Results
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£59.95Judd: Caelum Corona - Stephen Bulla
Stephen Bulla's 'Caelum Corona' ('Crown of Heaven') portrays, in sound, a Christian's walk in faith, intended metaphorically via a musical narrative reminiscent of the early church pilgrims, their struggles and triumphs. The composer initially evokes the atmosphere of Rome at the time of St. Paul and other martyrs, thus the Latin title. Bulla marks his imaginative tone poem with dark, brooding music in the first two of three parts, in each of which he has embedded an appropriate hymn or song reference as thematic material. The first of these sounds in a minor key following a symphonic exposition made up primarily of fanfare-like motives, the music at times quite harsh and abrasive. The song is Paul's statement of exuberant faith (2 Timothy 1:12) in the midst of prison and persecution: 'For I know whom I have believed, and am persuaded that he is able to keep that which I've committed unto him against that day.' More challenging, aggressive music returns until a further point of reflection on Christ's sacrifice is reached. The music graphically evokes the barren landscape of Golgatha, the horror of the crucifixion, including stark wind sounds, a loss of stability via eerie, dissonant chord clusters, and even the nails being driven into Christ's body. The Baritones and then Flugel Horn softly play 'He died of a broken heart.' Yet the Christian life, despite its perils - both at the time of Paul and now - is a victorious life, and the composer resolves the tensions of the work in a scintillating finale, a brilliant setting of the old song about spiritual warfare and the ultimate triumph of Christ the King: 'Victory for me!' (T.B. 841). The chorus of that tune proclaims: 'No retreating, hell defeating, shoulder to shoulder we stand; God look down, with glory crown our conq'ring band.' That crowning is the same one sought and claimed by St. Paul (2 Timothy 4:8): 'Now there is in store for me a crown of righteousness, which the Lord, the righteous judge, will award me on that day, but also to all who have longed for his appearing.' Believers look forward to participating in the final coronation of their Saviour - King of Kings and Lord of Lords - while humbly desiring their own 'crown of heaven.'
Estimated dispatch 7-14 working days
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£34.95Judd: Saints on Parade
Originally composed for the 2004 UK tour by the New York Staff Band, this American-style concert opener contains three well-known tunes which are subjected to a range of musical styles synonymous with the USA. 'Always cheerful', 'I've got the joy, joy, joy, down in my heart' and 'O, when the saints go marching in' are given the marching band, big band and Sousa-style march treatment.
Estimated dispatch 7-14 working days
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£30.00Twelve Scripture-Based Songs Volume XIII
Twelve scripture-Based Songs arranged for Brass Band (Volume XIII) are packaged and marketed in complete sets which include a full score and a set of master parts. It is intended that these parts be used as 'masters', for the purpose of photocopying a quantity of parts to accommodate the precise instrumentation needs of the band for which this has been purchased.Faithful One Brian Doerksen arr. Mervyn ClarkeHide me now (Still) Reuben Morgan arr. Paul SharmanI know he rescued my soul (My redeemer lives) Reuben Morgan arr. Dean JonesI will praise you Lord, with all my heart Dick KrommenhoekI will worship (You alone are worthy of my praise) David Ruiss arr .Dean JonesJesus shall take the highest honour Chris Bowater arr. Steven PonsfordThe candle of the Lord Joy Webb arr. Michael KenyonThe way it's gonna be Doug Horley arr. Dean JonesThere is an endless song (How can I keep from singing?) Chris Tomlin, Matt Redman and Ed Cash arr. Brian HoggWhen the spirit of the Lord (Dance like David) Anon arr. Andrew MackerethYour grace still amazes me Craig Phillips and Dean Phillips arr. David E JonesZephaniah's Song (I've found the pearl) arr. William Himes
Estimated dispatch 7-14 working days
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£34.95Funk Engine (Score and Parts)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days
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£14.95Funk Engine (Score Only)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days
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£40.00Fanfare For Celebration
The original wind band version of Fanfare for a Celebration was written for the wind band of Dartington Summer School, under the direction of Paul Dummer. I created this brass version for Regent Brass Band in 2014 under the direction of Paul Archibald. I've also written versions for other brass ensembles which have been used at English Brass Academy courses. It is intended to be a short, exuberant celebration piece of moderate difficulty.
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£119.99Landscapes (Brass Band - Score and Parts) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£44.99Landscapes (Brass Band - Score only) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£34.99Frankly Speaking (Brass Band - Score and Parts) - Freeh, Mark
Mark Freeh's fine arrangement brings together three classic Sinatra songs in a suite for solo instruments and band: I've Got You Under My Skin (flugel solo), All the Way (trombone solo) and New York, New York (cornet or euphonium solo).Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 5:00
Estimated dispatch 7-14 working days
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£30.00Hot Gospel - Various
Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.
In Stock: Estimated dispatch 3-5 working days
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