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£14.95
Paean (Brass Band - Score only) - Bright, Dudley
Commissioned by the Swiss Christian Brass Band Association in celebration of their 150th anniversary, the title 'Paean' means a shout of thanksgiving and praise. It is also the composer's personal expression of gratitude to God following major surgery. Although 'Paean' includes three fairly contemporary Christian songs, it is not intended to be played in any kind of rock or jazz style. The idiom is quite firmly rooted in brass band tradition. The opening fanfare-like section begins in celebratory mood before becoming more contemplative through the song 'Father God, I wonder'. A change of tempo heralds the statement of the thematically significant song 'Hosanna' before immediately moving to 'Faithful God'. Following a fugato the music retraces its steps to a triumphant restatement of the opening music.
Estimated dispatch 7-14 working days
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£44.95
The Eternal Presence (Brass Band - Score and Parts) - Ball, Eric
The recurrent theme is the hymn 'Still, still with Thee' with which the composer has blended his own consideration of words from Psalm 139 (verses 7 - 11). In contrast, there are three opposing movements subtitled 'The Imprisoned Spirit', 'The Heart's Grief' and 'Tribulation' while the final section reaffirms 'The Eternal Presence'.
Estimated dispatch 7-14 working days
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£22.50
The Eternal Presence (Brass Band - Score only) - Ball, Eric
The recurrent theme is the hymn 'Still, still with Thee' with which the composer has blended his own consideration of words from Psalm 139 (verses 7 - 11). In contrast, there are three opposing movements subtitled 'The Imprisoned Spirit', 'The Heart's Grief' and 'Tribulation' while the final section reaffirms 'The Eternal Presence'.
Estimated dispatch 7-14 working days
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£94.95An Age of Kings (Mezzo-Soprano Solo with Brass Band and optional choir - Score and Parts) - Gregson, Edward
The origins of this work date back to 1988, when I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for the throne, and they portray one of the most turbulent periods in the history of the British monarchy.Much of the music used in these productions was adapted into two large symphonic suites for wind band - The Sword and the Crown (1991) and The Kings Go Forth (1996). An Age of Kings is a new version for brass band incorporating music from both the symphonic suites for wind band. It was specially composed for a recording made by the Black Dyke Band, conducted by Nicholas Childs, in 2004.An Age of Kings is music on a large-scale canvas, scored for augmented brass band, with the addition of harp, piano, mezzo-soprano solo, male chorus, as well as two off-stage trumpets. The music is also organized on a large-scale structure, in three movements, which play without a break - "Church and State", "At the Welsh Court", and "Battle Music and Hymn of Thanksgiving".The first movement, "Church and State", opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but with the English army music returning in counterpoint. A brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). However, the mood changes dramatically once again, with the horrors of war being portrayed in the darkly-drawn Dies Irae and Dance of Death, leading to the final section of the first movement, a funeral march for Henry VI.The second movement, "At the Welsh Court", takes music from the Welsh Court in Henry IV part 1 with a simple Welsh folk tune sung by mezzo-soprano to the inevitable accompaniment of a harp. This love song is interrupted by distant fanfares, forewarning of battles to come. However, the folk song returns with variation in the musical fabric. The movement ends as it began with off-stage horn and gentle percussion.The final movement, "Battle Music and Hymn of Thanksgiving", starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonDuration - 22'00"Optional TTBB available separately.
Estimated dispatch 7-14 working days
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£54.99Christmas Prelude (Brass Band - Score and Parts) - Blanken, John
Christmas Prelude is a festive composition on the Christmas carol O Come, All Ye Faithful. A quiet, march-like introduction, representing the procession to worship, is followed by three verses of the well-known carol: once from a quartet, then shared between the various instrumental groups. A festively embellished section leads to an interlude symbolising the start of Christmas celebrations, before a spectacular conclusion.Duration: 4:45
Estimated dispatch 7-14 working days
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£152.99Hymn of the Highlands, Suite from (Brass Band - Score and Parts) - Sparke, Philip
Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00
Estimated dispatch 7-14 working days
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£106.99Portrait of a City (Brass Band - Score and Parts) - Sparke, Philip
Score and Parts. Suite in 3 movements: 1. Skyline. 2. Autumn. 3. Downtown.In this exciting suite Philip Sparke sets out to capture the essence of his hometown, London, with each of the three movements depicting one of the many characteristics of this fascinating city. Skyline shows the frantic lifestyles of Londoners with millions of diverse people with different hopes and needs. Autumn shows the changes that take place in London during the different seasons and Downtown portrays the exciting nightlife of the West End.Recorded on AR012-3 A Portrait in Brass.2011 National Championships Finals 2nd Section Test PieceAmerican Grade 4Duration 14:20
Estimated dispatch 7-14 working days
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£55.00New York (from East Coast Pictures) (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip
For anyone who is familiar with this bizarre and wonderful city, this piece needs no explanation. New York is the third movement of East Coast Pictures, originally written for wind band, commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short 'pictures' were inspired by several visits by the composer to a small part of the USA's East Coast, an area that provides great extremes in the geography and the people. Suitable for Premier Youth/2nd Section Bands and above. Duration: 6.00
Estimated dispatch 7-14 working days
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£59.99Happy Trombones (Trombone Trio with Brass Band - Score and Parts) - Ares, Rob
A rip-roaring romp for three trombones. Your trombone section will be begging you to let them perform this short piece that highlights the fun side of the trombone.Duration: 3:15
Estimated dispatch 7-14 working days
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£82.95The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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