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Kleine Schlussel Marsch - Len Jenkins
Kleine Schlussel Marsch is a light German-style march, written for and dedicated to the Youth Band section of The Woburn Sands Band in 1993 by Len Jenkins.
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£38.50
A Slaidburn Festival Overture - Stoll, B
In 1997, all of the students who were undertakingthe BA Band Studies Course atAccrington & Rossendale College, werecommissed by the Slaidburn Band to composea suitable piece of music to mark itscentenary in 1998.As a result, Beverley Ann Stoll wrote theoverture as a tribute to both WilliamRimmer and Joseph Hodgson. The overturebriefly features the musical themes ofthe March "Slaidburn" and the unaffectedpoignant harmonies of the hymn tune"Burn Fell".Youth Band
In Stock: Estimated dispatch 1-3 working days
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£50.00
A Wessex Suite - Broadbent, D
March: Sturminster HighSerenade: Child OkefordScherzo: Saxon InnDedicated to John and Margaret Grinnell for their work with the Wessex Youth Course
In Stock: Estimated dispatch 1-3 working days
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£40.00
Cocoon - Horner, J - Barry, D
A major box-office success of 1985 directed by Ron Howard. Composed by James Horner Cocoon is a lyrical, tender, intimate work which addresses a vast spectrum of emotions, examining such topics as death and mortality, friendship, and familial relationships, as well as the joy of regained youth.
In Stock: Estimated dispatch 1-3 working days
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£38.50
Elan - Harper, P
Commissioned by the British Federation of Brass Bands and first performed at the Symphony Hall, Birmingham, as part of the European Brass Band Championship Gala Concert and played by the National Youth Brass Band of Great Britain.2nd section +
In Stock: Estimated dispatch 1-3 working days
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£40.00
Lionheart - Harper, P
Lionheart was commissioned by the British Federation of Brass Bands for the 2007 European Brass Band Championships held at the Symphony Hall, Birmingham, and first performed at the Gala Concert by the European Youth Brass Band. It is a triumphant concert opener of about four minutes duration playable by second, first and championship bands.2nd section +
In Stock: Estimated dispatch 1-3 working days
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£26.50
Prelude - Bright, C
Suitable for youth bandsIncludes a full band set (no score)
In Stock: Estimated dispatch 1-3 working days
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£33.00
A Hebridean Lullaby (Baritone Solo) - Harper, P
Composed for World Solo Champion Katrina Marzella and the Cornwall Youth Brass Band, A Hebridean Lullaby is a beautiful and haunting melody from the pen of Philip Harper, taking its inspiration from the music and folksong of the Hebrides; a cluster of islands off the west coast of Scotland. Commissioned through a BBC Fame Academy Bursary, this piece is one which is enjoyed and admired by both performers and audiences the world over. The atmosphere created by the score is simply stunning. It's an outstanding addition to the baritone horn's concert repertoire.4th section +
In Stock: Estimated dispatch 1-3 working days
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£64.95Adam Zero, Suite from (Brass Band - Score and Parts)
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days
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£29.95
Adam Zero, Suite from (Brass Band - Score only)
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days
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