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  • £39.95

    Judd: I Know a Fount

    The theme is the chorus of a song by Oliver Cooke to which the words 'I know a fount where sins are washed away' are associated. Following an announcement of the theme (preceded by its verse) there are five variations, a fugue and a repetition of the theme.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: In Christ Alone

    The popularity of this modern song is evidenced by the frequent use it enjoys during Sunday worship in many different denominational churches. The strength and solidity of the song is reflected in this triumphal arrangement, written at the request of Derick Kane and as a sequel to the earlier euphonium solo, 'There Will Be God'.

    Estimated dispatch 7-14 working days
  • £44.95

    Judd: Music For A Joyful Occasion

    This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.

    Estimated dispatch 7-14 working days
  • £34.95

    Judd: My Hope - Roger Trigg

    'My Hope' was written for, and premiered by Enfield Citadel Band (Bandmaster Jonathan Corry) on 11th October, 2013. The work formed part of the band's annual pre-contest festival on the eve of the National Brass Band Championships which are held in the august surroundings of the Royal Albert Hall, London each year. The words 'my hope' appear in both hymns that are referenced in the music. The notes 'E', 'C', 'B' also feature throughout the work as homage to Enfield Citadel Band. The verse of 'My hope is built on nothing less' (S.A.S.B. 662), to the tune 'Solid Rock' (T.B. 446), is then introduced and forms the basis of the end of the first section - set in the minor, unlike the usual setting of the melody. The more sedate middle section that follows features an original theme, again using the notes 'E', 'C', 'B' as a melodic stimulus.The tune 'Michael' (Herbert Howells), to which the text 'All my hope on God is founded' (S.A.S.B. 530) is sung, provided the original impetus for this work. The song features as a new addition to The Salvation Army's 2015 iteration of its song book. It is a noble tune and there are big majestic, organ-like sounds utilised in its final treatment which brings the work to a climactic end.

    Estimated dispatch 7-14 working days
  • £39.95

    Judd: None Other Name

    None Other Name was written for the 1960 tour of England by the New York Staff Band of The Salvation Army and can justifiably be termed a classic of brass band repertoire. It is best described as a symphonic medley of six songs focused on the name of Christ; The Saviour's Name; Jesus is the Sweetest Name I know; There's a Wonderful Name, 'tis Jesus; He's the Lily of the Valley; Jesus, the Very Thought of Thee (St. Agnes); All Hal the Power of Jesus' Name (Diadem).

    Estimated dispatch 7-14 working days
  • £44.95

    Judd: Scottish Folk Variants - Euphonium Solo

    Here is music that provides a soloist with melody and bravura, as it did when premiered by Derick Kane at ISB120 for which it was commissioned. Hence, there are a number of traditional Scottish melodies that form the basis for these variants. Perhaps you will recognise, in sequence: 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song', 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £34.95

    Judd: The Covenanters

    In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.

    Estimated dispatch 7-14 working days
  • £34.95

    Judd: The Father's Blessing

    This music is a treatment of the tune that William Tomer wrote for the words 'God be with you till we meet again'. In recent years, Ralph Vaughan Williams' tune 'Randolph' has often been the preferred choice to accompany these words although this composer was drawn to the original tune. Serenity is the prevailing mood of the piece although there is chance for the band to 'open up' in the link passages.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: The Maple Leaf

    This march is characteristic in style of many written by Bramwell Coles. It derives its title from the song, 'The Maple Leaf Forever' while there are also strong references to 'O Canada' and 'Rule Britannia'.

    Estimated dispatch 7-14 working days
  • £34.95

    Judd: The New-Born Babe

    The chorale which forms the basis of this prelude dates from the sixteenth century and was used by J.S.Bach in his Cantata No.122, 'Das neugeborne Kinderlein'. On his score Bruce Broughton includes a translation by R. Rutledge of the words; 'There comes the true jubilee, what are we eternally lamenting? Look alive! It is a time for singing, for the Christ-child exorcises all sorrow'.

    Estimated dispatch 7-14 working days