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£44.95
MUSIC FOR A JOYFUL OCCASION (Revisited) (Brass Band Set) - Kenneth Downie
This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.
Estimated dispatch 7-14 working days
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£44.95Judd: Music For A Joyful Occasion
This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.
Estimated dispatch 7-14 working days
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£59.95The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£29.95
The Plantagenets (Brass Band - Score only) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£29.99A Shropshire Lad George Butterworth arr. Joseph Knight
The tragedy of war is personified in the premature death of one of Britain's most promising composers of his age. George Butterworth was shot in the head at the battle of Somme by a German Sniper and there ended his sparkling contribution to music. Goeorge Butterworth set eleven of A. E. Housman's A Shropshire Lad poems in two cycles from 1909-1911. He composed his orchestral rhapsody in 1911, first calling it "The Land of Lost Content", and then calling it "The Cherry Tree" before deciding on the title "A Shropshire Lad". He wished it to be an epilogue to his song cycle and he wished it "to express the homethoughts of the exiled Lad". This arrangement for brass band was arranged in 2016 to commemorate the centenary of the composers death. This is offered as a full set with parts.
Estimated dispatch 5-9 working days
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£35.92Polka from 'The Bartered Bride' (Brass Band) Smetana arr. Rob Bushnell
Considered a major contribution to the develop of Czech music, The Bartered Bride by Bedrich Smetana is a comic opera in three acts that premiered, in its final version, in 1870; having not been a great success when the original two-act version premiered at the Provisional Theatre, Prague on 30 May 1866. The opera was part of Smetana's aim to create a native Czech music after the conductor Johann von Herbeck commented that Czechs were incapable of making music of their own. Whilst he avoided the direct use of folksongs, Smetana did use numerous traditional Bohemian dance forms, such as the furiant and the polka, leading to music that was Czech in spirit. 'Sold Bride', a more accurate translation of the original Czech title (Prodana nevesta), tells the story of two lovers (Marenka and Jenik) who want to marry despite Marenka's father's obligations for his daughter to marry the son of a wealthy landowner, Micha. Scheming, condition proposals and secret identities leads to a happy ending. The polka was not in the original 1866 version. A revision in October 1866 saw the addition of a gypsy dance near the start of act 2. But by the next performance in January 1869, this had been replaced by a polka. In June 1869, a new polka replaced the January version's (as well as being moved to the end of act 1) and this is the one that we know and love today. This arrangement is for British-style brass band, with *alternative parts for horns in F and bass-clef lower brass. Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb* 1st Horn Eb* 2nd Horn Eb* 1st Baritone Bb* 2nd Baritone Bb* 1st Trombone Bb* 2nd Trombone Bb* Bass Trombone Euphonium Bb* Bass Eb* Bass Bb* Timpani Percussion (Triangle, Cymbal(s) & Bass Drum)
In Stock: Estimated dispatch 1-3 working days
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£44.95
Cristo Redentor (Brass Band - Score and Parts) - Ponsford, Steven
Cristo Redentor' (Christ the Redeemer) is the Portuguese name of the unmistakable statue that overlooks every part of the vibrant Brazilian city of Rio de Janeiro. The composer was inspired to bring these images to music, creating various atmospheres to portray the diverse scenery. The melodies used, 'Lord I lift your name on high', 'Ochills' and 'There is a redeemer' are used to express the overall power of the love displayed for all in the outstretched arms of Christ the Redeemer.
Estimated dispatch 7-14 working days
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£22.50
Cristo Redentor (Brass Band - Score only) - Ponsford, Steven
Cristo Redentor' (Christ the Redeemer) is the Portuguese name of the unmistakable statue that overlooks every part of the vibrant Brazilian city of Rio de Janeiro. The composer was inspired to bring these images to music, creating various atmospheres to portray the diverse scenery. The melodies used, 'Lord I lift your name on high', 'Ochills' and 'There is a redeemer' are used to express the overall power of the love displayed for all in the outstretched arms of Christ the Redeemer.
Estimated dispatch 7-14 working days
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£54.99
Inner Space Brass Band (Score & Parts)
Today's society means to many people: bustle, hurry, quick and more ... No wonder that many are looking for (inner) tranquility and balance in their overloaded existence. Listen to music or active music is a way to relax and also to draw new energy. The repetitive motifs in Innerspace provide a relaxing effect. Enjoy and use the strength of your own 'innerspace'. 02:45
Estimated dispatch 7-14 working days
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£54.99Inner Space - John Emerson Blackstone
Today's society means to many people: bustle, hurry, quick and more ... No wonder that many are looking for (inner) tranquility and balance in their overloaded existence. Listen to music or active music is a way to relax and also to draw new energy. The repetitive motifs in Innerspace provide a relaxing effect. Enjoy and use the strength of your own 'innerspace'.
Estimated dispatch 5-14 working days
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