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  • £34.95

    Judd: Saints on Parade

    Originally composed for the 2004 UK tour by the New York Staff Band, this American-style concert opener contains three well-known tunes which are subjected to a range of musical styles synonymous with the USA. 'Always cheerful', 'I've got the joy, joy, joy, down in my heart' and 'O, when the saints go marching in' are given the marching band, big band and Sousa-style march treatment.

    Estimated dispatch 7-14 working days
  • £44.95

    Judd: Scottish Folk Variants - Euphonium Solo

    Here is music that provides a soloist with melody and bravura, as it did when premiered by Derick Kane at ISB120 for which it was commissioned. Hence, there are a number of traditional Scottish melodies that form the basis for these variants. Perhaps you will recognise, in sequence: 'The dashing white sergeant', 'My bonnie lies over the ocean', 'Skye boat song', 'Bonnie Dundee'.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: Star Lake

    Unbelievable to think that this march is 70 years old written when Eric Ball was a guest at the famous Star Lake music camp in the USA. Entertaining and easily within the grasp of all bands.

    Estimated dispatch 7-14 working days
  • £59.95

    Judd: The Long Cloud of Witnesses

    This music was written for the Amsterdam Staff Band's 50th Anniversary. The idea for using this theme in appreciation of the pioneers of the band who had gone before came to me during the thanksgiving service for my own mother's life. She was a life-long Salvationist, and the large crowd that gathered for her thanksgiving in Winchester gave such an inspiring rendition of this hymn at the end of the service that it moved me to write the music. In the closing pages of the score I have tried to suggest that final parade when those who loved the Lord join the 'long cloud of witnesses' in procession to their eternal home. - Kenneth Downie

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: The Redcliff March

    First published in 1929, this march was written when the composer was living in Redcliffe, Australia.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: The Roll Call

    This march derives its title from the American hymn When the roll is called up yonder which is used as a bass solo. British expatriate William Broughton became a master of the American street march, the trio and break-up strain of this march being unmistakeably American and reminiscent of the golden age of American band music under Sousa, King and Fillmore.

    Estimated dispatch 7-14 working days
  • £29.95

    Judd: To Regions Fair

    Clive Bright, in his score note when To Regions Fair was originally published in 1958, predicted that the march would 'have a good run'. In retrospect, this turned out to be something of an understatement as this march (and many other Bearcroft marches) remains vibrantly active fifty years after its original publication. The title is derived from the song 'Meet in bliss' which is featured in the trio section.

    Estimated dispatch 7-14 working days
  • £59.95

    Judd: Variations on Laudate Dominum

    Based on the noble hymn tune of the same name by Sir Hubert H. Parry, there are seven variations, the seventh of which is a fugato. The theme is not presented in full until the end, when it is heard in its full majesty and the music brought to a tremendous and climactic conclusion.

    Estimated dispatch 7-14 working days
  • £69.95

    Transformation (Brass Band - Score and Parts)

    I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.

    Estimated dispatch 7-14 working days
  • £34.95

    You've Been Warne'd

    One of David's favourite styles of music was swing music and in particular big bands. With this piece, I have composed it in a big band swing style with the sole intention when performing it - to have a lot of fun!There is opportunities for various soloists to play their respective solos stood up and facing the audience. There is finger clicking and clapping throughout the piece and there is even an opportunity for all the band to sing. With a catchy hook line and walking bass this piece should provide plenty of musical enjoyment for both player and audience member.Paul Lovatt-Cooper Suitable for 3rd Section Bands and above

    Estimated dispatch 7-14 working days