Results
-
£32.95SIMON CALLED PETER (Brass Band - Score only) - Vinter, Gilbert
Rhapsody for Brass Band. Duration: 9:14 Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£74.95
SYMPHONY OF MARCHES (Brass Band - Score and Parts) - Vinter, Gilbert
Duration: 11:45 Includes: Maestoso; Grave; Brioso Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£37.95
SYMPHONY OF MARCHES (Brass Band - Score only) - Vinter, Gilbert
Duration: 11:45 Includes: Maestoso; Grave; Brioso Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£42.95
TAPROOM BALLAD (Trombone/Brass Band) - Vinter, Gilbert
Duration: 4:42. Recorded on Polyphonic QPRL068D
Estimated dispatch 7-14 working days
-
£82.95
Triumphant Rhapsody (Brass Band - Score and Parts) - Vinter, Gilbert
Fantasy for Brass BandDuration: 11:30Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£37.95
Triumphant Rhapsody (Brass Band - Score only) - Vinter, Gilbert
Fantasy for Brass BandDuration: 11:30Recorded on Polyphonic QPRL068D Triumphant Rhapsody
Estimated dispatch 7-14 working days
-
£49.95
WHEN THE SAINTS (Brass Band - Score and Parts) - Vinter, Gilbert
Please note: This is a facsimile edition for Brass Band. TTBB parts available separately
Estimated dispatch 7-14 working days
-
£1.95
WHEN THE SAINTS (TTBB) - Vinter, Gilbert
TTBB part correlates with Brass Band edition
Estimated dispatch 7-14 working days
-
£37.95Connotations (Brass Band - Score only) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
-
£74.95
Connotations (Brass Band - Score and Parts) - Gregson, Edward
Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works - The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date - Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, 'Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about'.Writing a competition piece brought its own problems. 'It has to be technically difficult and yet musically satisfying. I didn't like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality'.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction - fanfares, a call to attention, in effect Variation 1; Theme - a six-note motif, given a lyrical and restrained first statement; Variation 2 - a delicate toccata; Variation 3 - typically robust in melody and rhythm; Variation 4 - lyrical solos; Variation 5 - a scherzo; Variation 6 - cadenzas; Variations 7-9 - an introduction, fugato and resounding restatement of the theme.Duration: 10.30
Estimated dispatch 7-14 working days
View Music