn is taken up by the band. A short bridge passage heralds a change of key and a new melody from the soloist. A brief central interlude then introduces a change of meter and recalls the main melody of Moon Song, before a recapitulation leads to a florid coda, which brings the work to a close.Duration: 8:45
Estimated dispatch 7-14 working days
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£37.95Hungerford Town (Brass Band - Score only) - Barry, Darrol
2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above
Estimated dispatch 7-14 working days
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